All Episodes of the First Season of James Gunn’s PEACEMAKER Are Available on HBO Max Now.
I know. This show did, indeed, come out several months ago. Back then, I had been preparing to write a longer article about this show, but, then life got in the way, and now we’re in June. Sorry about that. Still, I am happy to be able to report that I think this show is absolutely terrific and I also think it’s the best DC Comics season of television I’ve ever seen. That statement is coming from someone who was obsessed with Smallville once, who loved the first season of CW’s The Flash, and who did follow the Arrowverse for quite some time. With respect to those shows, James Gunn’s Peacemaker is just head-and-shoulders above those other series in large part because it feels so director-driven. It has a distinctive style and voice that is just so right for this show.
Over the years, I have certainly not tried to hide the fact that I think 2016’s Suicide Squad, which was directed by David Ayer (though he has repeatedly made it clear that the film was essentially taken away from him as a result of studio interference), is, to put it mildly, one of my least favorite films ever made in the superhero genre. That 2016 film certainly reeked of studio interference, it was an almost incoherent mess, it was needlessly grimy and at times quite ugly, it used a decent soundtrack as a crutch and in a way that became incredibly tiring, all the while failing to get you to care about the characters or the relationships they were building. There were some decent things about it, but, on the whole, it felt like someone had tried to turn Ayer’s vision into a shameless imitation of James Gunn’s Guardians of the Galaxy, and that just didn’t work for the film that Ayer had envisioned.
Directed by Patty Jenkins — Screenplay by Patty Jenkins, Geoff Johns, and Dave Callaham.
The highly anticipated sequel to Patty Jenkins’ 2017 film, Wonder Woman, has finally arrived in Denmark. The film was released in theaters around the world (and simultaneously on HBO Max exclusively in the United States) in December of 2020, but, a week, or so, prior to the theatrical release in Denmark, all Danish theaters were ordered to close due to the second wave of the Coronavirus global pandemic. At the time of writing, theaters are still closed. This also means that Wonder Woman 1984 eventually skipped Danish theaters entirely.
In the mean time, frustratingly, the film was not made available for premium-video-on-demand in Denmark, and it took the distributor this long to release the film on HBO Nordic. That’s right, almost exactly three months after it was released on a streaming service in the United States. But now, thankfully, that wait is over. I’ve finally had the chance to watch the sequel to the hit 2017 superhero film led by Gal Gadot. Unfortunately, while I appreciated the original film, this sequel just feels misguided.
Directed by Zack Snyder — Screenplay by Chris Terrio — Story by Chris Terrio, Zack Snyder, and Will Beall.
In 2017, Warner Bros. released the film titled Justice League in theaters worldwide. This was a superhero team-up film that was supposed to be the third installment in a series of films set in Warner Bros.’ cinematic universe that has been dubbed the DC Extended Universe. The previous two installments — Man of Steel and Batman v Superman — were directed by Zack Snyder, who had essentially become the godfather, or the face, of the DC Extended Universe.
Snyder was also supposed to complete Justice League, but, due to a family tragedy, he decided to step away from the film and let Joss Whedon, the seasoned superhero filmmaker hired by Warner Bros. to replace him, finish the film. But Whedon and Snyder are very different filmmakers and they have different sensibilities, and, ultimately, the theatrical cut of Justice League was met with largely negative reviews. The final product lacked a uniform vision and tone, and it started to become clear that a lot of the essential material that Zack Snyder had planned for the film had been left on the cutting room floor.
The following is a review of Shazam! — Directed by David F. Sandberg.
It pleases me to say that the DC Cinematic Universe has turned a corner. For so long, Wonder Woman, the first film in the connected universe to receive a majority of positive reviews from film writers, seemed like an anomaly in the inconsistent universe where mixed reception was the best that you could hope for. James Wan’s Aquaman, however, was a big hit — one that indicated that perhaps the DC connected film universe still had life in it. And for Shazam! — a character most audiences will be unfamiliar with — DC and Warner Bros. borrowed yet another director from the Conjuring-film universe, Swedish David F. Sandberg, who, thankfully, has made a huge homerun hit for the weakened connected universe. Continue reading “REVIEW: Shazam! (2019)”→
Oh, Affleck. It seems like just yesterday that I was flip-flopping on the night of the announcement whether or not I liked that he was cast as DC’s Caped Crusader. He ended up doing a pretty good job in Batman v Superman: Dawn of Justice, but he was one of the clearly noticeable problems with Justice League. Recently, it was announced that Affleck will not be playing Bruce Wayne in Matt Reeves’ film about the Dark Knight. So, today, I want to show my readers who I want to see play Batman in Reeves’ film. Continue reading “Who Should Play Batman in Matt Reeves’ Batman-Film? – Special Features #47”→
The following is a review of Aquaman — Directed by James Wan
If you are reading this as a die-hard Aquaman-fan, I’m sorry but I have to start off my review like this: I’ve never thought that highly of the character. I didn’t make dumb water-jokes about him, but, for the longest time, the first things I thought about when I heard someone mention ‘Aquaman’ was, first, Alan Ritchson in CW’s Smallville and, then, the fake James Cameron film from HBO’s Entourage. Continue reading “REVIEW: Aquaman (2018)”→
The following is a review of Wonder Woman – Directed by Patty Jenkins.
Although there are a lot of female heroes to read about in comic books, few of them have been given a chance on the big screen. In fairness, Hollywood has tried to make female superhero films work before, but when those attempts didn’t work out well, they weren’t really interested in pursuing other similar projects.
Jeannot Szwarc’s Supergirl was critically panned, as was both Pitof’s Catwoman and Rob Bowman’s Elektra. Now, in 2017, we are finally getting a good film about a true feminist icon. Patty Jenkins’ Wonder Woman is here, and while it isn’t perfect, it is a strong origin story for an important comic book character. Continue reading “REVIEW: Wonder Woman (2017)”→
Suicide Squad is the next film in the DC Cinematic Universe, and even though the superhero genre is the most popular genre in this century so far, DC/WB have had some trouble in kickstarting their cinematic universe. Man of Steel was polarizing, Batman v Superman: Dawn of Justice was critically panned, but what about Suicide Squad? It will be the first DC Cinematic Universe film without Kal-El (you assume), does that then mean it’ll work? Will Suicide Squad be a success? Continue reading “Will Suicide Squad Be A Success? – Detective Comics Saturday #6”→