Tag: Venom

Madame Web (2024) | REVIEW

(L-R) Sydney Sweeney, Dakota Johnson, and Isabela Merced on the poster for MADAME WEB — PHOTO: Sony Pictures.

Directed by S.J. Clarkson — Screenplay by Matt Sazama, Burk Sharpless, Claire Parker, and S. J. Clarkson — Story by Kerem Sanga, Matt Sazama, and Burk Sharpless.

If Avengers: Endgame represented the absolute zenith of the 21st-century golden age of the Hollywood superhero movie craze — which was, in a sense, kickstarted in 2008 by Jon Favreau and Christopher Nolan — then I think it would be fair to say that this current moment could be the trend’s nadir. At the very least, this is undoubtedly one of its lowest points. Warner Bros.’s DC Extended Universe (DCEU) is sleeping with the fishes after the release of Aquaman and the Lost Kingdom, as Warner is preparing a clean reboot. The once always consistently good Marvel Studios — and their Marvel Cinematic Universe (MCU) — is struggling in the post-Endgame era, as the existence of Disney+ has led them to wrongly focus on quantity over quality (though some hope exists that they may have learned the error of their ways in time to properly course correct). Meanwhile, Sony and their half-in/half-out relationship with Marvel Studios and their MCU have led to a series of Spider-Man-related spin-offs that are, at best, superfluous curiosities and, at worst, ill-conceived cash-grabs. Credit where credit is due, Sony did create some of the most beloved superhero films of the early 2000s under the direction of Sam Raimi, their animated Spider-Man films are universally beloved, and whenever they’ve teamed up with Marvel Studios on a Spider-Man film, it has led to a final product that fans and the vast majority of critics agree is quite good. But, for some reason, Sony has struggled to cross the finish line without having to limp across it each and every time it has come to their live-action Spider-Man spin-off films. This was already apparent with both of their Venom films (Fleischer’s Venom and Serkis’ Venom: Let There Be Carnage) and it was impossible to deny with Morbius. Unfortunately, S.J. Clarkson’s Madame Web doesn’t change that downward trajectory for live-action Spider-Man spin-offs. Madame Web feels disconnected and desperate.

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REVIEW: Morbius (2022)

Jared Leto in Daniel Espinosa’s MORBIUS — PHOTO: Sony Pictures.

Directed by Daniel Espinosa — Screenplay by Matt Sazama and Burk Sharpless.

The first time I heard about ‘Morbius the living vampire’ was in an episode of the iconic 1990s Spider-Man animated series which I absolutely adored as a kid. I don’t remember too much about individual episodes nowadays, but I do remember seeing him with Blade and Spider-Man. However, due to awful word-of-mouth and a general lack of faith in Sony’s villain-led Spider-Man spin-off films (due to the release of the first Venom film), I didn’t immediately feel the urge to see this film when it was in theaters. Now I have finally had the chance to see it from the comfort of my own home, and, I’m sorry to say, it is pretty much exactly as messy as I feared it could be.

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REVIEW: Venom: Let There Be Carnage (2021)

Tom Hardy as Eddie Brock in VENOM: LET THERE BE CARNAGE — PHOTO: Sony Pictures Releasing.

Directed by Andy Serkis — Screenplay by Kelly Marcel — Story by Kelly Marcel and Tom Hardy.

I thought Ruben Fleischer’s Venom (2018) was pretty bad. As a film, it felt like a product of a different time, it felt outdated, it was surprisingly dull, and all it had going for it was a go-for-broke Tom Hardy performance. To me, it felt like he was in a different film than the rest of the cast. It has become a film that I remember primarily for one absolutely hilarious scene, but it’s also a film that I don’t feel like rewatching. It should come as no surprise to you then that I didn’t feel like rushing out to theaters to see its sequel. In fact, because of the similar critical reception, I’ve never really felt the urge to watch it. That is, until today when I finally ripped off that symbiotic band-aid. Turns out it was almost exactly what I expected it to be. That’s not a good thing, but it’s also not the end of the world. I don’t think it’s good, but it is better than I expected it to be.

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REVIEW: Venom (2018)

Theatrical Release Poster – Sony Pictures Releasing

The following is a review of VENOM — Directed by Ruben Fleischer.

Last year, director Daniel Espinosa’s sci-fi film LIFE was released to mixed-to-positive reviews. I liked that film much more than I thought I would, and I was impressed with how such an under-the-radar sci-fi film somehow had a cast with A-list stars in it. Back when we were still only waiting for LIFE to be released, a fun fan theory surfaced online: what if LIFE was actually a prequel to the then-upcoming Sony Spider-Man spin-off film known as Venom? Continue reading “REVIEW: Venom (2018)” →

RETRO REVIEW: Spider-Man 3 (2007)

Release Poster - Columbia Pictures
Release Poster – Columbia Pictures

The following is a spoiler-filled retro review of Sam Raimi’s Spider-Man 3. It was written in 2016.

I remember liking Spider-Man 3 just fine, when it was released. Sure, it wasn’t perfect, and it definitely wasn’t as good as the first two Raimi Spider-Man films. But it was fine, right? Then, when I rewatched it when it was released on home video, I realized that maybe I had been too easy on the film.

Today, after having rewatched it nine years after its theatrical release, I can safely say that Spider-Man 3 is as bad as people say. But I still like it more than both of Marc Webb’s The Amazing Spider-Man films. Let’s talk about the film that made Sony reboot their Spider-Man franchise. Continue reading “RETRO REVIEW: Spider-Man 3 (2007)” →