Directed by Gil Kenan — Screenplay by Gil Kenan and Jason Reitman.

Though not for want of trying, no one has been able to recapture the lightning in a bottle that was Ivan Reitman’s original 1984 Ghostbusters. Since that Saturday Night Live breakout ghostly adult comedy topped box office charts and won over the hearts and minds of many generations, many have tried and failed to make it work once more. This includes Ivan Reitman himself whose 1989 sequel did not reach the same success in part due to a lackluster story, reliance on the same structure of the original, being targeted more towards children, and a botched villain. Decades later, Paul Feig gave it a go with his female reboot also titled Ghostbusters in 2016 and caused uproar from both puritanical fans and misogynistic moviegoers. The film itself was neither particularly good or particularly awful, even though the mass hysteria may get you to imagine otherwise (it’s a hit-or-miss improv session with more misses than hits and a talented cast thrown into the fire of a fandom whose most vocal members were unprepared for even slight changes). It all became so toxic that Sony opted to go down the safe route of having Jason Reitman (yes, Ivan’s son) make a direct sequel to his father’s films with Ghostbusters: Afterlife, which relies on the safe and nostalgic formula of modern legacy sequels. The most original aspect of Afterlife, which I mostly really enjoy, was a new setting in the middle of nowhere as opposed to New York City, but it couldn’t resist teasing a sequel of its own that would abandon Afterlife‘s single-most fresh element. Because in Ghostbusters: Frozen Empire, in which Jason Reitman has returned as a co-writer (while Afterlife co-writer Gil Kenan has taken over the director’s chair), the titular paranormal investigators are back in New York City for a sequel that is just as safe as Afterlife. What holds Frozen Empire back, though, is a supersized cast and its structure.