Top Ten TV-Shows of 2020

Rhea Seehorn as Kim Wexler, Bob Odenkirk as Jimmy McGill in Better Call Saul: Season 5, Episode 10 — Photo: Greg Lewis/AMC/Sony Pictures Television.

It is kind of incredible just how much streaming services have overtaken the top tier of what we still refer to as ‘television shows.’ Perhaps we need to find another name for these series. Some of them are released all at once, some are released week-by-week, but almost all of the shows on my list were released on streaming services, and, in my case, I watched all ten of my top ten television shows on streaming services. In the 2020-edition, there are plenty of ‘familiar faces,’ as it were, but it’s also the first time that both Apple TV+ and Disney+ have made an appearance on any of my end of the year-lists. But where do the top shows on these relatively new streaming services land on my top ten, and what is the best show of the year? Let’s have a look!

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REVIEW: The Tomorrow War (2021)

Still image — Chris Pratt in ‘THE TOMORROW WAR’ — Available now on Amazon Prime Video.

Directed by Chris McKay (The LEGO Batman Movie) — Screenplay Zach Dean.

Several years ago, there was a time when me and my father would watch and rewatch science-fiction films so much so that we knew the dialogue by heart. I can’t possibly tell you the amount of times that I’ve seen, for example, Stargate, which I have a lot of love for. When I was a kid, my father would always steer me towards horror or science-fiction films, and therefore it was a great joy for me to be able to watch this film with my father. Although I had some problems with the film, I genuinely had a lot of fun with it, and I know that if I were still a kid today, then he and I would watch The Tomorrow War over and over again.

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REVIEW: The Mauritanian (2021)

Tahar Rahim as Mohamedou Ould Slahi in Kevin Macdonald’s THE MAURITANIAN – Photo: STX Films / Amazon Prime Video.

Directed by Kevin Macdonald – Screenplay by M.B. Traven, Rory Haines, and Sohrab Noshirvani.

Kevin Macdonald’s The Mauritanian is a legal drama based on Mohamedou Ould Slahi’s memoir Guantanamo Diary. The film tells the true story of Mohamedou’s experience as a detainee at the Guantanamo Bay detention camp, in which he was subject to so-called ‘enhanced interrogation techniques,’ which essentially amounts to torture. The film juxtaposes the perspectives of two lawyers — Lt. Colonel Stuart Couch (played by Benedict Cumberbatch) and Nancy Hollander (played by Jodie Foster) — who are both trying to make sense of exactly what made Mohamedou (played by Tahar Rahim) confess to crimes of terrorism. To do so, Nancy and Stuart must try to gain access to thousands of redacted classified documents.

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REVIEWS: Steve McQueen’s ‘Small Axe’ Film Series (2020)

Letitia Wright as Altheia Jones-LeConte in “Mangrove.” — Photo: Des Willie / Amazon Prime Video.

When British filmmaker Sir Steve McQueen makes a film, you pay attention. McQueen has quietly become one of the best directors of his generation with critical darlings such as the perhaps underseen Michael Fassbender-led films Hunger and Shame, the Oscar-winning Solomon Northup-biopic 12 Years a Slave, and his 2018 heist film Widows, which did not get the awards attention it deserved. In 2020, McQueen released a collection of films — an anthology — titled Small Axe at film festivals and later on, for example, BBC or Prime Video (on the Danish Broadcasting Corporation’s streaming service in my territory).

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REVIEW: Sound of Metal (2020)

Paul Raci and Riz Ahmed in SOUND OF METAL — Photo Courtesy of Amazon Studios.

Directed by Darius Marder — Screenplay/Story by Darius Marder, Abraham Marder, and Derek Cianfrance.

If I’m not mistaken, Darius Marder’s first narrative feature film, Sound of Metal, was originally slated to be released in Danish theaters in December of 2020. However, when all of Denmark’s theaters were then ordered to close due to another lockdown as a result of the COVID-19 global pandemic, the film was basically put in some sort of limbo. This week, on April 12th, 2021, I finally got the chance to watch one of my most anticipated films of the 2020 awards season, when it was released on Amazon Prime Video. In short, it was definitely worth the wait.

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Early 93rd Academy Awards Predictions – Special Features #63

I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63”

REVIEW: Troop Zero (2020)

Release Poster – Amazon Studios

The following is a review of Troop Zero — Directed by Amber Finlayson & Katie Ellwood (also known as Bert & Bertie).

Bert & Bertie’s Troop Zero is a feel-good dramedy about a young girl, Christmas Flint (played by Mckenna Grace), who looks to the stars in search of life and her mother. She lives in a trailer park with her widowed father, Ramsey (played by Jim Gaffigan), who has told his daughter that her mother is among the stars, comets, and meteors. Because of this Christmas is obsessed with space, and she sometimes uses odd descriptions to describe people in her life. For example, Christmas, at one point, calls Miss Rayleen (played by Viola Davis) an “an intergalactic warrior,” even though she is nothing of the sort. One day, Christmas overhears that girl scout troops will compete at a jamboree to have their voices recorded by NASA and sent into space. This is a dream come true for the perennially bullied Christmas, so she begins to assemble a group of misfits to compete as a girl scout troop at the jamboree, but she soon learns that the girl scout community will not easily accept unique newcomers. Continue reading “REVIEW: Troop Zero (2020)”

Top Ten TV-Shows of 2019

The New Golden Age of Television continued in 2019 with yet another great year of television. This must be reiterated year after year — yes, even in a year with a disappointing conclusion to Game of Thrones — 2019 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2019 is undoubtedly best defined by the conclusion to shows like Game of Thrones or Fleabag, and, for others, it is best defined by limited series that shocked you to your core. Continue reading “Top Ten TV-Shows of 2019”

REVIEW: The Report (2019)

Release Poster – Amazon Studios

The following is a review of The Torture Report — Directed by Scott Z. Burns.

While Netflix is enjoying another moment in the sun with the release of Martin Scorsese’s latest masterpiece, The Irishman, which is streaming exclusively on Netflix, Amazon Studios has quietly released The Report to Prime Video. The lack of awareness that The Report is getting is reminding me of a quote in the film itself: “you have a sunlight problem.” Though The Report isn’t the most notable or, frankly, the best film released on streaming services this week, Scott Z. Burns’ film is genuinely gripping thanks, in large part, to a strong central performance from Adam Driver that elevates the otherwise potentially dramatically listless material. Continue reading “REVIEW: The Report (2019)”

SERIES REVIEW: Fleabag (2016; 2019)

Fleabag was created by Phoebe Waller-Bridge.

This is a complete series review of the BBC Three and Amazon Studios black comedy series Fleabag, which aired its first season in 2016 and its second and final season in 2019. Both seasons consisted of six episodes with each episode having a runtime of approximately thirty minutes. A ‘series review’ is a new review concept on the blog that is inspired by my franchise reviews, which feature short reviews of every film in a franchise within a single article. Below you’ll find my reviews of each season as well as a full season grade for seasons one and two.
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