In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, including an entire trilogy of films! What did I think about the Fear Street-films? Is the Rear Window-inspired flick, The Woman in the Window, worth a watch? Is Bad Trip, the hidden camera comedy, funny enough for its runtime? Are Doug Liman and Alexandre Aja’s latest films any good? Well, scroll down to find out in another jam-packed edition of Additional Bite-Sized Reviews!Continue reading “Additional Bite-Sized Reviews, Summer ’21, Pt. 2: ‘The Fear Street Trilogy,’ ‘Bad Trip,’ and More”
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In July 2020, among other things, I wrote about films from directors such as Brian De Palma, Roman Polanski, and Gina Prince-Bythewood.
HBO and PlayStation recently announced that Chernobyl-creator Craig Mazin will develop a series adaptation of the hit PlayStation game THE LAST OF US with Neil Druckmann, who was the writer and co-creative director on the original game. Druckmann is also one of the chief creatives working on the game’s highly anticipated sequel, THE LAST OF US: PART II. As I’ve definitely written before, THE LAST OF US is my favorite game ever made. It is a masterpiece. So, today, I want to give my updated opinions about who should play the game’s main characters in the upcoming HBO adaptation. Continue reading “Casting the HBO adaptation of THE LAST OF US – Special Features #65”
The following is a review of The Square — Directed by Ruben Östlund.
Had you told me in the beginning of the year that a Swedish film about a Dane looking for his stolen smartphone while he has to take part in discussions about the amorphous nature of ‘the exhibitable’ at an art museum, then I probably wouldn’t have known whether to laugh or cry. Continue reading “REVIEW: The Square (2017)”