REVIEW: Black Adam (2022)

Dwayne Johnson is BLACK ADAM — PHOTO: Warner Bros.

Directed by Jaume Collet-Serra (Jungle Cruise) — Screenplay by Adam Sztykiel, Rory Haines, and Sohrab Noshirvani.

Does anyone really know what Warner Bros. Discovery and DC Comics are doing with their immensely popular comic book characters on the big screen? Half the time it sounds like they want to copy what Disney and Marvel are doing, and the other half it sounds like they want to do a little bit of everything. That latter suggestion is unfocused but it is also a little bit exciting that they are prepared to do anything. That we can get a deeply gritty Halloween-set Batman film and a more brightly colored tongue-in-cheek superhero comedy for all ages in Shazam! with DC Comics is good fun, but I’m not sure fans, general audiences, or the higher-ups are on the same page. Some fans want a patient build-up in the vein of the Marvel Cinematic Universe, some want a return to Nolan-esque grittiness, and others are desperate for Zack Snyder’s vision for the DC universe to live on. Time will tell if they can have it all, but, in trying to appeal to the most amount of people, Jaume Collet-Serra’s underdeveloped Black Adam raises some eyebrows, as it feels very much like a film that has been tinkered with by higher-ups so much over the years that it has gone stale, which is a shame since Dwayne “the Rock” Johnson has been waiting for 15 years to make his mark as the titular antihero.

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REVIEW: The Suicide Squad (2021)

David Dastmalchian, John Cena, Idris Elba, and Daniela Mechior in THE SUICIDE SQUAD — Photo: Jessica Miglio / Warner Bros.

Directed by James Gunn (Guardians of the Galaxy) — Screenplay by James Gunn.

Over the years, I have certainly not tried to hide the fact that I think 2016’s Suicide Squad, which was directed by David Ayer (though he has repeatedly made it clear that the film was essentially taken away from him as a result of studio interference), is, to put it mildly, one of my least favorite films ever made in the superhero genre. That 2016 film certainly reeked of studio interference, it was an almost incoherent mess, it was needlessly grimy and at times quite ugly, it used a decent soundtrack as a crutch and in a way that became incredibly tiring, all the while failing to get you to care about the characters or the relationships they were building. There were some decent things about it, but, on the whole, it felt like someone had tried to turn Ayer’s vision into a shameless imitation of James Gunn’s Guardians of the Galaxy, and that just didn’t work for the film that Ayer had envisioned.

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REVIEW: Wonder Woman 1984 (2020)

Gal Gadot as Wonder Woman (left) and Chris Pine as Steve Trevor (right) in Wonder Woman 1984 — Photo: DC Comics / Warner Bros.

Directed by Patty Jenkins — Screenplay by Patty Jenkins, Geoff Johns, and Dave Callaham.

The highly anticipated sequel to Patty Jenkins’ 2017 film, Wonder Woman, has finally arrived in Denmark. The film was released in theaters around the world (and simultaneously on HBO Max exclusively in the United States) in December of 2020, but, a week, or so, prior to the theatrical release in Denmark, all Danish theaters were ordered to close due to the second wave of the Coronavirus global pandemic. At the time of writing, theaters are still closed. This also means that Wonder Woman 1984 eventually skipped Danish theaters entirely.

In the mean time, frustratingly, the film was not made available for premium-video-on-demand in Denmark, and it took the distributor this long to release the film on HBO Nordic. That’s right, almost exactly three months after it was released on a streaming service in the United States. But now, thankfully, that wait is over. I’ve finally had the chance to watch the sequel to the hit 2017 superhero film led by Gal Gadot. Unfortunately, while I appreciated the original film, this sequel just feels misguided.

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REVIEW: Shazam! (2019)

Theatrical Release Poster – Warner Bros. / New Line Cinema

The following is a review of Shazam! — Directed by David F. Sandberg.

It pleases me to say that the DC Cinematic Universe has turned a corner. For so long, Wonder Woman, the first film in the connected universe to receive a majority of positive reviews from film writers, seemed like an anomaly in the inconsistent universe where mixed reception was the best that you could hope for. James Wan’s Aquaman, however, was a big hit — one that indicated that perhaps the DC connected film universe still had life in it. And for Shazam! — a character most audiences will be unfamiliar with — DC and Warner Bros. borrowed yet another director from the Conjuring-film universe, Swedish David F. Sandberg, who, thankfully, has made a huge homerun hit for the weakened connected universe.
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Who Should Play Batman in Matt Reeves’ Batman-Film? – Special Features #47

Batman v Superman: Dawn of Justice, Warner Bros. Pictures

Oh, Affleck. It seems like just yesterday that I was flip-flopping on the night of the announcement whether or not I liked that he was cast as DC’s Caped Crusader. He ended up doing a pretty good job in Batman v Superman: Dawn of Justice, but he was one of the clearly noticeable problems with Justice League. Recently, it was announced that Affleck will not be playing Bruce Wayne in Matt Reeves’ film about the Dark Knight. So, today, I want to show my readers who I want to see play Batman in Reeves’ film. Continue reading “Who Should Play Batman in Matt Reeves’ Batman-Film? – Special Features #47”

REVIEW: Aquaman (2018)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Aquaman — Directed by James Wan

If you are reading this as a die-hard Aquaman-fan, I’m sorry but I have to start off my review like this: I’ve never thought that highly of the character. I didn’t make dumb water-jokes about him, but, for the longest time, the first things I thought about when I heard someone mention ‘Aquaman’ was, first, Alan Ritchson in CW’s Smallville and, then, the fake James Cameron film from HBO’s Entourage. Continue reading “REVIEW: Aquaman (2018)”

REVIEW: Wonder Woman (2017)

Release Poster – Warner Bros. Pictures

The following is a review of Wonder Woman – Directed by Patty Jenkins.

Although there are a lot of female heroes to read about in comic books, few of them have been given a chance on the big screen. In fairness, Hollywood has tried to make female superhero films work before, but when those attempts didn’t work out well, they weren’t really interested in pursuing other similar projects.

Jeannot Szwarc’s Supergirl was critically panned, as was both Pitof’s Catwoman and Rob Bowman’s Elektra. Now, in 2017, we are finally getting a good film about a true feminist icon. Patty Jenkins’ Wonder Woman is here, and while it isn’t perfect, it is a strong origin story for an important comic book character. Continue reading “REVIEW: Wonder Woman (2017)”

Ben Affleck Won’t Direct ‘The Batman’

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When Batman v Superman: Dawn of Justice came out and it was getting really bad reviews, I asked myself if I should be worried about the future of the DC Cinematic Universe. I was worried but I calmed myself by reminding me that Suicide Squad could be great (it definitely wasn’t), that the Wonder Woman film could be cool (I still think it can be), and that everyone should be excited for The Batman because of Ben Affleck’s involvement. Now Affleck is no longer directing the film and I’m officially panicking.
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If I had been in charge of WB and DC – Detective Comics Saturday #10

Detective Comics Saturday

This is the final planned Detective Comics Saturday of 2016.

I often think back to how perfectly the Marvel Cinematic Universe was set up by Marvel Studios. Although superhero films had been popular for a while in 2008, Marvel Studios kickstarted the golden era of comic book movies. DC and Warner Bros. kickstarted their own cinematic universe in 2013 with Man of Steel – when Marvel Studios had already started the second phase of their cinematic universe. Continue reading “If I had been in charge of WB and DC – Detective Comics Saturday #10”

REVIEW: Suicide Squad (2016)

Theatrical Release Poster - Warner Bros. Pictures
Theatrical Release Poster – Warner Bros. Pictures

The following is a review of David Ayer’s Suicide Squad.

The DC Cinematic Universe needs a hit right now. Man of Steel was polarizing. Batman v Superman: Dawn of Justice was critically panned and it needed an extended cut to fix some of its many problems. Now, Warner Bros. and DC have released a film about bad guys teaming up to do ‘good.’ It may be a bit of a risk, but they are going for a Guardians of the Galaxy-like surprise hit. Unfortunately, Suicide Squad doesn’t hold a candle to the aforementioned Marvel Studios hit. David Ayer’s film is an almost incoherent mess of a film.
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