The following is a review of The Gentlemen — Directed by Guy Ritchie.
If you look at Guy Ritchie’s films from the 2010s, you will see a mixed bag of sequels, spin-offs, remakes, and potential franchise-starters that were made with either Warner Bros. or Disney. His 2011 Sherlock Holmes sequel, A Game of Shadows, received mixed-to-positive reviews and was a financial success. Though I actually really enjoyed it, his film adaptation of The Man from U.N.C.L.E. was described by industry experts as a box office flop, and his woeful fantasy epic King Arthur: Legend of the Sword was even more of disappointment as it was critically panned and reportedly lost its studios more than $150 million. Continue reading “REVIEW: The Gentlemen (2020)”→
The following is a review of Triple Frontier — Directed by J. C. Chandor.
From the director of All is Lost and A Most Violent Year, J. C. Chandor, and the writer of The Hurt Locker and Zero Dark Thirty, Mark Boal, Netflix’s Triple Frontier — named for the tri-border area of Argentina, Brazil, and Paraguay — includes arguably the most star-studded blockbuster-like cast for a Netflix Original Film yet. Continue reading “REVIEW: Triple Frontier (2019)”→
The following is a review of King Arthur: Legend of the Sword – Directed by Guy Ritchie
I’m not one of those people who is an expert on Arthurian mythology, but I do quite enjoy the story as a whole. As a matter of fact, back when this film was referred to as ‘Knights of the Round Table,’ I was extremely excited for the film.
The following is a review of ‘Crimson Peak’, a Guillermo Del Toro film.
Guillermo Del Toro is a fastidious filmmaker, and has been known to master the horrific and the gothic in both his writing and directing. Del Toro is also a visually focused director, and Del Toro is at his best when he is able to build his storytelling on the strength of a beautiful set. Why am I telling you this? Because it pleases me to say that Del Toro is back. Having now seen Crimson Peak, it pleases me to state that Guillermo Del Toro has not crafted a more beautiful world since his 2006 fantasy masterpiece, Pan’s Labyrinth. Continue reading “REVIEW: Crimson Peak (2015)”→