REVIEW: Elvis (2022)

Austin Butler is the King of Rock n’ Roll in Baz Luhrmann’s ELVIS — Photo: Warner Bros. Pictures.

Directed by Baz Luhrmann — Screenplay by Baz Luhrmann, Sam Bromell, Craig Pearce, and Jeremy Doner..

For as long as I can remember, I’ve always known who Elvis Presley was. I grew up in a loving home where Elvis Presley’s songs were often played over and over again. Both of my parents are Elvis super-fans. My father was nicknamed “Elvis,” when he was young. My mom likes to tell me that, at times, he really looked like him when they were both young. In school, one time I even did a presentation on the life and career of Elvis Presley at a final exam. It, then, goes without saying that the release of Baz Luhrmann’s Elvis Presley music biopic was something the family was very much looking forward to. Some of us were also quite nervous about whether it could work. Having now seen it, I can say that, in some ways, it is an excellent biopic that the Presley family should be incredibly happy with, but that it also is just as formulaic as the other music biopics that have been released these last few years. It pleases me to say that because of Luhrmann’s direction and Austin Butler’s performance it is more than just a run-of-the-mill biopic, though.

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REVIEW: Obi-Wan Kenobi (2022)

Ewan McGregor is back as the titular Jedi in Lucasfilm’s OBI-WAN KENOBI, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

All Six Episodes of the Limited Series Were Directed by Deborah Chow.

Set a decade, or so, after the events of George Lucas’ Star Wars: Episode III – Revenge of the Sith, Obi-Wan Kenobi follows the character of the same name (played by Ewan McGregor, now returning to the role), as he has gone into hiding on Tatooine, where he is watching over young Luke Skywalker from afar. Sith Inquisitors are still hunting for Jedi throughout the galaxy, including Kenobi who Reva (played by Moses Ingram), the Third Sister, is especially interested in. However, Obi-Wan Kenobi is forced out of hiding after young Princess Leia Organa (played by Vivien Lyra Blair) is kidnapped by criminals. Kenobi is Leia’s only hope, and that is exactly what Reva, who orchestrated the kidnapping, had expected and hoped for. As Kenobi leaves Tatooine, he has to reconnect to the Force, but this also means that he risks being confronted by the Inquisitors or even Darth Vader.

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REVIEW: Spiderhead (2022)

Chris Hemsworth as the charismatic antagonist, Steve Abnesti, in Joseph Kosinski’s SPIDERHEAD — Photo: Netflix.

Directed by Joseph Kosinski — Screenplay by Rhett Reese & Paul Wernick.

No, my fellow cineastes, your eyes are not deceiving you. This adaptation of the George Saunders short story Escape from Spiderhead was indeed directed by Joseph Kosinski whose film Top Gun: Maverick — a charming, thrilling, and crowd-pleasing legacy sequel — invigorated the film and movie theater industries by being a huge hit just this very month, and its screenplay was indeed written by the writers of Zombieland, Deadpool, and Life — Rhett Reese and Paul Wernick. When you add the fact that Spiderhead is spearheaded by acting talents like Marvel Studios’ God of Thunder, Chris Hemsworth, and Whiplash lead, Miles Teller (who also starred in Top Gun: Maverick), then it starts to sound like the kind of film that ought to have been released in theaters or, at the very least, been given a larger marketing push than it has gotten thus far. You’d be right in thinking that. Even though it has some issues, it deserves far better than falling into obscurity as one of the many overlooked entries in Netflix’s vast content library.

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REVIEW: Outer Range – Season One (2022)

Josh Brolin finds a mysterious black void on his land in the neo-western sci-fi series ‘Outer Range,’ — Photo: Prime Video.

All eight episodes of ‘Outer Range: Season One’ are available on Amazon Prime Video right now.

I don’t think I watch enough Amazon Prime Video shows. Sure, I watch their biggest series and select lesser shows, but I still feel like I often overlook some of their lesser-known output. Brian Watkins’ Outer Range seemed destined to end up as a show I had heard about but which hadn’t caught my eye for whatever reason. But after watching a Late Show with Stephen Colbert interview with the show’s lead actor Josh Brolin, who I am a big fan of, my interest was piqued. Their description of the show had sold it to me, and I’m glad I watched it, even though it’s a difficult show to communicate to others without spoiling too much.

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REVIEW: Borgen – Power & Glory (2022)

Sidse Babett Knudsen as Birgitte Nyborg in ‘Borgen – Power and Glory’ — Photo: Mike Kollöffel.

Borgen – Power and Glory,’ the fourth season of ‘Borgen’ is available on DR in Denmark and on Netflix internationally. It consists of eight episodes.

A Danish political drama and international hit, Adam Price’s Borgen is a critically acclaimed television show that takes its viewers into the Danish political system by focusing both on politicians, their families, their spin doctors, and the media. It originally ran for three seasons from 2010 to 2013, but has now been revived by the Danish Broadcasting Corporation (DR) and Netflix for a new season titled Borgen – Power and Glory (Borgen – Riget, Magten og Æren in Danish).

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REVIEW: Peacemaker – Season One (2022)

Jennifer Holland (Left) and John Cena (right) in James Gunn’s PEACEMAKER — Photo: Warner Bros. / HBO Max.

All Episodes of the First Season of James Gunn’s PEACEMAKER Are Available on HBO Max Now.

I know. This show did, indeed, come out several months ago. Back then, I had been preparing to write a longer article about this show, but, then life got in the way, and now we’re in June. Sorry about that. Still, I am happy to be able to report that I think this show is absolutely terrific and I also think it’s the best DC Comics season of television I’ve ever seen. That statement is coming from someone who was obsessed with Smallville once, who loved the first season of CW’s The Flash, and who did follow the Arrowverse for quite some time. With respect to those shows, James Gunn’s Peacemaker is just head-and-shoulders above those other series in large part because it feels so director-driven. It has a distinctive style and voice that is just so right for this show.

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REVIEW: MEN (2022)

Jessie Buckley’s traumatized character Harper takes a bite out of the ‘forbidden fruit’ shortly after arriving at the house that she has rented for her village holiday. — Photo: A24.

Directed by Alex Garland — Screenplay by Alex Garland.

Alex Garland’s folk horror film MEN follows the widowed Harper Marlowe (played by Jessie Buckley), who, after having recently lost her husband to what may or may not have been a death by suicide, has decided to go on holiday in a small village in Britain because she needs to unwind and heal. However, she continues to be haunted by her trauma when she arrives in the village. Although she doesn’t point it out, each and every man she meets has the same face as Geoffrey (played by Rory Kinnear), the owner of the house she has rented, including a mysterious naked man who starts stalking her, as well as the local vicar who, after hearing about Harper’s trauma, suggests that she is to blame for what happened to her husband.

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REVIEW: Top Gun: Maverick (2022)

Tom Cruise as Pete ‘Maverick’ Mitchell in Joseph Kosinski’s TOP GUN: MAVERICK — Photo: Skydance Media / Paramount Pictures.

Directed by Joseph Kosinski — Screenplay by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie.

If there is one thing that the release of Top Gun: Maverick has already proven, it is that Tom Cruise is still a real movie star capable of drawing a crowd even in the Post-COVID lockdown world. Although the 1986 original Tony Scott film, Top Gun, did leave a cultural imprint and is an iconic 1980s film, it isn’t like most people have been crying out for a sequel to the original film that, way back when, received mixed reviews. And yet, when I saw its sequel, people of all ages — including several people over the age of fifty — had such a need for speed that they had flocked to the theater to watch Tom Cruise as “Maverick” take another ride into the danger zone. I’m happy to tell you that — yes, it’s true — Top Gun: Maverick is every bit as awesome as you may have hoped. In fact, I think it’s a much better film than the 1980s classic.

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REVIEW: Ozark – Season Four, Part Two (2022)

Jason Bateman and Laura Linney in Ozark: Season Four — Photo: Netflix.

For my thoughts on the first part of the fourth season of Ozark, click here.

The second part of the final season of Ozark kicks off right where the first part left off with Ruth (played by Julia Garner) hell-bent on getting her revenge on the man that killed her cousin. That’s a bit of a problem for the Byrdes — Marty and Wendy (played by Jason Bateman and Laura Linney) — as that man is Javi (played by Alfonso Herrera), one of the most pivotal members of the drug cartel that they work for, and if the Byrdes are going to get out of this business alive, then they need a few things to work out for them, and a vengeful Langmore, who Marty is fond of, can only complicate matters.

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REVIEW: Chip ‘n Dale: Rescue Rangers (2022)

(L-R): Dale (voiced by Andy Samberg) and Chip (voiced by John Mulaney) in Disney’s live-action CHIP ‘N DALE: RESCUE RANGERS, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

Directed by Akiva Schaffer – Screenplay by Dan Gregor & Doug Mand.

From the director of the hilarious pop-mockumentary Popstar: Never Stop Never Stopping, Chip ‘n Dale: Rescue Rangers is a Who Framed Roger Rabbit?-style live-action and animation blended film wherein the animated characters Chip and Dale (voiced by John Mulaney and Andy Samberg, respectively) are actors who starred in their very own television show — i.e. the real-life television show of the same name — but who, thirty years later, have gone their separate ways and lost touch. When their old co-star Monterey Jack (voiced by Eric Bana), who has a ‘stinky cheese addiction,’ is kidnapped by the so-called Valley Gang, Chip and Dale must work together to find and save Monterey Jack before he is forced to be a part of the Valley Gang’s bootlegging business.

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