David Lynch’s Dune (1984) | RETRO REVIEW

Kyle MacLachlan as Paul Atreides in David Lynch’s Dune — PHOTO: Universal Pictures.

Directed by David Lynch — Screenplay by David Lynch.

With the recent release of Denis Villeneuve’s hotly anticipated Dune: Part Two, it felt right to finally have another look at the first major adaptation of Frank Herbert’s 1965 sci-fi novel Dune — i.e. David Lynch’s Dune from 1984. Even after having ‘rewatched it,’ I’m, honestly, still not entirely sure if I had seen this before. I’m pretty sure I watched this when I was a kid and was obsessed with sci-fi (I watched everything), and, as I was watching it, it felt like I had seen a lot of this before. I asked my dad — who showed me Star Wars, Stargate, and whatnot — and he’s pretty sure he showed me Lynch’s Dune as well. But, hey, 7-to-10-year-old-me probably struggled with this as much as moviegoers in the 1980s reportedly did (Gene Siskel and Roger Ebert apparently both hated the adaptation). Now, it’s so interesting to view this after having seen Denis Villeneuve’s two-part adaptation and having read about 300 pages (or so) of the original novel. Now, I don’t want to take anything away from David Lynch because I think he is a very good filmmaker, and he, himself, has essentially admitted that he failed with his adaptation of Frank Herbert’s iconic novel, but, man, let’s just start by saying that Villeneuve’s adaptations are an improvement on Lynch’s film in every conceivable way. 

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REVIEW: Candyman (2021)

Yahya Abdul-Mateen II as Anthony McCoy in Nia DaCosta’s CANDYMAN (2021) — Photo: Universal Pictures.

Directed by Nia DaCosta — Screenplay by Nia DaCosta, Win Rosenfeld, & Jordan Peele (Get Out; Us).

Horror remakes, reimaginings, or sequels decades after a popular antagonist’s inception are inevitable. This movie studio trend was especially prevalent in the 2010s, when it was emphasized just how profitable decent-to-good horror films can be. One of the more stylized attempts was Luca Guadagnino’s Suspiria remake, while one of the more disappointing attempts was Kölsch & Widmyer’s Pet Sematary remake. Horror remakes are a dime a dozen these days, but the current horror movie trend is the legacyquel — a portmanteau of legacy and sequel — which is a continuation of a previous film but one that takes place a long time after the events of the original film and often with entirely new characters. Another trend is that of ignoring some films in the franchise, for the purpose of taking the franchise in another direction. Such is the case with a legacyquel like David Gordon Green’s Halloween. Another legacyquel that ignores certain chapters in its own cinematic mythology, Nia DaCosta’s Candyman, which really ought to have a different title for simplicity’s sake, follows many horror movie trends, but perhaps most notably those kickstarted by her producer and co-writer Jordan Peele.

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