The following is a review of Martin Scorsese’s 1985 classic After Hours — Written by Joseph Minion.
Although his 1980 feature film Raging Bull earned Martin Scorsese rave reviews and industry awards recognition, its success did not ensure that Martin Scorsese’s 1980s would be a nice and smooth ride with nothing but successes. Even though he had already made films that we still talk about today, Scorsese was not the box office draw that modern cineastes might have imagined. His follow-up to Raging Bull, his 1982 near-masterpiece The King of Comedy struggled at the box office. Then Paramount Pictures got cold feet due to a sizable budget as well as religious protests, and, as a result, they, eventually, canceled the production of Scorsese’s The Last Temptation of Christ, which was finally made and released with the help of Universal Studios in 1988. So one might understand if, in the mid-to-early 1980s, Martin Scorsese needed to make something wildly different. It was at this point when, before he finally got to make his aforementioned controversial religious passion project, Martin Scorsese made his frantic black comedy After Hours. Continue reading “REVIEW: After Hours (1985)”→
The following is a review of The Irishman — Directed by Martin Scorsese.
I’ve said it before, and I’ll say it again. Martin Scorsese would arguably be on the Mt. Rushmore of American filmmakers if such a thing existed. When Scorsese laments the supposed death of cinema or questions the artistic merit of modern blockbusters, you listen to him for the simple reason that few people know the medium, the power of cinema, or the industry as well as he does. His understanding of the power of what is within or out of the frame of cinema is indescribable. Though his detractors may suggest that he is a glorified gangster film director, nothing could be further from the truth. With The Irishman, Martin Scorsese has given us a haunting and elegiac historical epic disguised as a greatest hits gangster film that stresses that, even in the autumn of his life, the master hasn’t missed a beat. Continue reading “REVIEW: The Irishman (2019)”→
The following is a quick review of The Snowman – Directed by Tomas Alfredson
The Snowman is based on Norwegian crime-writer Jo Nesbø’s bestseller of the same name, which was actually released ten years ago. The film follows Harry Hole (played by Michael Fassbender), a well-regarded detective with a serious alcohol problem, who is investigating the disappearance of a woman. When that woman turns up dead, Hole teams up with Katrine Bratt (played by Rebecca Ferguson) to find and stop a Norwegian serial killer who likes to build snowmen. Continue reading “REVIEW: The Snowman (2017)”→