Directed by Doug Liman — Screenplay by Patrick Ness & Christopher Ford.
On paper, this should be a huge hit. It’s a science-fiction action film starring Tom Holland of Spider-Man fame and Daisy Ridley of Star Wars fame, they are surrounded by a more than capable cast including the incredible Mads Mikkelsen (Another Round), and the film was directed by Edge of Tomorrow‘s Doug Liman. And yet this is a film that has been through quite a lot of behind-the-scenes work. It has gone through several rounds of rewrites and expensive reshoots, and it, reportedly, was the victim of poor reception at test screenings. After having had its release delayed several times, Chaos Walking is now here, but while it has all the ingredients of a film made for me, it just doesn’t work as a complete package.
Directed by Josh Boone — Screenplay by Josh Boone & Knate Lee.
For a while there, it seemed like Josh Boone’s The New Mutants would never see the light of day. They wrapped principal photography in September 2017 and originally planned for an April 2018 theatrical release, but, right when Disney executives were working overtime to acquire Fox, the film was delayed over and over again. The film which had been developed by 20th Century Fox was ultimately released by Disney’s 20th Century Studios in the middle of a global pandemic. It felt like the film was quietly being swept under the rug, which may not be far from the truth as the film was the final film from the Fox-era of X-Men. Originally, I was very interested in the film after having seen the early marketing material, which made The New Mutants seem like a true horror film. Now that I have finally seen the film, I can say that the early trailers were more memorable than the film, which is messy and poorly paced. But I will say that it definitely isn’t the complete and utter trainwreck that the constant release delays may have led you to believe. It’s not good, but it certainly isn’t the worst Fox-developed X-Men film. Continue reading “REVIEW: The New Mutants (2020)”→
The following is a review of The Half of It — Directed by Alice Wu.
Netflix has, in a way, become the home of the teenage coming-of-age romantic-comedy genre. Since they achieved great success with Susan Johnson’s To All the Boys I’ve Loved Before, Netflix has been eager to return to that same subgenre and treat their worldwide audience to stories about young Americans finding themselves, discovering their own identities, and expressing their true feelings. Netflix has successfully cornered that market as of late, and their latest teenage romantic-comedy success story comes from filmmaker Alice Wu, whose second feature has finally come out for all to see fifteen years after her directorial debut was originally released. Continue reading “REVIEW: The Half of It (2020)”→
The following is a review of Scary Stories to Tell in the Dark — Directed by André Øvredal.
Scary Stories to Tell in the Dark is an adaptation of a trilogy of children’s horror short story collections of the same name from author Alvin Schwartz. The film has been in development since 2013, and now Norwegian filmmaker André Øvredal has finally brought the children’s short stories to the big screen in the form of a horror film that’s frankly really enjoyable if you know what you’re getting into. This is just scary enough to severely frighten teens, but I don’t think it is so frightening that it’ll haunt them at night unless they are young tweens, but you and your kids’ mileage may vary. It’s a cute and fairly effective horror film that, I think, has the potential to become a favorite for teens. Those who dug Annabelle Comes Home will be happy with this similarly cutesy horror film. Continue reading “REVIEW: Scary Stories to Tell in the Dark (2019)”→