The titular toy monkey in Osgood Perkins’ THE MONKEY — PHOTO: NEON / Black Bear.
Directed by Osgood Perkins — Screenplay by Osgood Perkins.
Filmmaker Osgood Perkins is fast becoming one of the most interesting horror filmmakers on the rise. Following three relatively unknown features, including the quite good The Blackcoat’s Daughter, Perkins finally had his breakthrough as a filmmaker in 2024 with the excellent horror-thriller flick Longlegs. Now in 2025, he’s hoping to fully etch his name into stone, as a prominent horror filmmaker with Keeper, releasing later this year, and The Monkey, an adaptation of a Stephen King short story, which was released in theaters at the end of February. Here Perkins is trying to prove himself in another horror subgenre, namely that of the horror-comedy, but, while there is a lot to like here, it isn’t quite as effective as his 2024 hit.
(L-R) Sydney Sweeney, Dakota Johnson, and Isabela Merced on the poster for MADAME WEB — PHOTO: Sony Pictures.
Directed by S.J. Clarkson — Screenplay by Matt Sazama, Burk Sharpless, Claire Parker, and S. J. Clarkson — Story by Kerem Sanga, Matt Sazama, and Burk Sharpless.
If Avengers: Endgame represented the absolute zenith of the 21st-century golden age of the Hollywood superhero movie craze — which was, in a sense, kickstarted in 2008 by Jon Favreau and Christopher Nolan — then I think it would be fair to say that this current moment could be the trend’s nadir. At the very least, this is undoubtedly one of its lowest points. Warner Bros.’s DC Extended Universe (DCEU) is sleeping with the fishes after the release of Aquaman and the Lost Kingdom, as Warner is preparing a clean reboot. The once always consistently good Marvel Studios — and their Marvel Cinematic Universe (MCU) — is struggling in the post-Endgame era, as the existence of Disney+ has led them to wrongly focus on quantity over quality (though some hope exists that they may have learned the error of their ways in time to properly course correct). Meanwhile, Sony and their half-in/half-out relationship with Marvel Studios and their MCU have led to a series of Spider-Man-related spin-offs that are, at best, superfluous curiosities and, at worst, ill-conceived cash-grabs. Credit where credit is due, Sony did create some of the most beloved superhero films of the early 2000s under the direction of Sam Raimi, their animated Spider-Man films are universally beloved, and whenever they’ve teamed up with Marvel Studios on a Spider-Man film, it has led to a final product that fans and the vast majority of critics agree is quite good. But, for some reason, Sony has struggled to cross the finish line without having to limp across it each and every time it has come to their live-action Spider-Man spin-off films. This was already apparent with both of their Venom films (Fleischer’s Venom and Serkis’ Venom: Let There Be Carnage) and it was impossible to deny with Morbius. Unfortunately, S.J. Clarkson’s Madame Web doesn’t change that downward trajectory for live-action Spider-Man spin-offs. Madame Web feels disconnected and desperate.
Britt Lower in “Severance,” now streaming on Apple TV+.
In this edition of my recurring movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look back at the first half of the year to discuss some of the new shows that I’ve really enjoyed this year, but that I didn’t have the time to review. I think all of the shows in this article are good, but which of these shows do you absolutely have to put on your watchlist? Well, let’s have a look.
The following is a review of the second season of HBO’s Big Little Lies.
The second season of Big Little Lies — now directed by Andrea Arnold, but more on that later — follows the so-called Monterey Five — Madeline (played by Reese Witherspoon), Celeste (played by Nicole Kidman), Jane (played by Shailene Woodley), Renata (played by Laura Dern), and Bonnie (played by Zoe Kravitz) — during the aftermath of Perry Wright’s death. Bonnie is struggling as she feels incredibly guilty about what she did. So guilty, in fact, that she considers turning herself in to the local police. Just as Celeste is struggling as a single mother, Perry’s mother, Mary Louise (played by Meryl Streep), starts to question not just her son’s death but her daughter-in-law’s claim that she is a victim. Meanwhile, Madeline’s marriage is coming apart and Renata’s financial security is at risk of collapsing. Continue reading “REVIEW: Big Little Lies – Season Two (2019)”→
The following is a short review of Netflix’s Little Evil – Directed by Eli Craig.
In Eli Craig’s Little Evil, Gary (played by Adam Scott) has just married the love of his life, Samantha (played by Evangeline Lilly), but he has a tough time getting along with her five-year old son, Lucas (played by Owen Atlas), who mostly speaks through a goat hand puppet and sticks to himself. It must really suck to be a stepfather to a kid who doesn’t like you — especially when that kid is the antichrist. Continue reading “REVIEW: Little Evil (2017)”→
The following is a review of The Most Hated Woman in America – Directed by Tommy O’Haver
The Most Hated Woman in America is a biographical drama about the life of Madalyn Murray O’Hair (played by Melissa Leo), an atheist activist, and her mysterious kidnapping and murder in 1995. The Most Hated Woman in America had a lot going for it. The cast is sublime. Melissa Leo, of course, is the lead actress, but the film has other noteworthy familiar faces like Juno Temple, Adam Scott, and Vincent Kartheiser.
It’s just a shame that they’re completely wasted in a biographical drama that I’m honestly shocked by, and not in a good way. Melissa Leo is the best thing about the film, but this project doesn’t deserve the talented cast or her performance in the film. Continue reading “REVIEW: The Most Hated Woman in America (2017)”→
I'm Jeffrey Rex 