When Adam Sandler was campaigning during the last awards-season for his performance in the Safdie Brothers’ Uncut Gems, he made a threat to the Academy and the film community as a whole. Sandler remarked that if he were to not get an Oscar nomination, then he would purposefully make a movie that was ‘so bad’ to make us all pay. Well, here we are. Sandler was not nominated for his phenomenal performance in Uncut Gems. Steven Brill’s Hubie Halloween, which was, of course, filmed prior to the Oscar ceremony in question, is Sandler’s first film since he missed out on a deserved Oscar-nomination. And, frankly, this film is not the worst straight-to-Netflix film that Sandler has made for the streaming service. In fact, if he keeps on churning out straight-to-Netflix films such as this one, even though it’s certainly not good, then I’ll take it, in return for an Oscar-worthy Sandler-performance every other year.
The following is a review of Marriage Story — Directed by Noah Baumbach.
Noah Baumbach’s Marriage Story is one of the most difficult and rawest films that I have seen this year, and I absolutely do mean that as a huge compliment. Like few other films have been able to do this year, Baumbach’s film genuinely moved me to tears multiple times over the course of the exhausting and heartbreaking but absolutely necessary 136-minute runtime. Baumbach has with The Meyerowitz Stories and Marriage Story now made two of the best films that Netflix has ever been associated with, and I actually think his latest film is not just the best of the two, but also one of the few true Netflix masterpieces that have been released this decade. Continue reading “REVIEW: Marriage Story (2019)”