True Romance (1993) | RETRO REVIEW

Patricia Arquette and Christian Slater in TRUE ROMANCE — PHOTO: Warner Bros. (Still image from trailer).

Directed by Tony Scott — Screenplay by Quentin Tarantino.

Tony Scott’s True Romance follows Clarence (played by Christian Slater) and Alabama (played by Patricia Arquette), two newlyweds who are headed for Hollywood to start their new life together. However, before they got going, Clarence stole a suitcase of drugs, the loss of which has now put the couple at the top of the Mafia’s hit list.

This is one of those movies that’s been on my watchlist for quite some time. A little over a month ago, I finally got the Arrow Video 4K Blu-ray, and today I finally thought it was a good time to check out what this early ’90s flick was all about. I’m glad I did. True Romance is an exhilarating and irresistible crime charmer.

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Superman Returns (2006) | RETRO REVIEW

Brandon Routh and Kate Bosworth in SUPERMAN RETURNS — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Bryan Singer — Screenplay by Michael Dougherty and Dan Harris.

It seems crazy when you put it like this, but after Superman IV in 1987, we didn’t get to see the Man of Steel on the big screen until 19 years later. In that waiting period, several projects were tinkered with and abandoned, including a fifth Reeve-led Superman film, a Tim Burton-directed and Nicolas Cage-led film titled Superman Lives, and Superman: Flyby, which had people like J.J. Abrams, Brett Ratner, McQ, and various actors attached before it was eventually let go. But in 2006, we finally got a new big-screen Superman with X-Men director Bryan Singer’s Superman Returns, which received a decent-enough critical reception despite the fact that Roger Ebert gave it a negative review. I’ve always been quite underwhelmed by the film, and I had hoped that my latest rewatch could change my stance on the film, but, unfortunately, I still think this film is a little bit of a dud.

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Nightwatch (1997) | RETRO REVIEW

Ewan McGregor as ‘Martin’ in NIGHTWATCH — PHOTO: Dimension Films.

Directed by Ole Bornedal — Screenplay by Ole Bornedal and Steven Soderbergh.

A couple of months back, I decided to finally watch something that had been on my watchlist for such a long time, but which I was kind of dreading watching. I am referring to the English-language remake of Ole Bornedal’s Nattevagten, one of the most beloved and iconic Danish horror films. Although there are instances in which an English-language remake or reimagining of a Danish film can result in something akin to an improvement (see Michael Bay’s Ambulance), more often than not, though, English-language remakes of Danish films go one of two ways, either they result in A) a bland copy (though often with a more internationally recognizable cast) or b) an unnecessary remake that is so bad that it ruins the chances of the original reaching a larger audience by mere association. Make no mistake, Dimension Film’s English-language remake of Nattevagten, Nightwatch (also directed by Danish director Ole Bornedal), is not an improvement whatsoever. And, frankly, of the previous A and B options, Nightwatch is decidedly more in the A category. Nightwatch does have a more recognizable cast, but the American product is inferior, less interesting, and, yes, quite bland. This also means that it isn’t the Americanized abomination that I feared, but that, however, doesn’t mean that it is good.

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David Lynch’s Dune (1984) | RETRO REVIEW

Kyle MacLachlan as Paul Atreides in David Lynch’s Dune — PHOTO: Universal Pictures.

Directed by David Lynch — Screenplay by David Lynch.

With the recent release of Denis Villeneuve’s hotly anticipated Dune: Part Two, it felt right to finally have another look at the first major adaptation of Frank Herbert’s 1965 sci-fi novel Dune — i.e. David Lynch’s Dune from 1984. Even after having ‘rewatched it,’ I’m, honestly, still not entirely sure if I had seen this before. I’m pretty sure I watched this when I was a kid and was obsessed with sci-fi (I watched everything), and, as I was watching it, it felt like I had seen a lot of this before. I asked my dad — who showed me Star Wars, Stargate, and whatnot — and he’s pretty sure he showed me Lynch’s Dune as well. But, hey, 7-to-10-year-old-me probably struggled with this as much as moviegoers in the 1980s reportedly did (Gene Siskel and Roger Ebert apparently both hated the adaptation). Now, it’s so interesting to view this after having seen Denis Villeneuve’s two-part adaptation and having read about 300 pages (or so) of the original novel. Now, I don’t want to take anything away from David Lynch because I think he is a very good filmmaker, and he, himself, has essentially admitted that he failed with his adaptation of Frank Herbert’s iconic novel, but, man, let’s just start by saying that Villeneuve’s adaptations are an improvement on Lynch’s film in every conceivable way. 

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Nattevagten (1994) | RETRO REVIEW

Ulf Pilgaard and Nikolaj Coster-Waldau in NATTEVAGTWN — PHOTO: Thura Film.

Directed by Ole Bornedal — Screenplay by Ole Bornedal.

In a couple of days, the long-awaited sequel to the Danish cult horror film Ole Bornedal’s Nattevagten will be released. The original film, which later resulted in the English-languaged remake (also directed by Ole Bornedal) Nightwatch starring Ewan McGregor, is one that I hadn’t seen in several years, so I was curious whether or not it would still hold up. Is the Danish cult genre film still as good as I remember it being? Well, yes and no.

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Park Chan-wook’s Vengeance Trilogy (2002-2005) | Retro Review

Park Chan-wook, one of South Korea’s finest filmmakers, is fast becoming one of my favorite directors. I first encountered the director with his 2016 feature The Handmaiden, a stylish and precise near-masterpiece, which then made me go back and watch Oldboy, which I thought was just as brilliant. Years later, I have now reviewed his so-called vengeance trilogy, which includes the aforementioned Oldboy. In this article, you will find reviews of the three films in the thematic trilogy known as the vengeance trilogy: Sympathy for Mr. Vengeance (2002), Oldboy (2003), and Lady Vengeance (2005).

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RETRO REVIEW: Joint Security Area (2000)

Park Chan-wook’s JSA: JOINT SECURITY AREA — PHOTO: CJ Entertainment.

Directed by Park Chan-wook (Oldboy; The Handmaiden) — Screenplay by Kim Hyun-seok, Jeong Seong-san, Lee Moo-yeong, and Park Chan-wook.

Based on Park Sang-yeon’s DMZ, Park Chan-wook’s Joint Security Area, or JSA, tells the story of an investigation into the murder of two North Korean soldiers inside a North Korean border house in the Korean Demilitarization Zone. One North Korean soldier survived. So did two South Korean soldiers on border duty, one of which fled the North Korean border house while wounded. However, the North Korean and South Korean soldiers have reported conflicting accounts of what happened, and so Swiss Army Major Sophie E. Jean (played by Lee Young-ae) is assigned by the Neutral Nations Supervisory Commission to lead the investigation into what exactly transpired.

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Avatar (2009) is pretty great, even though its story feels very common | Retro Review

James Cameron’s late 2000s sci-fi epic is one of the biggest movies of all-time – Photo: 20th Century Fox.

Directed by James Cameron — Screenplay by James Cameron.

Whether it’s due to disbelief, overhype, or that product having been oversold, I think we’ve all been guilty of calling something widely praised or beloved ‘overrated.’ When Avatar first came out, people were perhaps slightly hyperbolic when it came to praising the somewhat allegorical James Cameron sci-fi epic. I was a teenager when it was released, and I remember once standing in line at a Blockbuster as people were over-the-moon excited to own the film on physical media. I hadn’t seen it in theaters and, after having seen it, I struggled to really be as thoroughly overwhelmed by it as other people seemed to have been. I really enjoyed the Leona Lewis song, and I thought it looked really good. I recognized that it was a solid picture, but, when I finally saw it, I do remember thinking something along the lines of “is that what all the fuss was about?” It wasn’t the best thing since sliced bread, which it certainly felt like it had been sold as.

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RETRO REVIEW: Oslo, 31. August (2011)

‘Anders’ (played by Anders Danielsen Lie) eavesdrops on conversations in a cafe in Oslo, Norway — PHOTO: Nordisk Film.

Directed by Joachim Trier — Screenplay by Joachim Trier & Eskil Vogt.

Five years after having released his first film as a director, Reprise, the Danish-born Norwegian Director, Joachim Trier, his second film came out. It, Oslo, 31. August, is the second film in his critically acclaimed Oslo film trilogy. If you read my retro review of his feature-length debut, then you know how impressed I was by Trier’s Reprise. I’m here to tell you that somehow he outdid himself here. Oslo, 31. August hit me like a ton of bricks.

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RETRO REVIEW: Reprise (2006)

Phillip and Erik get ready to submit the manuscripts for their debut novels in Joachim Trier’s REPRISE — PHOTO: Nordisk Film.

Directed by Joachim Trier — Screenplay by Joachim Trier & Eskil Vogt.

The Danish-born Norwegian filmmaker Joachim Trier has quickly made a name for himself over the years with films such as his three Oslo films, the first of which I’m reviewing in this article, and right now he is one of the hottest directors in all of Scandinavia next to Ruben Östlund (The Square), the Swedish auteur, and Thomas Vinterberg (Jagten), the Danish co-creator of the Dogme-movement. Already with his first film, Joachim Trier — not to be confused with the Danish auteur (and other co-creator of the aforementioned Dogme-movement), Lars Von Trier, even though they are supposedly distant relatives — shows signs that suggest the Norwegian director is something special. So much raw talent is already there to be seen and admired.

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