REVIEW: Anelka: L’Incompris (2020 – Documentary)

Release Poster – Netflix

The following is a review of the documentary Anelka: L’Incompris — Directed by Frank Nataf.

Once upon a time, I reviewed another Netflix documentary about a French professional footballer. I remember being perplexed as to why that documentary, Antoine Griezmann: The Making of a Legend, insinuated that Antoine Griezmann, its subject, was already becoming a legend of the game, and I also remember how it felt like the documentary was more fascinated with France’s achievement at the World Cup than Griezmann’s own achievements as a footballer. That documentary felt incomplete because it was about a footballer whose career was by no means over and, again, because it felt like the documentarians really wanted to focus on the World Cup. Continue reading “REVIEW: Anelka: L’Incompris (2020 – Documentary)”

REVIEW: Onward (2020)

Theatrical Release Poster – Walt Disney Studios Motion Pictures

The following is a review of Onward — Directed by Dan Scanlon.

Onward is the 22nd Pixar Animation Studios film, as well as Dan Scanlon’s second Pixar film as a director after 2013’s Monsters, Inc.-sequel titled Monsters University. In recent years, Pixar has been focused on making sequels — such as Toy Story 4 or Finding Dory — to several popular original films, but 2020 was meant to be the first time in several years where the animation studios’ two films — Onward and the upcoming Soul — were both new original films. Continue reading “REVIEW: Onward (2020)”

REVIEW: The Last Full Measure (2020)

Theatrical Release Poster – Roadside Attractions

The following is a review of The Last Full Measure — Directed by Todd Robinson.

Todd Robinson’s The Last Full Measure is a war drama that tells the true story of William H. Pitsenbarger (played by Jeremy Irvine), a Vietnam War-hero, who died defending a unit of soldiers during a tough battle in 1966. The film, however, primarily follows Scott Huffman (played by Sebastian Stan), a relatively young Pentagon bureaucrat, thirty-two years later. After having met with Pitsenbarger’s parents and the soldiers that he saved, Huffman risked his career to tell Pitsenbarger’s story in an effort to have him awarded the Medal of Honor posthumously. Continue reading “REVIEW: The Last Full Measure (2020)”

Vertical Cinema: Damien Chazelle and Apple Team Up for Short Film

Odds are that you have probably, at some point in time, had to ask someone to tilt their telephone so that when they take a photo with their smartphone, then the picture will be nice and wide. For Damien Chazelle’s latest short film about a stunt double, the Oscar-winning director has opted against that piece of advice as he strives for Vertical Cinema. Steven Soderbergh, and other notable directors, have already toyed with shooting feature-length films with iPhones, but Chazelle’s film has been shot in portrait mode, thus producing vertical video, in an attempt to showcase the camera features on an iPhone 11 Pro. Continue reading “Vertical Cinema: Damien Chazelle and Apple Team Up for Short Film”

REVIEW: Train to Busan: Peninsula (2020)

Theatrical Release Poster – Next Entertainment World

The following is a review of Train to Busan: Peninsula (‘반도’) — Directed by Yeon Sang-ho.

Due to the COVID-19 pandemic, cinephiles have stayed away from their beloved cinemas for several months, but, at the end of July, I finally went back to the movie theater. Now, obviously, I should say that this was only possible for me because I live in Denmark where movie theaters have been open since the end of May 2020. Please note that you should absolutely only go to the movie theaters if it is safe to do so where you live. But I will say that it was good to be back, even though the movie that I returned to the movie theater to watch maybe didn’t give me the escapism that I may have needed. After all, this is a movie about a dangerous epidemic in an Asian country that leads to quarantines and lockdowns. Nevertheless, I was very happy to be able to watch a new movie in an actual movie theater for the first time in several months. Again, it was good to be back. Continue reading “REVIEW: Train to Busan: Peninsula (2020)”

Overview: July 2020

Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In July 2020, among other things, I wrote about films from directors such as Brian De Palma, Roman Polanski, and Gina Prince-Bythewood.

Continue reading “Overview: July 2020”

REVIEW: Greyhound (2020)

Release Poster – Apple TV+

The following is a review of Greyhound — Directed by Aaron Schneider.

Though not the first Apple TV+ film (it was preceded by two documentaries, Minhal Baig’s Hala, and George Nolfi’s The Banker), Aaron Schneider’s Greyhound is almost definitely the biggest, most expensive, and most widely seen Apple TV+ film released thus far. Originally scheduled to be released by Sony Pictures in theaters around the world, Greyhound was, due to the COVID-19 Pandemic, delayed and later sold to Apple TV+ for a reported sum of $70 million. With the acquisition, Apple TV+ was granted not just a marketable war flick with a household name in the lead role, Apple also received a genuinely good and entertaining film. Continue reading “REVIEW: Greyhound (2020)”

RETRO REVIEW: The Ninth Gate (1999)

Theatrical Release Poster – Artisan Entertainment

The following is a retro review of The Ninth Gate (the review includes some story spoilers) — Directed by Roman Polanski.

Based on Arturo Pérez-Reverte’s novel The Club Dumas, Roman Polanski’s The Ninth Gate tells the story of an unscrupulous book dealer, Dean Corso (played by Johnny Depp), and his attempt to authenticate a mysterious book for a wealthy collector, Boris Balkan (played by Frank Langella). To properly authenticate the book, Corso has to bring it with him to Europe to compare it with the other two known editions of the book, but this isn’t just any book. Balkan’s book can supposedly summon the Devil, and, as Dean Corso soon finds out, crazed individuals are willing to go to great lengths to acquire it. Continue reading “RETRO REVIEW: The Ninth Gate (1999)”

REVIEW: The Old Guard (2020)

Release Poster – Netflix

The following is a review of The Old Guard — Directed by Gina Prince-Bythewood.

Gina Prince-Bythewood’s The Old Guard is a straight-to-Netflix superhero action film that is based on the comic book of the same name, which was written by the film’s screenwriter Greg Rucka. The Old Guard follows a group of four warriors led by Andromache “Andy” of Scythia (played by Charlize Theron). Each of these warriors is superpowered with regenerative healing abilities, which means that they can all survive being killed. After the superpowered vigilante squad survive an ambush on a mission in South Sudan, they soon realize that they are being hunted by someone who wants the power that they possess, and, meanwhile, they have visions that indicate that there is a potential new recruit in the United States Marine Corps, Nile Freeman (played by KiKi Layne). Continue reading “REVIEW: The Old Guard (2020)”

REVIEW: Defending Jacob (2020)

Release Poster – Apple TV+

The following is a review of the Apple TV+ mini-series “Defending Jacob,” — Directed by Morten Tyldum and written by Mark Bomback.

Morten Tyldum and Mark Bomback’s Defending Jacob is a crime mini-series based on the William Landay novel of the same name. The series follows the Barber family — Andy (played by Chris Evans) and Laurie (played by Michelle Dockery) and their teenage son, Jacob (played by Jaeden Martell) — from Newton, Massachusetts. At the outset of the series, Andy Barber, the assistant district attorney, is assigned to prosecute the murder of Ben Rifkin, one of Jacob’s classmates, and he is quick to identify a prime suspect. However, soon Andy is forced to abandon the case when his son is charged with the murder of Ben Rifkin. The Barbers are naturally shocked, and, in the series, they must try to clear their son’s name, find the actual culprit, and endure the harsh spotlight that they, as a family, have suddenly been put under. Continue reading “REVIEW: Defending Jacob (2020)”