This is it. Here we are. This Sunday, the 90th Academy Awards will be held. They’ll laugh about the La La Land–Moonlight mess, maybe they’ll even invite the presenters and the producers of both films onto the stage for some kind of joke. Streaks will be broken, there will be bad decisions, good decisions, and decisions that will look idiotic years from now. That’s the Oscars. That’s all a part of the game. Being that it is this close, it is finally time for me to reveal my final Oscar predictions for this awards season. Who will win? Who will lose? What would I have voted for? Let’s dive right in with the first categories. Continue reading “Final 90th Academy Awards Predictions: Winners – Special Features #17”→
The following is a review of Three Billboards Outside Ebbing, Missouri – Written and Directed by Martin McDonagh
To say that you’ve seen Martin McDonagh’s entire filmography isn’t all that impressive. The Irish playwright’s filmography only includes his excellent Oscar-winning short film Six Shooter and now three feature films. But in these few films McDonagh has already established some trademark elements that are always in his films. Unstable and impulsive male characters that are often marked by their previous misdeeds, some kind of stable mentor or friend to the impulsive male, lots and lots of curse words, oh and he’s a big fan of joking about little people. Continue reading “REVIEW: Three Billboards Outside Ebbing, Missouri (2017)”→
The following is a retro review of Iron Man 2, a Jon Favreau film.
Jon Favreau returned to the Iron Man-franchise, with a sequel to the critically acclaimed original film from 2008. Marvel Studios was desperate to build the universe, and chose to start building their new empire within the sequel to Iron Man. But while easter eggs can be promising and exciting, studio-mandated easter eggs can ruin a film if they dictate too much of the plot. Continue reading “RETRO REVIEW: Iron Man 2 (2010)”→