Directed by Cary Joji Fukunaga — Screenplay by Neal Purvis, Robert Wade, Cary Joji Fukunaga, and Phoebe Waller-Bridge.
When I rewatched Sam Mendes’ SPECTRE the other day, I was reminded of the fact that the previous film in the Bond-franchise was released all the way back in 2015. A lot has happened since then, so much so that you may have even forgotten about all of the behind-the-scenes drama that transpired long before No Time To Die became the first major film to be delayed due to the COVID-19 pandemic. After several rounds of rewrites, the shift in director, production, and the pandemic, the fifth and supposedly final film in the Daniel Craig-era of the James Bond-franchise has now finally been released. Thankfully, in spite of the real world drama that threatened to ruin it, this is actually a spy epic that is suitable as a true tribute to Daniel Craig’s bumpy but extraordinary time as the iconic agent. It isn’t the best film in the Craig-era, but it is a very memorable chapter in the franchise.
The following is a review of Sergio — Directed by Greg Barker.
Greg Barker’s Sergio is a biographical drama about Sérgio Vieira de Mello’s career as a United Nations diplomat and peace activist. The seasoned Brazilian humanitarian lost his life in a terrorist attack in Baghdad in 2003, and this film takes us back to his final moments. The straight-to-Netflix true story is based on both the 2009 documentary of the same name, which was also directed by Greg Barker, and Samantha Powers’ biography Sergio: One Man’s Fight to Save the World. Since Barker directed an award-winning documentary about the aforementioned diplomat, it is not exactly a surprise to see that he has now made a narrative feature film about the same non-fictional subject-matter. What is, however, quite interesting is that Greg Barker has made a film where a love story is at the heart of it. Continue reading “REVIEW: Sergio (2020)”→
I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63”→
It is finally time for me to announce my own personal film nominations for the 7th I’m Jeffrey Rex Awards. Sure, we’re in 2020 now, but I needed some time to watch some of the films that weren’t released until January 2020 in Denmark to properly celebrate 2019 films.
The following is a review of Knives Out — a Rian Johnson whodunnit.
Are Agatha Christie-inspired murder mystery films making a quiet comeback right under our noses? In 2017, Kenneth Branagh resurrected the genre on the big screen with his adaptation of Murder On the Orient Express, which is getting a sequel in 2020. Earlier in 2019, Kyle Newacheck released an Adam Sandler-led murder mystery film titled Murder Mystery, which I suggested might be “the most watchable of Sandler’s made-for-Netflix comedies.” Now we have Rian Johnson’s Knives Out, which isn’t just the best of the bunch, it’s also genuinely one of the most entertaining films of the year. Knives Out is a fresh and modern labyrinthine murder mystery complete with a stylish main location, as well as witty and timely social and political satire. Continue reading “REVIEW: Knives Out (2019)”→
The following is a review of Blade Runner 2049 – Directed by Denis Villeneuve
Filmmaking is a business, and some business decisions just do not make sense. Indeed, some might say it makes no sense to make Blade Runner 2049 under the conditions that it has been. The original Blade Runner, which was directed by Ridley Scott, was originally met with mixed reviews and, to the best of my knowledge, it didn’t find much success at the box office. Continue reading “REVIEW: Blade Runner 2049 (2017)”→