It is finally time for me to announce my own personal film nominations for the I’m Jeffrey Rex Awards of 2018. Sure, we’re in 2019 now, but I needed some time to watch some of the films that were released in January in Denmark.
There will be a couple of surprises here, and I’m not just talking about the nominees. Four awards that have not previously been announced will make their debut here with their own sets of nominations. Also, one award has had its titled changed to allow for more than a small handful of nominees. Well, let’s get to it. Continue reading “IJR Awards 2018: Film Nominations Announced”→
Okay, I know. This is insane. But I enjoyed doing it last year, so it’s happening again! The 91st Academy Awards haven’t even been held, and I’ve only seen, like, twelve films from 2019 at this point. I love writing about the awards season, but, to be honest with you, I find the annual best picture frontrunner backlash to be draining. So, therefore, I think it’s much easier for me to write about next year’s awards season. And don’t you worry, I have a pretty good idea of what is coming out this year. So, without further ado, let’s get to it. Continue reading “Crazy Early 92nd Academy Awards Predictions – Special Features #46”→
The following is a review of Widows — Directed by Steve McQueen.
Based on Linda La Plante’s 1980s crime drama of the same name, Widows is only the fourth feature film from Academy Award, BAFTA Award, and BFI Fellowship-winning film director Steve McQueen, who has now teamed up with crime writer Gillian Flynn (Gone Girl & Sharp Objects). After having made films about Irish history, sex addiction, and the American history of slavery, McQueen’s latest film tackles themes such as class, politics, and gender via an audience-pleasing genre. Continue reading “REVIEW: Widows (2018)”→
The following is a review of Bad Times at the El Royale — Directed by Drew Goddard.
There are some films that you can only recommend with a very specific caveat — that the movie felt as if it had been designed and made for you. This feeling can happen all the time, and when this happens I almost always find myself saying that “I absolutely loved it,” and then I limit my statement with a “but.” In the case of Bad Times at the El Royale, that sentence would probably look something like this: “I absolutely loved it, but there is a very real chance that its length and pace will annoy the hell out of you.” Continue reading “REVIEW: Bad Times at the El Royale (2018)”→