Martin Scorsese Thinks Superhero Films Are Like Theme Parks – Special Features #55

Stick with me here, as I’m going to be repeating myself a little bit. A little over a year ago, I wrote an article about Ethan Hawke’s opinion that James Mangold’s Logan is a ‘fine superhero film’ but not a great film. I disagreed with one of my favorite actors, and, in that article, I explained why.

I concluded that: “Even though I have expressed how I disagree with his comments, Hawke shouldn’t be criticized too much for having made them. It is just one man’s opinion. Hawke certainly didn’t ‘attack’ the genre and his comments, therefore, shouldn’t be read as one.” Continue reading “Martin Scorsese Thinks Superhero Films Are Like Theme Parks – Special Features #55”

REVIEW: In the Shadow of the Moon (2019)

Release Poster — Netflix

The following is a review of In the Shadow of the Moon — Directed by Jim Mickle.

Not to be confused with the David Sington documentary of the same name, Jim Mickle’s In the Shadow of the Moon is a science-fiction crime film that follows police officer Thomas Lockhart (played by Boyd Holbrook), a father in waiting, as he tries to catch a criminal whose actions have caused several civilians to display suspicious wounds and then violently die as they bleed from their heads’ orifices. The suspected murderer is a young African-American woman (played by Cleopatra Coleman), and Lockhart eventually catches up to her on the night of the murderers.

His night ends violently as he makes her fall onto subway train tracks where she is swiftly run over by an oncoming train. When the suspected murderer returns back to life nine years after she died, Lockhart starts to entertain the thought that she was literally carried away by a moonlight shadow, to quote a 1980s hit song, to a different place, or time, entirely, which was suggested to him by an elusive scientist on the night of her first appearance. Continue reading “REVIEW: In the Shadow of the Moon (2019)”

Netflix Revives Dream Projects – Special Features #32

Netflix is slowly changing its reputation. For the longest time, people saw Netflix as a dumping ground for original films. But even though Netflix still hasn’t managed to learn exactly how they can promote all of their films on the service, it would be foolish to call Netflix a dumping ground nowadays. Instead, I think it is time to accept the fact that Netflix is a place where certain dreams come true. Maybe not for actors or other hopefuls, but for filmmakers — both those who have lost major studio backing and those who are just starting to make a name for themselves. Continue reading “Netflix Revives Dream Projects – Special Features #32”