The New Golden Age of Television continued in 2018 with yet another great year of television. This must be reiterated year after year — yes, even in a year without Game of Thrones — 2018 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2018 is defined best by the return of the increasingly confounding Westworld, and, for others like me, it is best defined by limited series that kept my attention far better than most long-running shows. Continue reading “Top Ten TV-Shows of 2018”→
The following is a full review of Netflix’s Maniac — Developed by Cary Joji Fukunaga & Patrick Somerville.
It is a good time to be Cary Joji Fukunaga, the director of Sin Nombre and Beasts of No Nation, who won an Emmy for directing the first season of HBO’s True Detective. Although Fukunaga’s career has seen him deal with behind-the-scenes production issues, with his exit from 2017’s IT being the primary example, he may have just had the best week of his career. Continue reading “REVIEW: Maniac (2018 – Mini-Series)”→
The following is a review of It – Directed by Andy Muschietti
It, based on Stephen King’s super-sized novel of the same name, follows a group of kids, called the Losers’ Club, led by a kid named Bill Denbrough (played by Jaeden Lieberher) who had recently lost his younger brother Georgie (played by Jackson Robert Scott). Georgie disappeared into the sewers when he was met by Pennywise the dancing clown (played by Bill Skarsgård). When the dancing clown starts showing up and haunting the fearful kids of Derry, Maine, the Losers’ Club must band together to face their own demons in the form of a scary clown. Continue reading “REVIEW: It (2017)”→
By this time tomorrow we will know which films will battle for some of the biggest awards in western cinema. One of my favorite days of the year is when the Academy announces the nominees. Cinephiles always have opinions about award snubs, and I’m always excited to take part in that conversation. This year it’ll probably end up being The Revenant versus Spotlight for the big awards, but don’t be surprised if the Academy shows a lot of love for either Mad Max: Fury Road or The Martian. Let’s try to predict the nominees! Continue reading “Predicting the Nominees for the 88th Academy Awards – Motion Picture Thoughts #4”→
I cannot believe 2015 is coming to an end. It has been the most busy year for my blog yet, and I’m really excited to reveal my top ten films of 2015, some of which really surprised me, and others that somehow were better than expected.
Originally, a couple of films looked missing on this list. This year’s list originally only featured 2015 films that were released in Denmark in 2015, and therefore films like the following 2015 films were not considered for the list: Tom McCarthy’s Spotlight, Quentin Tarantino’s The Hateful Eight, A. G. Iñarritu’s The Revenant, Danny Boyle’s Steve Jobs, Todd Haynes’ Carol, and Lenny Abrahamson’s Room.
However, I reconsidered their status after having seen the films above. Spotlight, Brooklyn, and Steve Jobs have pushed The Gift, The Martian, and Beasts of No Nation off the top ten list. I also recently watched Yorgos Lanthimos’ The Lobster, and as a result it has dethroned both The Martian and Mission: Impossible – Rogue Nation as the single honorable mention.
One of the things one usually gets hung up on is the idea that the highest rated movie is a critic’s favorite film. I’m not saying it isn’t ever, but that’s not always the case. These films aren’t necessarily ranked on their IJR-score, the top ten is a ranking of my favorite films of the year. Continue reading “Top Ten Films of 2015”→
The following is a review of the Netflix Original Film ‘Beasts of No Nation’, a Cary Joji Fukunaga Film.
In 2005, Uzodinma Iweala’s novel Beasts of No Nation was published. Now, ten years later, it has become the first major Netflix Original Film. Cinematically, this is Cary Joji Fukunaga’s baby. Fukunaga is best known for directing the first season of True Detective, but also wrote and directed Sin Nombre, a critically acclaimed immigration thriller from 2009. Similarly, Fukunaga took on more than one role in the creation of Beasts of No Nation – but he is not just the screenwriter and director, he also served as the cinematographer on the film. But how did this Netflix project turn out? It just so happens that this is one of the most powerful films of 2015. Continue reading “REVIEW: Beasts of No Nation (2015)”→