REVIEW: Minari (2021)

Steven Yeun as Jacob Yi in Lee Isaac Chung’s MINARI — Photo: A24.

Directed by Lee Isaac Chung — Screenplay by Lee Isaac Chung.

Though the act of spoiling a film or a show is, to put it mildly, frowned upon, I think the general idea is that a great movie cannot be spoiled, which is to say that it will still be great even if its plot or central surprise has been ruined for you. For a while, I think I actually shared that school of thought, and I can probably name a small handful of films that I love which were actually spoiled for me. Still, I am nervous when it comes to spoilers. I remember one of my friends once spoiled the end of a game in a series that I loved (and had introduced him to), and, as a result, I didn’t finish the game for quite some time. I guess, to me, it felt like it had been ruined for me, and, alas, when I finally finished the game it didn’t leave the same emotional impact on me that it appeared to have had on him.

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A Celebration or a Clusterfuck? My Thoughts on the 93rd Academy Awards

In honor of Thomas Vinterberg’s extremely moving acceptance speech last night, allow me to open with a reference to arguably his most famous film. There is a moment in Thomas Vinterberg’s Cannes Awards-winning Dogme-film Festen (international title: The Celebration), where the main character Christian (played by Ulrich Thomsen) asks his father, whose birthday is being celebrated, what speech he would like Christian to read for him — the green speech or the yellow speech? His father chooses the ‘green’ speech, and, as a result, the events of the unforgettable film take place. Sometimes a single decision can change everything. And, in the case of the 93rd Academy Awards’ ceremony, a decision was made that ultimately destroyed an otherwise decent ceremony.

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