When British filmmaker Sir Steve McQueen makes a film, you pay attention. McQueen has quietly become one of the best directors of his generation with critical darlings such as the perhaps underseen Michael Fassbender-led films Hunger and Shame, the Oscar-winning Solomon Northup-biopic 12 Years a Slave, and his 2018 heist film Widows, which did not get the awards attention it deserved. In 2020, McQueen released a collection of films — an anthology — titled Small Axe at film festivals and later on, for example, BBC or Prime Video (on the Danish Broadcasting Corporation’s streaming service in my territory).Continue reading “REVIEWS: Steve McQueen’s ‘Small Axe’ Film Series (2020)”
Directed by Darius Marder — Screenplay/Story by Darius Marder, Abraham Marder, and Derek Cianfrance.
If I’m not mistaken, Darius Marder’s first narrative feature film, Sound of Metal, was originally slated to be released in Danish theaters in December of 2020. However, when all of Denmark’s theaters were then ordered to close due to another lockdown as a result of the COVID-19 global pandemic, the film was basically put in some sort of limbo. This week, on April 12th, 2021, I finally got the chance to watch one of my most anticipated films of the 2020 awards season, when it was released on Amazon Prime Video. In short, it was definitely worth the wait.Continue reading “REVIEW: Sound of Metal (2020)”
I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63”
The following is a review of Troop Zero — Directed by Amber Finlayson & Katie Ellwood (also known as Bert & Bertie).
Bert & Bertie’s Troop Zero is a feel-good dramedy about a young girl, Christmas Flint (played by Mckenna Grace), who looks to the stars in search of life and her mother. She lives in a trailer park with her widowed father, Ramsey (played by Jim Gaffigan), who has told his daughter that her mother is among the stars, comets, and meteors. Because of this Christmas is obsessed with space, and she sometimes uses odd descriptions to describe people in her life. For example, Christmas, at one point, calls Miss Rayleen (played by Viola Davis) an “an intergalactic warrior,” even though she is nothing of the sort. One day, Christmas overhears that girl scout troops will compete at a jamboree to have their voices recorded by NASA and sent into space. This is a dream come true for the perennially bullied Christmas, so she begins to assemble a group of misfits to compete as a girl scout troop at the jamboree, but she soon learns that the girl scout community will not easily accept unique newcomers. Continue reading “REVIEW: Troop Zero (2020)”
The New Golden Age of Television continued in 2019 with yet another great year of television. This must be reiterated year after year — yes, even in a year with a disappointing conclusion to Game of Thrones — 2019 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2019 is undoubtedly best defined by the conclusion to shows like Game of Thrones or Fleabag, and, for others, it is best defined by limited series that shocked you to your core. Continue reading “Top Ten TV-Shows of 2019”
The following is a review of The
Torture Report — Directed by Scott Z. Burns.
While Netflix is enjoying another moment in the sun with the release of Martin Scorsese’s latest masterpiece, The Irishman, which is streaming exclusively on Netflix, Amazon Studios has quietly released The Report to Prime Video. The lack of awareness that The Report is getting is reminding me of a quote in the film itself: “you have a sunlight problem.” Though The Report isn’t the most notable or, frankly, the best film released on streaming services this week, Scott Z. Burns’ film is genuinely gripping thanks, in large part, to a strong central performance from Adam Driver that elevates the otherwise potentially dramatically listless material. Continue reading “REVIEW: The Report (2019)”
Fleabag was created by Phoebe Waller-Bridge.
This is a complete series review of the BBC Three and Amazon Studios black comedy series Fleabag, which aired its first season in 2016 and its second and final season in 2019. Both seasons consisted of six episodes with each episode having a runtime of approximately thirty minutes. A ‘series review’ is a new review concept on the blog that is inspired by my franchise reviews, which feature short reviews of every film in a franchise within a single article. Below you’ll find my reviews of each season as well as a full season grade for seasons one and two.
Continue reading “SERIES REVIEW: Fleabag (2016; 2019)”
The New Golden Age of Television continued in 2018 with yet another great year of television. This must be reiterated year after year — yes, even in a year without Game of Thrones — 2018 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2018 is defined best by the return of the increasingly confounding Westworld, and, for others like me, it is best defined by limited series that kept my attention far better than most long-running shows. Continue reading “Top Ten TV-Shows of 2018”
The following is a review of the second season of Amazon Studio’s Mozart in the Jungle, available on Amazon Video, and on Viaplay in Denmark.
When Mozart in the Jungle won the Golden Globe for ‘Best Series – Musical or Comedy’ in 2016, I have to admit that I was a bit stunned. I had never heard of the show, but I was intrigued by it when I saw Gael García Bernal grab his award for ‘Best Actor – Musical or Comedy’. Bernal was the guy I chose to binge-watch both seasons in three days for, and season two of Mozart in the Jungle really relies heavily on his performance and character. Mozart in the Jungle: Season Two is really, really good. Continue reading “REVIEW: Mozart in the Jungle – Season Two (2015)”
The following is a review of the first season of Amazon Studio’s Mozart in the Jungle, available on Amazon Video, and on Viaplay in Denmark.
Based on the memoir of Blair Tindall, Mozart in the Jungle is a ‘dramedy’ featuring beautiful classical music. Set in New York City, the show follows Hailey Rutledge (Lola Kirke), a young and talented oboist, who is suddenly given an opportunity to shine on one of the grandest stages of them all. Meanwhile, it is a time of massive change as a legendary conductor (Malcolm McDowell) makes way for a new, far more eccentric, edition (Gael García Bernal) at the Avery Fisher Hall. Continue reading “REVIEW: Mozart in the Jungle – Season One (2014)”