Tag: 2025

Bugonia (2025) | REVIEW

Emma Stone in Yorgos Lanthimos’ BUGONIA — PHOTO: Focus Features (Still image from trailers).

Directed by Yorgos Lanthimos (Poor Things; Kinds of Kindness) — Screenplay by Will Tracy (The Menu).

Bugonia marks the 4th collaboration between multiple Oscar-winning actress Emma Stone and the most famous filmmaker of the so-called ‘Greek Weird Wave’ (and in a row, no less). Their latest film together is an English-language remake of Jang Joon-hwan’s black comedy titled Save the Green Planet!, a South Korean film released in 2003. Though initially conceived as an opportunity for Jang, the original filmmaker, to direct the English-language remake of his own film for an international audience (not unlike what Ole Bornedal did with his English-language Nightwatch remake in the 1990s), it is now, instead, a fascinating instance in which a European auteur is adapting an Asian original story though in a North American setting. In a way, that almost intercontinental approach is fitting for a film about people who may or may not come from different worlds in more ways than one. It’s also, frankly, a really effective film.

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Stranger Things – Season Five (2025) | TV REVIEW

Gaten Matarazzo as ‘Dustin’ in Stranger Things: Season Five — PHOTO: Netflix (Still image from trailers).

Regardless of what you think about the show or this season, I think you have to admire the gusto of the release strategy for the final season of Stranger Things, of which the first volume (episodes one to four) was released early in December, the second volume on Christmas, and the series finale on New Year’s Eve or New Year’s Day (depending on your region). Stranger Things really took over a huge chunk of the online entertainment focus in December, despite the fact that massive trailers for huge films were released alongside a new Avatar film in theaters around the world. They really made the three-part release of the show into events. But did the series finale of the most popular US-based Netflix original series, or the season as a whole, live up to the hype it created for itself? Well, let’s talk about it, because it’s not a straightforward answer. 

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The 10 Most-Read Articles and Reviews of 2025

Would you look at that? We’re now in 2026. Granted, it’s only the first day of the new year, but, hey, we have to accept that 2025 is now in our collective rearview mirror. Like has become tradition on this website, I start every year by listing the ten articles or reviews written in 2025 that were the most popular based on views. At the very end of the article, I’ll also reveal what non-2025 written output (i.e., an article or review that wasn’t written in 2025) was the most popular in the year to which we have now all said goodbye. Well, let’s get to it!

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Goodbye 2025

We’re back at the end of another year, but we’re also on the precipice of the beginning of a new one. As is always the case, I like to say farewell to the year that we have lived through on the final day of the year, and today is no different. Tonight, we say farewell to 2025. At the end of 2024, I expressed concern about the US Presidential Election result, the return of a Commander-in-Chief in America who is synonymous with the post-factual era, and all the scary elements attributed to it. I was also nervous about the armed conflicts that continued to dominate the world. But I desperately tried to hold onto a hope that it wouldn’t be as bad as it looked like it could be, that the US election result and the rhetoric that immediately followed it weren’t as destructive as they had seemed, and that we could still find a way. I tried to remind my readers just how important it was to speak truth to power, to hold your leaders accountable, and to fight for justice. So, how were those fears and that hope reflected in the year that we actually got in 2025?

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Avatar: Fire and Ash (2025) | REVIEW

Varang (played by Oona Chaplin), leader of the Mangkwan tribe, in 20th Century Studios’ AVATAR: FIRE AND ASH.

Directed by James Cameron — Screenplay by James Cameron, Rick Jaffa, and Amanda Silver.

It’s time to return to Pandora. Avatar, James Cameron’s original otherworldly sci-fi epic franchise, is often criticized for lacking a significant cultural impact when compared to franchises like Star Wars, Marvel, DC, or The Lord of the Rings. And yet, here we are again, and audiences are already flocking to the theaters around the world to travel back to a world populated by tall blue-skinned aliens with braids that can connect with other life forms. One of the highest-grossing (and most expensive, notably) franchises remains a spectacular cinematic event with state-of-the-art visual effects and performance capture technology. The latest film in the franchise, Avatar: Fire and Ash, is equally breathtaking visually, but there are key narrative and dialogic issues, as well as a general sense of repetitiveness, that hold it back from matching the level of the previous films.

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‘A Minecraft Movie,’ ‘The Phoenician Scheme,’ ‘After the Hunt,’ ‘F1,’ and ‘Jay Kelly’ | Bite-Sized Reviews

Top Row (L-R): A Minecraft Movie (Warner Bros. Pictures); The Phoenician Scheme (Focus Features / Universal); After the Hunt (Amazon MGM / Sony Pictures Releasing).
Bottom Row (L-R): F1 (Warner Bros. Pictures / Apple TV+); Jay Kelly (Netflix).

Oh my, we’re back again! In this edition of additional bite-sized reviews – my recurring blog post series highlighting films that I want to share my thoughts on, but that I, crucially, don’t have time enough to cover in a more lengthy full review — I’ll tell you what I think about 1) one of the biggest theater hits of the year, 2) Wes Anderson’s latest flick, 3) Guadagnino’s most recent feature film, 4) Brad Pitt’s racing movie, and 5) Noah Baumbach’s big George Clooney-vehicle. As is often the case, most, if not all, of these bite-sized reviews may have been seen early on my Letterboxd account, so do note that you can get a sneak peek at my future reviews over there. Let’s get to it!

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Wake Up Dead Man: A Knives Out Mystery (2025) | REVIEW

Daniel Craig and Josh O’Connor in Rian Johnson’s WAKE UP DEAD MAN — PHOTO: NETFLIX (Still image from trailers).

Directed by Rian Johnson — Screenplay by Rian Johnson.

Rian Johnson, the renowned writer-director behind films like Looper and Star Wars: The Last Jedi, has successfully made himself synonymous with the whodunnit mystery genre in recent years with his Knives Out films centered around Benoit Blanc, the heavily accented detective character, which has helped Daniel Craig reinvent his career following his James Bond exit. These are films that have become highly celebrated for their distinctive detective, their star-studded casts, and the way they merge comedy, modern inventiveness, and a genre affinity to form films that are always a highlight of the year in which they are released. This was the case with both Knives Out and Glass Onion, and it is certainly also the case with Wake Up Dead Man, which, arguably, features the best protagonist performance that we’ve seen in any of these films.

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Wicked: For Good (2025) | REVIEW

Cynthia Erivo and Ariana Grande-Butera in WICKED: FOR GOOD — PHOTO: UNIVERSAL PICTURES (Still image from trailers).

Directed by Jon M. Chu — Screenplay by Winnie Holzman and Dana Fox.

The wait is over for musical theater fans all over the world. The long-awaited sequel to 2024’s Wicked, both based on the musical theater show of the same name, has hit theaters and is already one of the biggest hits of the year. Still directed by In the Heights director Jon M. Chu, Wicked: For Good is an adaptation of the second half of the aforementioned musical theater show and is thus one of the decade’s key part two films. The sequel follows the wrongly villainized Wicked Witch of the West, Elphaba (played by Cynthia Erivo), known for her green skin and her magical powers, some time after the events of the first film, which culminated in an instantly iconic performance of “Defying Gravity,” as Elphaba escaped the Emerald City and left her best friend, Galinda ‘Glinda’ Upland (played by Ariana Grande-Butera), to become ‘Glinda the Good,’ a pinkly-dressed faux-witch and key representative of the Wizard of Oz (played by Jeffrey Goldblum) and his empire. The film sees our main duo step into their roles as opposing forces, hoping for reconciliation and a better future for Oz, with Elphaba being particularly focused on improving the rights of animals and anyone else who may lose their ability to speak up as a result of the Wizard’s regime. 

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Train Dreams (2025) | REVIEW

Felicity Jones and Joel Edgerton in TRAIN DREAMS — PHOTO: NETFLIX (Still image from trailers).

Directed by Clint Bentley — Screenplay by Clint Bentley and Greg Kwedar.

Clint Bentley’s Train Dreams is a gripping character drama, based on Denis Johnson’s 2011 novella of the same name, that chronicles the life of a man named Robert Grainier (played by Joel Edgerton), a quiet and humble railroad construction worker and lumberjack. Among other things, over the course of the film, we witness him get to know others like him, fall in love, face heartbreaking loss, and experience some mysterious events in the woods of America. 

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IFSCA’s Best Films of the Century, thus far list (2025) | SPECIAL FEATURE

In early October of this year, the International Film Society Critics Association (IFSCA), of which I am a voting member, released its list of the 100 best films of the century thus far. I had taken part in the voting, got the opportunity to write a few review-type blurbs for certain films, and I was really delighted to be able to take part in this process. Today, both for posterity’s sake (meaning for the purpose of preserving and presenting my writing for my site’s readers) and to widen the list’s reach, I want to share my very brief review blurbs for the films that I was selected to comment on, release my 10 film ballot, and navigate you to the list home over on the IFSCA WordPress site. Let’s get to it.

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