Mickey 17 (2025) | REVIEW

Robert Pattinson and Robert Pattinson in Bong Joon-ho’s MICKEY 17 — PHOTO: Watner Bros. Pictures (Still image from trailers).

Directed by Bong Joon-ho — Screenplay by Bong Joon-ho.

It boggles the mind that it’s been more than half a decade since the release of Bong Joon-ho’s Parasite, the first non-English language feature to win Best Picture at the Academy Awards. Director Bong’s Oscar-winning magnum opus is a widely recognized 21st Century masterpiece, and, thusly, the director’s follow-up to such an achievement would always be hotly anticipated, especially given the fact that his next release was a blockbuster-budgeted American studio release. In fascinating fashion, Bong Joon-ho has spent his Hollywood blank cheque, or carte blanche, on a scathing but funny political satire sci-fi flick about the way capitalist governments, whose leaders may use religion to gain and exercise power, view and treat the common person, women, and foreign territories, as well as its inhabitants. Bong Joon-ho’s Mickey 17, an adaptation of Edward Ashton’s novel Mickey7, is ambitious, messy, strangely predictive about the time we’re in, and very much a Bong Joon-ho film, even though it is very different from Parasite.

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Goodbye 2024

Tonight, we say goodbye and farewell to yet another year. Every year has its highs and lows and 2024 was no different. When I think about highs and lows in 2024, a lot of things come to mind, including many global issues and crises. But, frankly, if I were to think of a couple of images that sum up both crushing defeat and our ability to rise up and out of the ashes, I think about buildings. Yeah, that’s right. In April of 2024, the iconic and historic Danish building and tourist attraction Børsen (which translates to ‘the stock exchange’) burned down. I was in Copenhagen on the day that it happened, and I remember how I and everyone around me lost focus and just started looking out of the window at smoke rising, as a building that’s always been a part of our lives was suddenly gone before you knew it. There is hope that it can be rebuilt, and it is that hope that I want to highlight here because, as a symbol, I am immediately reminded of the reopening of the Notre Dame cathedral in Paris following its own tragic and fiery catastrophe. When we fall, we can rise again. If we do it together, we can rebuild what we hold dear. And even though the state of the world can look scary, we can unite around worthy causes to keep culture and history alive for generations to come. We need that hope.

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REVIEW: Da 5 Bloods (2020)

Release Poster – Netflix

The following is a review of Da 5 Bloods — A Spike Lee Joint.

Spike Lee’s Da 5 Bloods is a war film about the lasting effects of the Vietnam War on four African-American war veterans — Eddie (played by Norm Lewis), Otis (played by Clarke Peters), Melvin (played by Isiah Whitlock, Jr.), and Paul (played by Delroy Lindo) — collectively known as the ‘Bloods.’ Now, decades after the war has ended, the Bloods have returned to Vietnam to retrieve what they left behind in the jungle. They claim to only be back to retrieve the body of their squad leader, Stormin’ Norman (played by Chadwick Boseman), but they also want to find the precious gold bars that they had to leave behind when they were young men. Continue reading “REVIEW: Da 5 Bloods (2020)”

Goodbye 2016

2016-year-in-review

I used to write these New Year’s Speeches every year, and I really enjoyed doing so. I sort of stopped doing it last year, but I’ve tried to find a way to comment on all of the things that happened this year. I came up with this post, in which I want to talk about the entire year briefly. Film, television, and politics. Good and bad. Hope and dread. So if you don’t want anything political with your movie news, speculation, or discussion, then this isn’t the post for you. Continue reading “Goodbye 2016”