REVIEW: The Northman (2022)

Alexander Skarsgård has transformed himself to play the role that I think he was born to play in THE NORTHMAN – Photo: Universal Pictures.

Directed by Robert Eggers (The Witch) – Screenplay by Robert Eggers & Sjón.

Inspired by Icelandic sagas and Saxo Grammaticus’ Gesta Danorum legend of Prince Amleth of Jutland (the latter of which was supposedly the inspiration for William Shakespeare’s Hamlet), The Northman is a $90 million budgeted epic viking revenge film from Robert Eggers, the director of the relatively low-budgeted indie ‘art house-esque’ horror films The Witch and The Lighthouse. It is a dirty, violent, blood-soaked, and brilliantly-made film, and it is easily Robert Eggers’ most accessible film, even though it definitely isn’t your average big-budgeted action film.

Continue reading “REVIEW: The Northman (2022)”

REVIEW: Long Shot (2019)

Theatrical Release Poster – Lionsgate

The following is a review of Long Shot — Directed by Jonathan Levine.

It would appear that I have a soft spot for Jonathan Levine films. His is a name that immediately gets me excited to watch a film if his name is attached to it. I am one of the few who thinks Levine’s 50/50 is a genuine masterpiece of the genre within which it belongs. Furthermore, I think his 2015 holiday film The Night Before has the makings of a modern Christmas classic — in fact, it has already become a tradition for me to watch that film every Christmas. Likewise, I really enjoyed my time with Long Shot, which is Levine’s attempt at Rogenesque romantic comedy with a political twist. While I doubt that Long Shot will become as memorable to me as the aforementioned efforts, I think it is another example of a hip Levine film that goes down well. Continue reading “REVIEW: Long Shot (2019)”

REVIEW: MUTE (2018)

Release Poster – Netflix

The following is a review of the Netflix Original Film MUTE — Directed by Duncan Jones.

Duncan Jones’ fourth feature film MUTE, which is dedicated to his late father David Bowie and his late nanny Marion Skene, is a science-fiction film in the vein of Ridley Scott’s Blade Runner. It tells the story of a search for a missing person in the melting pot of a futuristic and dirty Berlin, which, in true Blade Runner fashion, is bathed in neon lights and bluish colors. The film’s protagonist is an unlikely outsider — a tall and mute bartender named Leo (played by Alexander Skarsgård) who lost the ability to speak as a child in a violent motorboat propellor accident.  Continue reading “REVIEW: MUTE (2018)”