Directed by Josh Boone — Screenplay by Josh Boone & Knate Lee.
For a while there, it seemed like Josh Boone’s The New Mutants would never see the light of day. They wrapped principal photography in September 2017 and originally planned for an April 2018 theatrical release, but, right when Disney executives were working overtime to acquire Fox, the film was delayed over and over again. The film which had been developed by 20th Century Fox was ultimately released by Disney’s 20th Century Studios in the middle of a global pandemic. It felt like the film was quietly being swept under the rug, which may not be far from the truth as the film was the final film from the Fox-era of X-Men. Originally, I was very interested in the film after having seen the early marketing material, which made The New Mutants seem like a true horror film. Now that I have finally seen the film, I can say that the early trailers were more memorable than the film, which is messy and poorly paced. But I will say that it definitely isn’t the complete and utter trainwreck that the constant release delays may have led you to believe. It’s not good, but it certainly isn’t the worst Fox-developed X-Men film. Continue reading “REVIEW: The New Mutants (2020)”→
The following is a review of Glass — Directed by M. Night Shyamalan.
Unbreakable is my favorite film from writer-director M. Night Shyamalan, whose career has been one of the bumpiest rides for any filmmaking talent in recent memory, and Split, Shyamalan’s 2017 secret continuation of the Unbreakable-universe, gave me one of my favorite experiences in a movie theater at the very end of the film, when Bruce Willis appeared out of nowhere to reveal that Mr. Glass, David Dunn, and The Beast exist in the same world. Continue reading “REVIEW: Glass (2019)”→
The following is a review of Thoroughbreds — Directed by Cory Finley.
Remember My Chemical Romance? It was a rock band that my sister loved back in the day. I really liked their album The Black Parade, and every now and then some of the band’s songs come to mind. When I was watching writer-director Cory Finley’s directorial debut Thoroughbreds, I started to think about their song “Teenagers” — more specifically about the line “All teenagers scare the living shit out of me. They could care less as long as someone will bleed.” The late-great acting talent Anton Yelchin, in what seems to be his final role on film, has a similar line in the film, but he manages to express himself in much fewer words: “fucking evil children.” Continue reading “REVIEW: Thoroughbreds (2018)”→
The following is a review of Split – Directed by M. Night Shyamalan
M. Night Shyamalan has had an interesting career so far. He was once called the next Steven Spielberg and the ‘hottest’ name in storytelling, but when he released The Village, which got mixed reviews, his career fell off a cliff. Suddenly, the guy who was known for his fun story twists, became known for films like The Last Airbender and The Happening. M. Night Shyamalan became known as the guy that made perhaps the most unintentionally funny natural disaster film of the 21st Century (I am again, of course, referring to The Happening). Continue reading “REVIEW: Split (2017)”→
The following is a quick review of Barry – Directed by Vikram Gandhi.
Some part of me thinks that it is too early for us to see a Barack Obama biopic – seeing as he is still the sitting President for another month – but, at the time of writing, we already have two films. Thankfully, I’m happy to report that this film – Vikram Gandhi’s Barry – definitely isn’t a waste of time. In fact, I was surprised by how much I enjoyed watching it. Continue reading “REVIEW: Barry (2016)”→
The following is a quick review of Robert Eggers’ The Witch.
Robert Eggers’ The Witch takes place in 17th century New England, and it follows a family that has been banished from a Puritan plantation. They build their new home right outside a giant forest, and soon the mother of the family gives birth to a new child.
But, one day, that same child disappears while playing with his big sister, Thomasin (played by Anya Taylor-Joy). Her mother (played by Kate Dickie) blames Thomasin for the child’s disappearance, but it is revealed to the audience that it had been taken by an old witch who lives in the forest. Continue reading “REVIEW: The Witch (2016)”→