Weapons (2025) | REVIEW

One of the vanishing kids running down the street in Zach Cregger’s Weapons — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Zach Cregger — Screenplay by Zach Cregger.

Whenever an up-and-coming new filmmaker, whose previous film had the makings of a bona fide genre classic, is about to turn in his latest film, you pay attention. You especially pay attention when the filmmaker’s script for his new picture was so highly regarded in the American film industry that it not only launched a bidding war but also, reportedly, got a modern horror master to fire his manager over their failed attempt at securing the distribution rights to it. Such is the case with Barbarian writer-director Zach Cregger and his latest film, Weapons, a multi-perspective horror-thriller with drama and comedy elements that had a memorable and fantastic marketing campaign built around it, and which also, thankfully, turns out to be exactly the kind of must-see thriller epic that I’ve been craving.

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REVIEW: Barbarian (2022)

Bill Skarsgård as the mysterious ‘Keith’ in BARBARIAN — PHOTO: 20th Century Studios.

Direction and Screenplay by Zach Cregger.

Zach Cregger’s Barbarian, one of the most entertaining surprise hits of the year, follows Tess Marshall (played by Georgina Campbell), as she arrives at a remote house that she has booked, only to find out that someone else, Keith (played by Bill Skarsgård), is already staying there due to the house having been double-booked. When Tess finds out that there isn’t really an open motel close by, she has to decide if she feels comfortable staying at the house with this total stranger. What she doesn’t know is that the house isn’t exactly what it seems.

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