When Adam Sandler was campaigning during the last awards-season for his performance in the Safdie Brothers’ Uncut Gems, he made a threat to the Academy and the film community as a whole. Sandler remarked that if he were to not get an Oscar nomination, then he would purposefully make a movie that was ‘so bad’ to make us all pay. Well, here we are. Sandler was not nominated for his phenomenal performance in Uncut Gems. Steven Brill’s Hubie Halloween, which was, of course, filmed prior to the Oscar ceremony in question, is Sandler’s first film since he missed out on a deserved Oscar-nomination. And, frankly, this film is not the worst straight-to-Netflix film that Sandler has made for the streaming service. In fact, if he keeps on churning out straight-to-Netflix films such as this one, even though it’s certainly not good, then I’ll take it, in return for an Oscar-worthy Sandler-performance every other year.
The 2010s have come to an end. Soon I will be posting several additional top ten lists on the best films of the previous decade. But, first, I have to close out last year in the right way with this top ten films of 2019-list. So, sit back, relax, and take a look at what films I think were the very best in a quite strong year for movies. Continue reading “Top Ten Films of 2019”
It is finally time for me to announce my own personal film nominations for the 7th I’m Jeffrey Rex Awards. Sure, we’re in 2020 now, but I needed some time to watch some of the films that weren’t released until January 2020 in Denmark to properly celebrate 2019 films.
There will be a couple of surprises here, and I’m not just talking about the nominees. There are a couple of completely new categories listed below. Each new category will have an asterisk next to it. Well, let’s get to it. Continue reading “IJR Awards 2019: Film Nominations Announced”
The following is a review of Uncut Gems — Directed by Josh & Benny Safdie.
“Keep an eye on the Safdie Brothers.” — I ended my short review of 2017’s Good Time thusly. When I watched that film I don’t think I knew of the Safdies Brothers’ early career as young but already somewhat prolific independent filmmakers. To me, they were (and, in a way, still are) exciting newcomers to the world stage of cinema. Good Time was a brilliant but anxiety-inducing nightmare that gave us Robert Pattinson’s finest performance, thus far. That film showcased the Safdies’ talents as directors both with the exquisite mastering of tension and anxiousness, as well as the ability to pull out awards-worthy performances from actors who have a tendency to be pigeonholed. With Uncut Gems, the filmmaking duo has done it again. Adam Sandler delivers his finest performance since 2017’s The Meyerowitz Stories in the Safdies’ Good Time-follow-up, which is even more nailbiting and even more impressive. Continue reading “REVIEW: Uncut Gems (2019)”