Predator: Badlands (2025) | REVIEW

Dimitrius Schuster-Koloamatangi’s Dek in PREDATOR: BADLANDS — PHOTO: 20th Century Studios (Still image from trailers).

Directed by Dan Trachtenberg — Screenplay by Patrick Aison.

Predator: Badlands is the ninth (seventh if you don’t include the Alien vs. Predator crossovers) film about the alien creatures that we call ‘predators,’ one of which once went toe to toe with Arnold Schwarzenegger’s Dutch in the jungle in John McTiernan’s 1987 sci-fi action classic Predator. In the past few years, 10 Cloverfield Lane director Dan Trachtenberg has tried his best to take the franchise in a new direction with the fantastic live-action prequel titled Prey, where a Comanche woman encountered a Predator, and, more recently, with the animated triptych-esque Predator: Killer of Killers. Both of those Trachtenberg films were released straight to streaming, but now, with his third outing as a director of a Predator film, Predator: Badlands, time will tell if the higher budget and Trachtenberg’s ambitious storytelling will get the audience they deserve. Because, frankly, I think it is a very cool step in the right direction for the long-running franchise. 

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Predator: Killer of Killers (2025) | REVIEW

A hulking Predator in PREDATOR: KILLER OF KILLERS — PHOTO: DISNEY.

Directed by Dan Trachtenberg — Screenplay by Micho Robert Rutare.

With 2022’s Prey, 10 Cloverfield Lane director Dan Trachtenberg proved himself capable of shepherding the Predator franchise and steering it in a new and exciting direction. Now, in 2025, Trachtenberg’s next moves with the iconic sci-fi horror action film series are coming our way. This November, his second live-action Predator-film, Predator: Badlands, is set to premiere theatrically, but if you’re jonesing for more Trachtenberg-Predator goodness right now, then you’ll be happy to know that Disney+/Hulu just released a brand new Predator from Trachtenberg that is unlike anything you’ve ever seen from this franchise, given the fact that it is actually a fully animated film. That may not sound like the ideal way to tell these stories, but, in actuality, Trachtenberg has, with Predator: Killer of Killers, used the medium to pull off some genuine wish-fulfillment Predator movie moments that are exactly as out there and as gory as you could possibly like.

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REVIEW: Prey (2022)

Amber Midthunder plays a young Comanche warrior who goes up against a fearsome, trophy-hunting Predator in Dan Trachtenberg’s PREY — PHOTO: Disney+ / 20th Century Studios.

Directed by Dan Trachtenberg (10 Cloverfield Lane) — Screenplay by Patrick Aison — Story by Patrick Aison & Dan Trachtenberg.

When I was a kid, my father would often want to watch the Alien and Predator films with me. Truth be told, I was probably a little bit too young to watch them when I did, but I didn’t mind and they never gave me nightmares. Instead, for me those films helped to create a love for sci-fi action and sci-fi horror, and I really love watching them over and over again, even though not all of the films are great. As a kid, I vividly remember that, to me, mindblowing moment when an easter egg in Predator 2 revealed a connection between those two franchises.

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REVIEW: The Predator (2018)

Theatrical Release Poster – 20th Century Fox

The following is a review of The Predator — Directed by Shane Black.

While I enjoy both franchises, I’ve always been more of an Alien-fan than a Predator-fan. I don’t rewatch the classic original Predator-film often, I don’t have a particularly favorable opinion about the sequels. In fact, the spin-off film Aliens vs. Predator: Requiem is one of the films that I dislike the most. Continue reading “REVIEW: The Predator (2018)”

RETRO REVIEW: Alien vs. Predator (2004)

Theatrical Release Poster – 20th Century Fox

The following is a review of Alien vs. Predator – Directed by Paul W. S. Anderson. For more Alien reviews, check out this category.

Some might say that in 2016, Hollywood had ‘a thing’ for blockbuster movie mash-ups. Batman v Superman: Dawn of Justice was one of the most anticipated films of the year, and so was Captain America: Civil War, which easily could’ve been called ‘Captain America vs. Iron Man.’

But in both of those cases these movie mash-ups were made to both improve and continue a cinematic universe. Those cases didn’t feel like last ditch attempts at making money, they were just the next chapters in those two cinematic universes.

In the early to mid-2000s, Hollywood also loved movie mash-ups, but back then the most well-known of those involved characters that had never really appeared in the same film. Freddy vs. Jason was one of those crazy movie mash-ups, and the science fiction equivalent of that was Alien vs. Predator, which I’m going to review for you right now.
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