Babylon (2022) | REVIEW

Margot Robbie plays Nellie LaRoy in Damien Chazelle’s ‘Babylon’ from Paramount Pictures.

Directed by Damien Chazelle — Screenplay by Damien Chazelle.

Damien Chazelle has fast become one of my favorite filmmakers of his generation. His Whiplash is one of the most exciting, propulsive dramas of its decade. La La Land is a beautiful modern Hollywood musical that is now unfairly remembered for an Oscars gaffe. His First Man is a quietly moving and technically impressive character study. To make three films that are that sublime in a row is no easy feat. Last year, for his follow-up to that incredible run, Chazelle had reteamed with extraordinarily talented frequent collaborators of his like cinematographer Linus Sandgren, editor Tom Cross, and composer Justin Hurwitz to once again, like with La La Land, tell a story about the entertainment industry. Only this time it would be with a star-studded and expensive three-hour period piece epic. Did Chazelle recapture lightning in a bottle for the fourth time in a row? Well, let’s have a look.

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Pearl (2022) | REVIEW

Mia Goth in Ti West’s PEARL — PHOTO: A24.

Directed by Ti West (X) — Screenplay by Ti West.

In spite of its late release in my corner of the world, Pearl — a prequel to Ti West’s horror hit X — was initially released in the very same year as X was in the United States. Together they present us with a fascinating horror period piece exercise centered on the power of the craft of filmmaking, being and feeling seen, and the American Dream. Whereas X was set in the 1970s, Pearl takes place in 1918 and follows its titular character (played by Mia Goth), a young woman who lives with her German immigrant parents on a farm in Texas. This is, indeed, the same elderly woman that Mia Goth played while covered in make-up and prosthetics in X (one of her two roles in that film), and this film thus serves as an origin story for that character. In the film, we see how Pearl feels trapped and lonely partly due to the fact that her husband (played by Alistair Sewell) is fighting in World War One in Europe, while her strict mother (played by Tandi Wright) insists that she does chores on the farm. Meanwhile, Pearl becomes increasingly infatuated with entertainment and dancing, and she is desperate to one day get up on a stage and gain mass approval — which a theater projectionist (played by David Corenswet, who was recently chosen to be the next Superman) ensures her she is ‘pretty enough’ for.

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REVIEW: Argentina, 1985 (2022)

Ricardo Darín and Peter Lanzani star in Argentina, 1985 — PHOTO: Amazon Prime Video.

Directed by Santiago Mitre — Screenplay by Santiago Mitre and Mariano Llinás.

Santiago Mitre’s Argentina, 1985 is a historical courtroom drama about the true story of the Trial of the Juntas, which sought to bring to justice the ringleaders of the military junta that committed murder, kidnappings, and torture under Argentina’s right-wing dictatorship in the late-1970s and early-1980s. The film primarily follows Julio César Strassera (played by Ricardo Darín), the chief prosecutor, as he, along with a team of inexperienced lawyers, gathered evidence and testimonies that could possibly convince the court.

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REVIEW: The Last Duel (2021)

Jodie Comer as Marguerite in Ridley Scott’s THE LAST DUEL — PHOTO: 20th Century Studios.

Directed by Ridley Scott — Screenplay by Nicole Holofcener, Ben Affleck & Matt Damon.

Based on the Eric Jager non-fiction book of the same name, The Last Duel tells the true story of one of the last judicial duels in France in 1386, when Jacques Le Gris (played by Adam Driver) and Sir Jean de Carrouges (played by Matt Damon) went head-to-head in a trial by combat to decide whether or not Le Gris was guilty of raping de Carrouges’ wife, Marguerite (played by Jodie Comer). However, all three of their lives were on the line. Because their rules stated that if her husband were to lose the duel (and his life in the process), then the courts would regard Marguerite as a false accuser and sentence her to death as a result of his loss.

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REVIEW: Før Frosten (2019)

Danish Theatrical Release Poster – Nordisk Film

The following is a review of Før Frosten (also known as ‘Before the Frost‘) — Directed by Michael Noer.

Før Frosten is Michael Noer’s fifth narrative feature film. Noer, whose last feature film was the remake of Papillon starring Charlie Hunnam and Rami Malek, has returned to his native country to make a dirty and cold period drama about the pursuit of happiness and survival in 19th Century Denmark. Continue reading “REVIEW: Før Frosten (2019)”