It is finally time for me to announce my own personal film nominations for the 7th I’m Jeffrey Rex Awards. Sure, we’re in 2020 now, but I needed some time to watch some of the films that weren’t released until January 2020 in Denmark to properly celebrate 2019 films.
The following is a review of The Irishman — Directed by Martin Scorsese.
I’ve said it before, and I’ll say it again. Martin Scorsese would arguably be on the Mt. Rushmore of American filmmakers if such a thing existed. When Scorsese laments the supposed death of cinema or questions the artistic merit of modern blockbusters, you listen to him for the simple reason that few people know the medium, the power of cinema, or the industry as well as he does. His understanding of the power of what is within or out of the frame of cinema is indescribable. Though his detractors may suggest that he is a glorified gangster film director, nothing could be further from the truth. With The Irishman, Martin Scorsese has given us a haunting and elegiac historical epic disguised as a greatest hits gangster film that stresses that, even in the autumn of his life, the master hasn’t missed a beat. Continue reading “REVIEW: The Irishman (2019)”→
The following is a review of Joker — Directed by Todd Phillips.
It has felt almost impossible to drown out the noise surrounding Todd Phillips’ Joker. Any film even tangentially related to Batman has a gigantic spotlight on it at all times, but the drama surrounding the release of this standalone origin story has been different. Though the film has won numerous film festival awards, including the coveted Golden Lion-award from the Venice Film Festival, even select critics who liked the film have seemingly been apprehensive about recommending it. Continue reading “REVIEW: Joker (2019)”→
Quentin Tarantino’s Once Upon a Time In Hollywood opened in North American theaters a couple of weeks ago, but it was just released in my corner of the world yesterday. To commemorate the release of what Tarantino claims is his penultimate feature film as a director, I decided to rewatch and review every full feature film directed by Quentin Tarantino thus far (not including his partially lost amateur film). Below you’ll find reviews of all of the films listed in the image above. So, without further ado, let’s get to it. Continue reading “REVIEWS: Feature Films Directed by Quentin Tarantino (1992-2015)”→
Okay, I know. This is insane. But I enjoyed doing it last year, so it’s happening again! The 91st Academy Awards haven’t even been held, and I’ve only seen, like, twelve films from 2019 at this point. I love writing about the awards season, but, to be honest with you, I find the annual best picture frontrunner backlash to be draining. So, therefore, I think it’s much easier for me to write about next year’s awards season. And don’t you worry, I have a pretty good idea of what is coming out this year. So, without further ado, let’s get to it. Continue reading “Crazy Early 92nd Academy Awards Predictions – Special Features #46”→
Netflix is slowly changing its reputation. For the longest time, people saw Netflix as a dumping ground for original films. But even though Netflix still hasn’t managed to learn exactly how they can promote all of their films on the service, it would be foolish to call Netflix a dumping ground nowadays. Instead, I think it is time to accept the fact that Netflix is a place where certain dreams come true. Maybe not for actors or other hopefuls, but for filmmakers — both those who have lost major studio backing and those who are just starting to make a name for themselves. Continue reading “Netflix Revives Dream Projects – Special Features #32”→
The following is a classic movie review of Raging Bull – Directed by Martin Scorsese
Martin Scorsese is one of the greatest filmmakers – and my personal favorite – of all-time. But while I’ve loved his work for years, I still have a lot of his past films to watch for the first time. One movie that I, somehow, managed to always avoid was the classic biographical boxing tragedy Raging Bull. It’s been at the top of my Martin Scorsese watchlist for quite a while, and I’m happy to say that I understand the love Raging Bull has been getting. Raging Bull is, indeed, a masterpiece. Continue reading “CLASSIC REVIEW: Raging Bull (1980)”→