Juror #2 (2024) | REVIEW

Toni Collette and Nicholas Hoult in JUROR #2 — Photograph by Claire Folger/Warner Bros.

Directed by Clint Eastwood — Screenplay by Jonathan Abrams.

Movie-star-turned-filmmaker Clint Eastwood is a 94-year-old four-time Oscar winner who is still working with some of the industry’s best actors and studios. Although we’d all love for him to keep making films forever, this could theoretically be the final film from one of the very few stars of Hollywood of which adults of all ages will have had some kind of knowledge. It could even, given his status and talent as a filmmaker, have been a genuine Oscar contender. You would think, then, that this film — which stars actors like Nicholas Hoult, Toni Collette, J.K. Simmons, Kiefer Sutherland, and others — would be a film that Warner Bros. would proudly release in theaters as prestigious cinema for grown-ups. And yet, that’s not exactly what happened. Eastwood’s potentially final film was released in fewer than 50 theaters across the United States, as well as modest theatrical releases in only a select few territories around the world. Instead, it was prioritized as a holiday streaming release as a ‘Max Original’. It sounds like a headscratcher even before you see the film, and, frankly, it’s still a headscratcher after you see it because, well, Juror #2 is a gripping legal thriller that shows that Clint Eastwood, even at 94 years old, still has what it takes to make compelling films.

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Additional Bite-Sized Reviews, Dec. 2021: ‘In the Heights,’ ‘Fast and Furious 9,’ and More

Anthony Ramos as ‘Usnavi’ and Melissa Barrera as ‘Vanessa’ in Jon M. Chu’s IN THE HEIGHTS. — PHOTO: Warner Bros. Pictures.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I mostly run you through my thoughts on several different films that I’ve missed throughout the year. That means that I have finally seen films like Jon M. Chu’s In the Heights, Rebecca Hall’s Passing, the latest entry in the Fast and Furious franchise (F9), and much, much more including a Best Picture winner that I missed during the previous Oscar season.

Continue reading “Additional Bite-Sized Reviews, Dec. 2021: ‘In the Heights,’ ‘Fast and Furious 9,’ and More”

REVIEW: Richard Jewell (2019)

Still Image Richard Jewell
‘Richard Jewell,’ Still Image — Photo: Claire Folger / Warner Bros.

Directed by Clint Eastwood — Screenplay by Billy Ray.

There is a lot to say when it comes to Clint Eastwood’s Richard Jewell, which is a biopic about the security guard who discovered a bomb during the 1996 Summer Olympics in Atlanta, then alerted authorities, and was later wrongly accused of having planted it. While the film is not without problems, on the whole, I thought that Clint Eastwood’s 2019 picture was a success. This is a heartbreaking and infuriating film about the investigation into the Centennial Olympic Park bombing and the media circus and harsh media trial that followed as a result of an FBI leak, and at the center of the film is a breakthrough performance that I don’t think got the praise it deserved. Continue reading “REVIEW: Richard Jewell (2019)”

18 Lessons 2018 Taught Cinephiles and the Film Industry – Special Features #40

That’s right, people, it’s a tradition now. Last year, I wrote an article about the lessons that cineastes and the industry were taught by 2017. So, now, for the second year in a row, I’m ready to present you with a thorough list of the most interesting lessons that we were all taught by cinema, the film industry, or the studio system this year. Continue reading “18 Lessons 2018 Taught Cinephiles and the Film Industry – Special Features #40”

REVIEW: Sully (2016)

Theatrical Release Poster - Warner Bros.
Theatrical Release Poster – Warner Bros.

The following is a review of Clint Eastwood’s Sully.

Sully, which is based on a memoir written by Chesley Sullenberger and Jeffrey Zaslow, tells the true story of the events surrounding US Airways Flight 1549 – the plane that pilot Chesley Sullenberger (played by Tom Hanks) felt that he was forced to land on New York’s Hudson River. However, in the days that followed, Sullenberger had to defend his decision to the press and to the National Transportation Safety Board (NTSB).
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The Academy Got It Wrong? – Motion Picture Thoughts #9

Academy Analysis 2016

This edition of Academy Analysis covers every Best Picture Winner since the 63rd ceremony (March 1991), ending with the 88th ceremony (February 2016).

So, one of the things I want to do in Motion Picture Thoughts is to really highlight the Academy Awards. I watch it every year. I obsess over nominees. I’m just incredibly intrigued by the Oscars. So, a couple of months ago, I decided to write about the best picture winners at the Oscars. In the future, I may focus on another award. Continue reading “The Academy Got It Wrong? – Motion Picture Thoughts #9”