Directed by Cary Joji Fukunaga — Screenplay by Neal Purvis, Robert Wade, Cary Joji Fukunaga, and Phoebe Waller-Bridge.
When I rewatched Sam Mendes’ SPECTRE the other day, I was reminded of the fact that the previous film in the Bond-franchise was released all the way back in 2015. A lot has happened since then, so much so that you may have even forgotten about all of the behind-the-scenes drama that transpired long before No Time To Die became the first major film to be delayed due to the COVID-19 pandemic. After several rounds of rewrites, the shift in director, production, and the pandemic, the fifth and supposedly final film in the Daniel Craig-era of the James Bond-franchise has now finally been released. Thankfully, in spite of the real world drama that threatened to ruin it, this is actually a spy epic that is suitable as a true tribute to Daniel Craig’s bumpy but extraordinary time as the iconic agent. It isn’t the best film in the Craig-era, but it is a very memorable chapter in the franchise.
The New Golden Age of Television continued in 2018 with yet another great year of television. This must be reiterated year after year — yes, even in a year without Game of Thrones — 2018 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2018 is defined best by the return of the increasingly confounding Westworld, and, for others like me, it is best defined by limited series that kept my attention far better than most long-running shows. Continue reading “Top Ten TV-Shows of 2018”→
The following is a full review of Netflix’s Maniac — Developed by Cary Joji Fukunaga & Patrick Somerville.
It is a good time to be Cary Joji Fukunaga, the director of Sin Nombre and Beasts of No Nation, who won an Emmy for directing the first season of HBO’s True Detective. Although Fukunaga’s career has seen him deal with behind-the-scenes production issues, with his exit from 2017’s IT being the primary example, he may have just had the best week of his career. Continue reading “REVIEW: Maniac (2018 – Mini-Series)”→
The following is a review of It – Directed by Andy Muschietti
It, based on Stephen King’s super-sized novel of the same name, follows a group of kids, called the Losers’ Club, led by a kid named Bill Denbrough (played by Jaeden Lieberher) who had recently lost his younger brother Georgie (played by Jackson Robert Scott). Georgie disappeared into the sewers when he was met by Pennywise the dancing clown (played by Bill Skarsgård). When the dancing clown starts showing up and haunting the fearful kids of Derry, Maine, the Losers’ Club must band together to face their own demons in the form of a scary clown. Continue reading “REVIEW: It (2017)”→
By this time tomorrow we will know which films will battle for some of the biggest awards in western cinema. One of my favorite days of the year is when the Academy announces the nominees. Cinephiles always have opinions about award snubs, and I’m always excited to take part in that conversation. This year it’ll probably end up being The Revenant versus Spotlight for the big awards, but don’t be surprised if the Academy shows a lot of love for either Mad Max: Fury Road or The Martian. Let’s try to predict the nominees! Continue reading “Predicting the Nominees for the 88th Academy Awards – Motion Picture Thoughts #4”→
I cannot believe 2015 is coming to an end. It has been the busiest year for my blog yet, and I’m really excited to reveal my top ten films of 2015, some of which really surprised me, and others that somehow were better than expected. Continue reading “Top Ten Films of 2015”→
The following is a review of the Netflix Original Film ‘Beasts of No Nation’, a Cary Joji Fukunaga Film.
In 2005, Uzodinma Iweala’s novel Beasts of No Nation was published. Now, ten years later, it has become the first major Netflix Original Film. Cinematically, this is Cary Joji Fukunaga’s baby. Fukunaga is best known for directing the first season of True Detective, but also wrote and directed Sin Nombre, a critically acclaimed immigration thriller from 2009. Similarly, Fukunaga took on more than one role in the creation of Beasts of No Nation – but he is not just the screenwriter and director, he also served as the cinematographer on the film. But how did this Netflix project turn out? It just so happens that this is one of the most powerful films of 2015. Continue reading “REVIEW: Beasts of No Nation (2015)”→