Fountain of Youth (2025) | REVIEW

John Krasinski, Domhnall Gleeson, and Natalie Portman in “Fountain of Youth,” now streaming on Apple TV+.

Directed by Guy Ritchie — Screenplay by James Vanderbilt.

Guy Ritchie’s Fountain of Youth follows siblings Luke (played by John Krasinski) and Charlotte Purdue (played by Natalie Portman) as they eventually team up to go on an adventure to find — yep, you guessed it — the fountain of youth. While Charlotte works as a museum curator in London, Luke steals paintings to complete a job for Owen Carver (played by Domhnall Gleeson), a billionaire who is searching for the fountain of youth to prevent his own death from a terminal illness. Luke and Charlotte’s paths cross when he steals a painting from the museum where she works, resulting in her losing her job. When one thing leads to another, she reluctantly joins their mission, while Interpol, as well as a secret society dedicated to protecting the fountain, is chasing them.

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The Electric State (2025) | REVIEW

Millie Bobby Brown as ‘Michelle’ alongside Cosmo the robot in THE ELECTRIC STATE — PHOTO: Netflix (Still image from trailers).

Directed by Anthony and Joe Russo — Screenplay by Christopher Markus and Stephen McFeely.

Based on Simon Stålenhag’s retro-futurist illustrated novel Passagen (international title: The Electric State), Anthony and Joe Russo’s The Electric State is set in the 1990s after the events of a war between humans and robots (who were apparently created by Walt Disney in this universe), which has changed our world immensely. Humanity won the war and banished all robots into an exclusion zone, while humanity decided to become sedentary with VR helmets (called Neurocasters) that allow you to upload your mind and control drone robots, as avatars for yourself in the real world. In this world, we meet Michelle (played by Millie Bobby Brown), who lost her family in a car crash and who refuses to wear these modern helmets. One day, she meets and befriends a robot named Cosmo (voiced by Alan Tudyk). Together, they team up for a mission that will take them across the dystopian world and into the exclusion zone. Along the way, she meets and befriends a war veteran, Keats (played by Chris Pratt), who has a very good friendship with a robot named Herman (voiced by Anthony Mackie).

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Conclave (2024) | REVIEW

Ralph Fiennes in Edward Berger’s CONCLAVE — PHOTO: Focus Features (Still image from trailers).

Directed by Edward Berger — Screenplay by Peter Straughan.

How do you follow up successfully directing a German-language version of All Quiet On the Western Front to critical acclaim and multiple little golden men statues from the Oscars? It’s a good question, and it is exactly the kind of challenge German filmmaker Edward Berger had in front of him. Now, two years later, we have our answer with Conclave, as Berger has crafted yet another adaptation of a major novel. This time around his film is a big screen adaptation of Robert Harris’ 2016 thriller novel of the same, and his adaptation was written by Peter Straughan, a BAFTA-winning co-writer of Tinker Tailor Soldier Spy. Straughan’s writing and Berger’s direction are paired with a stellar cast spearheaded by Ralph Fiennes, together that trio has brought us a political thriller for grown-ups that is deeply engaging. 

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REVIEW: The Silence (2019)

Release Poster – Netflix

The following is a review of The Silence — Directed by John R. Leonetti.

John R. Leonetti’s The Silence — not to be confused with Martin Scorsese’s Silence, which has a similar title, or John Krasinski’s A Quiet Place and Susanne Bier’s Bird Box, both of which have similar plots — follows a family during an apocalyptic event in which prehistoric bat-like creatures have come out of hiding to attack and feast on anything and anyone they hear. Stanley Tucci plays the family father, Miranda Otto his wife, and Kiernan Shipka plays one of his children — a deaf teenager. Continue reading “REVIEW: The Silence (2019)”

REVIEW: Beauty and the Beast (2017)

Release Poster – Walt Disney Studios Motion Pictures

The following is a review of Beauty and the Beast – Directed by Bill Condon

I was born in the early 1990s, and, as a result, one of my first favorite movies was the animated ‘classic’ Disney’s Beauty and the Beast from 1991. My mom recently reminded me and my sister that we would watch it over and over again when we were kids, and my father seems to have become tired of the film as a result.

I still absolutely love the animated film, but, seeing as I’ve enjoyed both Jon Favreau’s The Jungle Book remake and Kenneth Branagh’s Cinderella remake, I was confident in Disney’s ability to remake another one of their most beloved films. Yet while I can say that I enjoyed this remake by Bill Condon, it does feel rather unnecessary and it doesn’t hold a candle to the animated classic. Continue reading “REVIEW: Beauty and the Beast (2017)”

REVIEW: Spotlight (2015)

Spotlight poster
Theatrical Release Poster – Open Road Films

The following is a quick review of Spotlight, a Tom McCarthy film.

In late 2015, I made the decision to publish my top ten films of the year on New Year’s Eve. Sadly, that meant a number of films, which hadn’t been released in Denmark yet, were deemed ineligible for my top ten films of 2015-list. One of those films were Spotlight. By now, I’ve seen Spotlight three times, and it has made me reconsider its status as ineligible. Spotlight is an exceptional film, and one of the best of the year.   Continue reading “REVIEW: Spotlight (2015)”