International Title: Flee — Directed by Jonas Poher Rasmussen.
The Danish submission for the upcoming 94th Academy Awards, Jonas Poher Rasmussen’s Flugt, is a mostly-animated documentary film about the experience of one refugee on his bumpy outer journey from Afghanistan via Eastern Europe to Denmark, as well as his complicated inner journey toward acceptance of himself so that he can open up to others and become the man that he wants to be, instead of running away from the sense of normalcy that he may desperately need.
Directed by Michael Rianda (Gravity Falls) — Screenplay by Mike Rianda & Jeff Rowe.
Sometimes it’s difficult to really gauge whether or not the hype for a film is justified or not. From the outset, what I had heard about The Mitchells vs. The Machines sounded really good. The premise was neat, I liked what I had seen of its animation style in trailers, but I wasn’t sure if it would work as a total package once I finally felt ready to sit down and watch the film, which had been on my watchlist for quite some time. The reactions that I had heard from my peers also made it sound like far and away one of the best animated films in years, which was overwhelming information that I didn’t know what to do with at that moment since I was a little bit too busy when it was released. I ended up waiting a considerable amount of time before I finally watched it, which meant that when I finally felt the urge to start up Netflix and watch their Lord & Miller-produced animated hit, the hype had sort of died down at least a little bit. So, having now seen the film, do I think the hype was justified? Well, yeah. Though I was trepidatious initially, the film more than won me over.
The following is a review of the sixth and final season of BoJack Horseman (Parts I and II) — Available on Netflix.
In the final season of BoJack Horseman, the titular character goes to rehab as he decides it is time to grapple with his own trauma and the trauma that he has caused. But sometimes it isn’t good enough to exercise personal growth, and BoJack Horseman (voiced by Will Arnett) may have to be put through the wringer by unrelenting gossip journalists that hope to ‘cancel,’ so to speak, our titular character.
The following is a review of Klaus — Directed by Sergio Pablos.
This year it almost seems like Netflix is plotting to take over the entirety of the Academy Awards. In a couple of months, Netflix hopes to have films like The Irishman, Marriage Story, and Dolemite Is My Name earn nominations and possibly wins at the prestigious awards show. At the same time, Netflix has distributed some of the year’s most talked-about documentaries, so they should earn a nomination in that category as well. Netflix has plenty of frontrunners this year’s film awards season. If Sergio Pablos’ film has anything to say about it, Netflix might also earn a nomination in the animated feature film category for the very first time. Pablos’ Klaus isn’t just Netflix’s first true attempt to earn such a nomination, Klaus is also quite good. Continue reading “REVIEW: Klaus (2019)”→
The following is a review of Disney’s Zootopia, also known as Zootropolis in some regions.
I was happy to find out that Zootopia was released one month early in Denmark, much less so to realize that I, at first, had a tough time finding a theater showing it in English near me. Thankfully, I was able to find time to see it in English at the CinemaxX in Copenhagen. Zootopia is the 55th Walt Disney Animation Studios-film, and the first since the release of Big Hero 6 in 2014, which I enjoyed very much.
I had enjoyed the trailers that I had seen from the film, but I was unsure as to whether I would find myself loving a Walt Disney Animation Studios-film for the fourth time in a row. I am happy to say that I enjoyed Zootopia a great deal. Continue reading “REVIEW: Zootopia (2016)”→