Smile 2 (2024) | REVIEW

Naomi Scott in Parker Finn’s SMILE 2 — PHOTO: Paramount Pictures (Still image from trailers).

Directed by Parker Finn — Screenplay by Parker Finn.

Set only days after the events of the original film, Parker Finn’s Smile 2 follows Skye Riley (played by Naomi Scottt), a genuine pop star, who is trying to improve her image as she prepares to go on tour following a very public struggle with rehabilitation from substance abuse and the traumatic car crash that she was in, which took the life of her boyfriend (played by Ray Nicholson) and which she is still in pain from. She is constantly supervised by her mother (played by Rosemarie DeWitt) and her team of assistants, and so, because of her history with substance abuse, when she needs painkillers from an injury she sustained, she feels compelled to do it behind their backs. However, when she secretly visits an acquaintance who also happens to be a drug dealer (played by Lukas Gage), everything goes wrong, as he is clearly troubled and he goes on to brutally kill himself whilst brandishing a disturbing smile. Desperate to cover her tracks, she rushes out and refuses to mention what she witnessed to anyone, but what she becomes gradually more and more aware of is that something was passed to her, and soon she starts to witness crazy things from people smiling creepily. 

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REVIEW: Bohemian Rhapsody (2018)

Theatrical Release Poster — 20th Century Fox

The following is a review of Bohemian Rhapsody — Directed by Bryan Singer.

The best word to describe the reported principal photography process for Bohemian Rhapsody is ‘problematic.’ Production of the film was temporarily stopped due to director Bryan Singer. Bryan Singer was eventually fired before the film was even finished. Hoping to save the film, the studio behind it hired director Dexter Fletcher to complete the film and take it across the finishing line in the best state possible. As it turns out, Bohemian Rhapsody — the film — is not as interesting as the notorious making of the film seems to have been. Continue reading “REVIEW: Bohemian Rhapsody (2018)”