Speak No Evil (2024) | REVIEW

James McAvoy and Aisling Franciosi in James Watkins’ SPEAK NO EVIL — PHOTO: Universal Pictures (Still image from trailers).

Directed by James Watkins — Screenplay by James Watkins.

James Watkins’ Speak No Evil is an American remake of Christian Tafdrup’s Danish culture clash horror-thriller of the same name. The remake stars Mackenzie Davis and Scoot McNairy as Louise and Ben, an American married couple, who are, at the start of the film, on vacation in Italy alongside their young daughter Agnes (played by Alix West Lefler). On holiday, the family trio meet and befriend a particularly self-assertive British couple, Paddy (played by James McAvoy) and Ciara (played by Aisling Franciosi), who are also on holiday with their youngest, their son Ant (played by Dan Hough). When the Americans return home from their holiday to their normal lives, the couple receives an invitation from their new vacation friends, who want them to come stay with them in the British countryside. So, Louise, Ben, and Agnes soon decide to visit and stay at Paddy and Ciara’s home. However, not everything they thought they knew about the British couple is exactly how it was first presented to them, and soon they start to question if they’re actually people that they can trust or if they’ve put themselves in danger. 

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Nightwatch (1997) | RETRO REVIEW

Ewan McGregor as ‘Martin’ in NIGHTWATCH — PHOTO: Dimension Films.

Directed by Ole Bornedal — Screenplay by Ole Bornedal and Steven Soderbergh.

A couple of months back, I decided to finally watch something that had been on my watchlist for such a long time, but which I was kind of dreading watching. I am referring to the English-language remake of Ole Bornedal’s Nattevagten, one of the most beloved and iconic Danish horror films. Although there are instances in which an English-language remake or reimagining of a Danish film can result in something akin to an improvement (see Michael Bay’s Ambulance), more often than not, though, English-language remakes of Danish films go one of two ways, either they result in A) a bland copy (though often with a more internationally recognizable cast) or b) an unnecessary remake that is so bad that it ruins the chances of the original reaching a larger audience by mere association. Make no mistake, Dimension Film’s English-language remake of Nattevagten, Nightwatch (also directed by Danish director Ole Bornedal), is not an improvement whatsoever. And, frankly, of the previous A and B options, Nightwatch is decidedly more in the A category. Nightwatch does have a more recognizable cast, but the American product is inferior, less interesting, and, yes, quite bland. This also means that it isn’t the Americanized abomination that I feared, but that, however, doesn’t mean that it is good.

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REVIEW: Ambulance (2022)

Yahya Abdul-Mateen II and Jake Gyllenhaal in AMBULANCE — PHOTO: Andrew Cooper / Universal Pictures.

Directed by Michael Bay — Screenplay by Chris Fedak.

At this point, I’m starting to get used to the idea of seeing Jake Gyllenhaal in American remakes of Danish films. In 2009, he appeared in Jim Sheridan’s Brothers, a remake of Susanne Bier’s Brødre. In 2021, he appeared in Antoine Fuqua’s The Guilty, a remake of Gustav Möller’s Den Skyldige. And now, in 2022, he stars in Michael Bay’s Ambulance, a remake of Laurits Munch-Petersen’s Ambulancen. I don’t know what it is that draws him to Danish projects. What I do know is that I think Bay’s remake might be an improvement on the Danish film.

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REVIEW: West Side Story (2021)

The Jets, The Sharks, and Tony & Maria in Spielberg’s West Side Story – Photo: 20th Century Studios.

Directed by Steven Spielberg – Screenplay by Tony Kushner.

If you’ve been thinking that another West Side Story is pretty unnecessary, then you’re not alone. After all, Robert Wise and Jerome Robbins’ 1961 musical film adaptation of the Romeo & Juliet-inspired Broadway stage play ended up with eleven Oscar nominations and won in ten of those categories including Best Picture. Often regarded as one of the greatest musical films of all time, the 1961 film has made people very familiar with the story. So, did we need Steven Spielberg to make a new version of the stage play? No, we definitely didn’t. But here’s the thing. Let’s be honest, we also didn’t technically need another Batman reboot. We didn’t technically need three different live-action Spider-Men in the last twenty years. However, even though we didn’t need those films, just like how I loved the vast majority of the Spider-Man films, as well as the new Batman flick, I have to say that Steven Spielberg’s West Side Story is just wonderful. We didn’t need it, but I’m glad we now have it.

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REVIEW: The Guilty (2021)

Jake Gyllenhaal as Joe Baylor in Antoine Fuqua’s American version of THE GUILTY — Photo: Netflix.

Directed by Antoine Fuqua — Screenplay by Nic Pizzolatto.

Antoine Fuqua’s The Guilty, written by True Detective-creator Nic Pizzolatto, is an American remake of the 2018 Danish single-location thriller Den Skyldige, which was then directed by Gustav Möller. The film follows Joe Baylor (played by Jake Gyllenhaal), who is an agitated LAPD officer with a troubled past, while he is at a 911 call center. Though he is initially largely uninterested at the call center, he suddenly ‘wakes up’ when a distressed woman calls him and says she is being abducted by her ex-husband. From his computer and telephone, Joe must now try to figure out what is happening and try to get law enforcement to her position before it is too late.

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Another Round is Being Remade with Leonardo DiCaprio. How Should We Feel About That?

On Monday April 26th, 2021, the day after Thomas Vinterberg’s Another Round (Danish Title: Druk) had won the Best International Feature Film Oscar, DEADLINE Hollywood reported that, to the surprise of no one, Hollywood wanted to make another English-language remake of a popular non-American hit. What was surprising, however, was that the English-language remake rights had been acquired by Appian Way, Endeavor Content, and Makeready for the purpose of developing a remake as a star vehicle for Leonardo DiCaprio, arguably the biggest movie star on the planet. So, how should we feel about that? Is it an exciting pat on the back, or should we be upset?

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REVIEW: Mulan (2020)

Liu Yifei as the title character in ‘Mulan (2020),’ available on Disney+. — Photo: Disney / Disney+.

Directed by Niki Caro — Screenplay by Rick Jaffa, Amanda Silver, Lauren Hynek, and Elizabeth Martin.

Niki Caro’s Mulan is an adaptation of the late 1990s Disney animated film of the same name, which itself was based on the story of the folk heroine Hua Mulan. Caro’s film tells the story of a Chinese woman, Mulan (played by Liu Yifei), who disguised herself as a man and enlisted herself in the Imperial Army to protect her frail and injured father, Zhou (played by Tzi Ma), even though she knew it would bring dishonor to her family. In the film, while fighting alongside other brave soldiers, she must do all that she can to save China from an invading army that is fighting alongside a witch (played by Gong Li). Continue reading “REVIEW: Mulan (2020)”

REVIEW: The Grudge (2020)

Theatrical Release Poster – Columbia Pictures

The following is a review of The Grudge — Directed by Nicolas Pesce.

Though I haven’t rewatched it in years (for reasons that will become apparent in a moment), I think that Takashi Shimizu’s Sarah Michelle Gellar-led 2004 American remake of Ju-On: The Grudge is really effective. To be perfectly honest with you, it frightened me so much when I saw it at age eleven that it gave me nightmares. I thought about it for weeks. The creepy imagery still freaks me out. So, when I heard that up-and-coming filmmaker Nicolas Pesce was making a new film in the series, I was both nervous, scared, and intrigued. Unfortunately, I don’t think Pesce was able to breathe new life into the horror subgenre once ruled by Ju-On and Ringu. Continue reading “REVIEW: The Grudge (2020)”

REVIEW: The Upside (2019)

Theatrical Release Poster – STX Films / Lantern Entertainment

The following is a short review of The Upside — Directed by Neil Burger.

A remake of Olivier Nakache & Éric Toledano’s French film, Intouchables, from 2011, Neil Burger’s The Upside follows Dell Scott (played by Kevin Hart), an African-American father on parole, who is hired to be the caregiver of the quadriplegic millionaire Phillip Lacasse (played by Bryan Cranston), who, after having lost his wife, has lost his will to live. Together, they form an — according to this film’s cliched formula — unlikely friendship from which they both learn a lot about life and culture. Continue reading “REVIEW: The Upside (2019)”

REVIEW: Hellboy (2019)

Theatrical Release Poster – Lionsgate

The following is a review of Hellboy (2019) — Directed by Neil Marshall.

In 2004 and 2008, Oscar-winning auteur Guillermo del Toro brought us two critically well-received comic book monster movies about Mike Mignola’s Dark Horse Comics creation ‘Hellboy,’ a red Nazi-summoned half-demon that fights for the human race against monsters and other dark forces. Even though del Toro is a beloved figure and his films are still held in high regard, del Toro’s request for a third film was denied. Instead, producers decided that it was time to replace the first two films’ auteur — del Toro, who had a real, recognizable love for his creatures — and its indispensable leading man, Ron Perlman — who was absolutely perfect in the role — in a new reboot of the franchise. Continue reading “REVIEW: Hellboy (2019)”