Tag: Storm Reid

REVIEW: Missing (2023)

Storm Reid in MISSING — PHOTO: SONY PICTURES.

Directed by Will Merrick and Nick Johnson — Screenplay by Will Merrick and Nick Johnson.

The filmmaking medium is constantly in a state of development and reinvention with artists seeking to find new ways to tell audiovisual stories. The found-footage genre was a huge trend that still pops up every now and again nowadays, and the latest found-footage-esque trend is the screenlife, or screencast, genre where the entire story is told by showing computer screens, smartphone screens, or the like. The Unfriended films are solid horror examples of this (as is Rob Savage’s Host, a terrific COVID-set horror film about Zoom video calls), and Aneesh Chaganty’s Searching starring John Cho is probably the best film of its kind. Searching followed a scared father searching for his missing daughter. The editors of Searching Nick Johnson and Will Merrick have ‘graduated’ and now serve as directors of its ‘standalone sequel’ titled Missing. On the whole, Missing is a really solid feature directorial debut, but it also feels really familiar and isn’t quite as good as the film it is following up on. 

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REVIEW: The Last of Us – “Left Behind”

Bella Ramsey as ‘Ellie’ and Storm Reid as ‘Riley’ in HBO’s THE LAST OF US — PHOTO: HBO / Liane Hentscher.

The following is a recap and review of the seventh episode of HBO’s The Last of Us. Expect story spoilers.

In the seventh episode of the first season of the HBO adaptation of the masterful video game franchise known as The Last of Us — titled Left Behind — we flash back to Ellie (played by Bella Ramsey) in FEDRA school. She gets into fights in school and may be headed down the wrong path in life, but then an old friend, Riley (played by Storm Reid), stops by and gives her an adventure in a nearby mall. Left Behind was directed by Liza Johnson and written by Neil Druckmann (co-creator of The Last of Us video game franchise).

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REVIEW: The Invisible Man (2020)

Theatrical Release Poster – Universal Pictures

The following is a review of The Invisible Man — Directed by Leigh Whannell.

120 years after H. G. Wells’ original science fiction novel The Invisible Man was released, Alex Kurtzman’s The Mummy was released to negative reviews. That film was intended to kickstart an interconnected cinematic universe known as the ‘Dark Universe,’ of which a The Invisible Man-adaptation was supposed to be a part. However, instead, the Dark Universe quickly became the most used example of a cinematic universe that fell apart before it had a chance to connect two films. Three years after the release of Kurtzman’s monster movie, which was a critical and financial failure, we have the latest adaptation of the aforementioned iconic Wells-novel. Although Leigh Whannell’s The Invisible Man is notably not a part of any cinematic universe, he has done what Kurtzman, unfortunately, failed to do, i.e. make an effective and modern monster movie. Continue reading “REVIEW: The Invisible Man (2020)” →