REVIEW: Guardians of the Galaxy, Vol. 3 (2023)

(L-R) Peter Quill (Chris Pratt), Drax (Dave Bautista), Rocket (Voiced by Bradley Cooper), Gamora (played by Zoe Saldana), Groot (voiced by Vin Diesel), Nebula (played by Karen Gillan), and Mantis (played by Pom Klementieff) in GUARDIANS OF THE GALAXY, VOL. 3 — PHOTO: Walt Disney Studios Motion Pictures.

Directed by James Gunn — Screenplay by James Gunn.

“What a bunch of a-holes,” were the last words spoken in the very first trailer for James Gunn’s original Guardians of the Galaxy film back in 2014. Here was a trailer that introduced Marvel Studios’ biggest swing at that point in time — a team-up film built around a talking raccoon, a Chewbacca-esque tree, a wrestler in body paint, Avatar’s leading lady having swapped out her blue alien for a green one, and a minor supporting actor from Parks and Recreation, who was thrust into a stardom that he still enjoys. Back then it seemed like a huge risk to back C or D-list Marvel characters, but a lot can happen in nine years. Now, Rocket, Groot, Drax, Gamora, and Star-Lord are some of the most beloved characters in the Marvel Cinematic Universe, they had their own Star Wars-inspired Holiday Special just last Christmas, and the films’ director, James Gunn, is about to end his time with Marvel after having been both fired from (due to social media ‘receipts’ detailing offensive jokes) and re-hired for this very film in the late 2010s. Gunn didn’t just revive Blue Swede’s “Hooked on a Feeling,” and make your mom and dad know who Groot is, Gunn also established himself as one of Marvel’s actual auteur filmmakers, which is a reputation that has landed him a huge job over at Warner Bros. as the shepherd of the soon-to-be rebuilt DC Comics cinematic universe. But first, he had to finish his Marvel Studios trilogy. And, so, how did it turn out? Well, let’s just say, James Gunn’s Guardians of the Galaxy films go out on a high note, as they are now arguably the very best Marvel Studios trilogy.

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REVIEW: The Guardians of the Galaxy: Holiday Special (2022)

(L-R): Pom Klementieff as Mantis and Dave Bautista as Drax in Marvel Studios’ The Guardians of the Galaxy: Holiday Special, exclusively on Disney+. Photo by Jessica Miglio. © 2022 MARVEL.

Directed by James Gunn — Screenplay by James Gunn.

I’ve made it no secret that the Guardians of the Galaxy films mean a great deal to me. I saw the first film in theaters with my family when we greatly needed something to smile about and we all absolutely loved it. It came around at the exact right time, and James Gunn’s spin on these C-List Marvel characters has made them family favorites (and I’m sure that isn’t just true in my family). I’ve often said that it had the potential for a Star Wars-like impact on a generation, and so I thought it was a hilarious and brilliant idea for James Gunn to add to his overarching narrative about this group of Guardians with a holiday special, as Star Wars’ infamous 1978 holiday special is still spoken about to this day. Thankfully, whereas the Star Wars special was criticized so much that it has never been officially rereleased, this Guardians of the Galaxy special feels much more appropriate to the tone of the films it has spun off from. Like how Werewolf by Night was an entertaining Halloween Marvel Studios special presentation, James Gunn’s Christmas special is exactly what I needed to reconnect with the holiday spirit just in time for December.

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REVIEW: The Tomorrow War (2021)

Still image — Chris Pratt in ‘THE TOMORROW WAR’ — Available now on Amazon Prime Video.

Directed by Chris McKay (The LEGO Batman Movie) — Screenplay Zach Dean.

Several years ago, there was a time when me and my father would watch and rewatch science-fiction films so much so that we knew the dialogue by heart. I can’t possibly tell you the amount of times that I’ve seen, for example, Stargate, which I have a lot of love for. When I was a kid, my father would always steer me towards horror or science-fiction films, and therefore it was a great joy for me to be able to watch this film with my father. Although I had some problems with the film, I genuinely had a lot of fun with it, and I know that if I were still a kid today, then he and I would watch The Tomorrow War over and over again.

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REVIEW: Onward (2020)

Theatrical Release Poster – Walt Disney Studios Motion Pictures

The following is a review of Onward — Directed by Dan Scanlon.

Onward is the 22nd Pixar Animation Studios film, as well as Dan Scanlon’s second Pixar film as a director after 2013’s Monsters, Inc.-sequel titled Monsters University. In recent years, Pixar has been focused on making sequels — such as Toy Story 4 or Finding Dory — to several popular original films, but 2020 was meant to be the first time in several years where the animation studios’ two films — Onward and the upcoming Soul — were both new original films. Continue reading “REVIEW: Onward (2020)”

REVIEW: Her (2013)

Theatrical Release Poster – Warner Bros.

The following is a short updated review (2019) of Spike Jonze’s Her (2013).

Written and directed by Adaptation.-director Spike Jonze, Her is a science-fiction love story set in a ‘futuristic’ American city. The film follows Theodore (played by Joaquin Phoenix) — a writer of other people’s personal letters — who is separated from his wife (played by Rooney Mara). Continue reading “REVIEW: Her (2013)”

REVIEW: The LEGO Movie 2: The Second Part (2019)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of The LEGO Movie 2: The Second Part — Directed by Mike Mitchell.

Phil Lord and Chris Miller’s The LEGO Movie was, frankly, not just one of the best surprises of 2014. It was also one of the best movies of the year. The film’s first follow-up was the Batman spin-off, The LEGO Batman Movie, which, surprisingly, did not ‘exist in,’ so to speak, the real world like Lord and Miller’s hit did. The LEGO Batman Movie was a clever animated hit that I enjoyed greatly, though not as much as I enjoyed Lord and Miller’s LEGO-film. Then they released The LEGO Ninjago Movie which I couldn’t care less about when it was announced. I did see the film eventually, though, but it didn’t speak to me, and I didn’t enjoy it at all. Now we finally have a proper sequel to that first LEGO movie-hit. And although I don’t think it lives up to my expectations, it is a perfectly fine animated sequel. Continue reading “REVIEW: The LEGO Movie 2: The Second Part (2019)”

REVIEW: Avengers: Endgame (2019)

Theatrical Release Poster – Walt Disney Studios Motion Pictures

The review does not include spoilers for Avengers: Endgame, (dirs. Anthony & Joe Russo) but you should absolutely expect spoilers for every film that came before it in the connected universe.

“All that for a drop of blood,” Thanos, the Mad Titan, groaned in 2018’s Avengers: Infinity War moments before Doctor Strange relinquished the time stone to save Tony Stark’s life. Soon the not-so-seasoned Avengers turned to dust. The teenaged talking tree, the brave wall-crawler, an African king with a seemingly impenetrable suit made to look like an anthropomorphic big cat, and a quippy, tricker-happy, 70s music-loving outlaw — all gone from one moment to the next. Those left standing were left to live with their mistakes, as the Avengers had now well and truly lost even though a Norse God, multiple supersoldiers, an eccentric billionaire, and a magical surgeon — to name a few — had fought long and hard to save fifty-percent of the known universe. They failed. If those sentences made no sense to you whatsoever, then Avengers: Endgame isn’t for you. If, however, you’ve been waiting to see — nay, obsessing about — what comes next for Earth’s Mightiest Heroes, then Endgame was designed for you. It is a somber epic like nothing you’ve ever seen before. Avengers: Endgame is peerless in scope and attention to detail, as well as moving from start to finish. Continue reading “REVIEW: Avengers: Endgame (2019)”

REVIEW: Jurassic World: Fallen Kingdom (2018)

Theatrical Release Poster – Universal Pictures

The following is a review of Jurassic World: Fallen Kingdom — Directed by J. A. Bayona.

When Colin Trevorrow’s Jurassic World in 2015 tried to bring back the world that Spielberg perfected back in 1993, it came with the promise of a fully functioning park. But in living Hammond’s dream of a fully operational dinosaur park, we also knew it would eventually all fall apart — there wouldn’t be a movie if it didn’t.
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REVIEW: Avengers: Infinity War (2018)

The following is a review of Avengers: Infinity War — Directed by The Russo Brothers.

“To challenge them is to court death,” the Other, a servant, said to the ‘Mad Titan’ Thanos in the mid-credits scene of 2012’s The Avengers, which was the culmination of the first phase of the Marvel Cinematic Universe. Four years earlier, at the end of 2008’s Iron Man, the mysterious Nick Fury kicked-off the cinematic universe by telling Tony Stark about the ‘Avengers Initiative.’ A lot has happened since then — misfits and unlikely heroes have teamed up to save foreign worlds, a teenage wall-crawler has protected his neighborhood, and long-lasting friendships have been torn apart by the actions of a brainwashed super-soldier. Continue reading “REVIEW: Avengers: Infinity War (2018)”

REVIEW: Guardians of the Galaxy, Vol. 2 (2017)

Theatrical Release Poster – Marvel Studios

The following is a review of Guardians of the Galaxy, Vol. 2 – Directed by James Gunn

The first Guardians of the Galaxy film was very special to me. It arrived at the right time for me and family. My Godmother had just passed away, and Guardians of the Galaxy was the first film we saw as a family since she had passed away. Guardians of the Galaxy made me laugh, it made me cry, and I, to this day, still think of it as one of my favorite films of all-time. It had a huge effect on me.

I, however, never expected Volume 2 to have as big an impact on me as James Gunn’s first Marvel film had and, honestly, it didn’t. But while Volume 2 isn’t as good as the original film, I still really loved it and it did make me emotional more than once. Continue reading “REVIEW: Guardians of the Galaxy, Vol. 2 (2017)”