When Adam Sandler was campaigning during the last awards-season for his performance in the Safdie Brothers’ Uncut Gems, he made a threat to the Academy and the film community as a whole. Sandler remarked that if he were to not get an Oscar nomination, then he would purposefully make a movie that was ‘so bad’ to make us all pay. Well, here we are. Sandler was not nominated for his phenomenal performance in Uncut Gems. Steven Brill’s Hubie Halloween, which was, of course, filmed prior to the Oscar ceremony in question, is Sandler’s first film since he missed out on a deserved Oscar-nomination. And, frankly, this film is not the worst straight-to-Netflix film that Sandler has made for the streaming service. In fact, if he keeps on churning out straight-to-Netflix films such as this one, even though it’s certainly not good, then I’ll take it, in return for an Oscar-worthy Sandler-performance every other year.
The following is a review of The Wrong Missy — Directed by Tyler Spindel.
As far as I am aware, Tyler Spindel’s The Wrong Missy is the eighth film that Netflix has distributed for Happy Madison Productions, the production company founded by Adam Sandler. Most of these films feature Adam Sandler in the lead role, and, often, the films take place in sunny locations. This has led to these films jokingly being referred to as ‘vacations’ that Sandler takes his friends and family on to relax between takes. I don’t know if there is any truth to that common joke, but, come to think of it, The Wrong Missy, which, notably, doesn’t feature Adam Sandler, actually does take place in sunny Hawaii. In any case, this film, unfortunately, isn’t the return to form for Happy Madison that I wanted it to be. Continue reading “REVIEW: The Wrong Missy (2020)”