What happened at the 92nd Academy Awards was incredible. Just ask most Oscar experts and they will agree. This was, based on statistics and precursor awards results, supposed to be Sam Mendes’ and 1917‘s night. Though I desperately wanted Parasite to win all of the night’s biggest awards, my head was telling me no. Therefore, in my final predictions, I went with the safe bet and said 1917 would win Best Director and Best Picture. I’ve never been so happy to be wrong about an Oscar-prediction. In the end, the latest South Korean masterpiece — Bong Joon-ho’s Parasite — won the night’s two biggest awards (as well as two other prestigious golden statuettes). The Academy made the right choice. This time, in my opinion, the Best Picture winner is actually the best film of the year. The Academy finally got it right, as they say. Continue reading “Parasite Won Best Picture and Made History – Special Features #62”→
It’s time. This awards season has been rather short. This has been both been a good and a bad thing, though Film Twitter seems convinced that it’s only been a bad thing. Sure, AMPAS’ predictions were somewhat disappointing, and, frustratingly, many of the upcoming winners seem obvious at this point. It almost feels like only a little bit more than a handful of categories are competitive going into the big night. Today, I’m giving my final predictions for the big Oscar night — the Super Bowl for the film community. Continue reading “Final 92nd Academy Awards Predictions: Winners – Special Features #61”→
It is finally that time of the year again, folks! The nominations for the Academy Awards will be released on Monday (January 13th, 2020). Just in time, I am ready with my final predictions for this awards season’s Oscars nominations. Below I have tried to predict every category except for the short film categories, as I simply haven’t seen enough short films from 2019. So, without further ado, let’s get to it! Continue reading “Nomination Predictions for the 92nd Academy Awards – Special Features #58”→
The following is a review of Judy — Directed by Rupert Goold.
Rupert Goold’s Judy is a biographical picture about the final year of Judy Garland’s life. The biopic is based on the Peter Quilter stage musical End of the Rainbow, and the film mostly takes place in 1969 when Judy Garland (played by Renée Zellweger) relocated to the United Kingdom for work and to be able to afford a potential custody battle in court. The multi-talented star is, at this point in her life, a wreck. The American industries that made her a star now see her as unreliable, she is unable to pay her bills, she doesn’t eat, she is severely depressed, and she suffers from issues related to substance abuse. Her job in London represents one last moment in the spotlight to dazzle, use her stardom, and make the money she needs to keep her family together. Though she often hesitates to go on stage, it is only on the stage that she can find energy and satisfaction in her last year. Continue reading “REVIEW: Judy (2019)”→