Sydney Chandler as Marcy/”Wendy” in ALIEN: EARTH — PHOTO: FX/HULU (Still image from trailers).
Although I grew to be really excited about it, I’ll admit that when I first heard about Alien: Earth, I was somewhat displeased. I admire the work of series creator Noah Hawley a great deal, but, as a defender of Ridley Scott’s prequel films, it upset me that it had been reported that the new show would distance itself from those films and potentially split the canon into two. When I finally watched the show, I was taken on something akin to an emotional rollercoaster ride, as I, from episode to episode, would switch between being skeptical about the show to being head over heels in love with it. So, where did I ultimately land on the show once the season was over and done? Well, I found it to be both a promising and frustrating experience that teased something cerebral that it couldn’t quite live up to, while I thought the show did the titular Xenomorph creature a massive disservice.
Cailee Spaeny as Rain face-to-face with a Xenomorph in Fede Alvarez’s ALIEN: ROMULUS — PHOTO: Disney / 20th Century Studios.
Directed by Fede Alvarez — Screenplay by Fede Alvarez and Rodo Sayagues.
The Alien franchise can mean a lot of different things depending on the person you ask. For some, Alien, due to the original Ridley Scott 1979 classic, is Jaws (or a haunted house horror movie) set in space. Others think more fondly of James Cameron’s arguably equally iconic sequel, Aliens, which injected Scott’s blue-collar space-set horror flick with action adrenalin and a militaristic focus, while still keeping its key distrust of corporations at the heart of the film. I wonder if the subsequent divisive-to-middling sequels and spin-offs only further complicated the core audience’s understanding of what an Alien film is supposed to be. When Ridley Scott returned to shepherd the franchise and meld it with some of the ideas of his Blade Runner film in both Prometheusand Alien: Covenant, they, too, divided opinion. While some embraced Prometheus‘ ambitious ideas and a key performance, others rejected them wholesale, perhaps because it wasn’t enough of an Alien film or for its specific answers (or lack thereof) as a prequel film, though I acknowledge that some may feel that to be an oversimplification of people’s problems with it. In any case, Scott responded with Alien: Covenant, which continued the overarching narrative started in Prometheus, but also, at the same time, sometimes felt like an effort to compromise and satisfy those that felt Prometheus was too different. The naysayers weren’t won over by Alien: Covenant, which, I contend, is actually an extremely underappreciated film, and the film was a box office disappointment. Seven years later, we now have the first Alien film since Disney acquired 20th Century Fox titled Alien: Romulus, which is a solid and suspenseful horror throwback. However, truth be told, it is also maybe a little bit too safe of a film given the big choices and risks that directors like Ridley Scott, James Cameron, and David Fincher have taken over the years.
The following is a review of Alien: Covenant – Directed by Ridley Scott. For more Alien reviews, check out this category.
With 2012’s Prometheus and now with 2017’s Alien: Covenant, Ridley Scott – the directorial ‘father’ of the Alien-franchise – has reclaimed ownership of the vastly popular horror-science fiction film series. Unfortunately, Prometheus wasn’t met with much praise from fans, and now – with Alien: Covenant – Ridley Scott is trying to appease the rapid fan-base while still dealing with the themes present in his first prequel. And although it does feel a little bit like a compromise, Covenant is nonetheless a fantastic film. Continue reading “REVIEW: Alien: Covenant (2017)”→
The following is a short review of Prometheus – Directed by Ridley Scott. For more Alien reviews, check out this category.
Ridley Scott’s long-awaited return to the Alien-franchise – Prometheus – offered up several surprises and was ultimately deemed a ‘let down’ by many fans of the franchise. The premise of the prequel film was, to an extent, at odds with fan expectations, but was nevertheless an admirable and ambitious attempt at rebranding a franchise that needed to feel fresh again. Continue reading “REVIEW: Prometheus (2012)”→
The following is a short review of Aliens vs. Predator: Requiem – Directed by The Brothers Strause. For more Alien reviews, check out this category.
Aliens vs. Predator: Requiem takes place just after the events of Alien vs. Predator. The ‘alien’ that burst out of a Predator is a hybrid of the two alien species and manages to take down the Predator ship. The ship crashes into Earth, and suddenly the hybrid alien and other Xenomorphs are loose in a small town in Colorado. Continue reading “RETRO REVIEW: Aliens vs. Predator: Requiem (2007)”→
The following is a review of Alien vs. Predator – Directed by Paul W. S. Anderson. For more Alien reviews, check out this category.
Some might say that in 2016, Hollywood had ‘a thing’ for blockbuster movie mash-ups. Batman v Superman: Dawn of Justice was one of the most anticipated films of the year, and so was Captain America: Civil War, which easily could’ve been called ‘Captain America vs. Iron Man.’
But in both of those cases these movie mash-ups were made to both improve and continue a cinematic universe. Those cases didn’t feel like last ditch attempts at making money, they were just the next chapters in those two cinematic universes.
In the early to mid-2000s, Hollywood also loved movie mash-ups, but back then the most well-known of those involved characters that had never really appeared in the same film. Freddy vs. Jason was one of those crazy movie mash-ups, and the science fiction equivalent of that was Alien vs. Predator, which I’m going to review for you right now. Continue reading “RETRO REVIEW: Alien vs. Predator (2004)”→
The following is a short review of Alien: Resurrection – Directed by Jean-Pierre Jeunet. For more Alien reviews, check out this category.
Alien: Resurrection takes place more than a hundred years after the events of David Fincher’s Alien 3, and the film follows Ripley 8 (played by Sigourney Weaver), a clone of Ellen Ripley, on the space ship USM Auriga, on which many Xenomorph and Ripley-DNA experiments have taken place. Continue reading “RETRO REVIEW: Alien: Resurrection (1997)”→
The following is a review of Alien 3 – Directed by David Fincher. For more Alien reviews, check out this category.
Alien 3 was directed by someone we today consider to be one of the great directors out there. David Fincher is a highly regarded filmmaker, and that is, sadly, in spite of his first feature film – Alien 3 – which is often regarded as the first real misstep in the Alien-franchise. Continue reading “RETRO REVIEW: Alien 3 (1992)”→
The following is a review of Alien – Directed by Ridley Scott. For more Alien reviews, check out this category.
Who could’ve known back before Alien was released in 1979 that director Ridley Scott – a relative late bloomer when it comes to filmmaking, who had only previously directed one film – would create one of the most iconic science-fiction horror films of all-time.
‘Jaws in space,’ or ‘The Texas Chainsaw Massacre of science-fiction’ as it has apparently sometimes been called by both director Ridley Scott and writers Ronald Shusett and Dan O’Bannon may not have seen the light of day where it not for the science-fiction boom caused by George Lucas and his first Star Wars film, but with Alien Ridley Scott managed to carve out his own distinctive corner of science-fiction filmmaking. Continue reading “CLASSIC REVIEW: Alien (1979)”→
It’s finally time for the next film in the ALIEN franchise. Very soon I’ll be seeing Ridley Scott’s Alien: Covenant, but, leading up to that film’s release, I want to review each and every film in the franchise. Therefore next week is ALIEN Week. Continue reading “Introducing: ALIEN Week”→
I'm Jeffrey Rex 