Nightwatch (1997) | RETRO REVIEW

Ewan McGregor as ‘Martin’ in NIGHTWATCH — PHOTO: Dimension Films.

Directed by Ole Bornedal — Screenplay by Ole Bornedal and Steven Soderbergh.

A couple of months back, I decided to finally watch something that had been on my watchlist for such a long time, but which I was kind of dreading watching. I am referring to the English-language remake of Ole Bornedal’s Nattevagten, one of the most beloved and iconic Danish horror films. Although there are instances in which an English-language remake or reimagining of a Danish film can result in something akin to an improvement (see Michael Bay’s Ambulance), more often than not, though, English-language remakes of Danish films go one of two ways, either they result in A) a bland copy (though often with a more internationally recognizable cast) or b) an unnecessary remake that is so bad that it ruins the chances of the original reaching a larger audience by mere association. Make no mistake, Dimension Film’s English-language remake of Nattevagten, Nightwatch (also directed by Danish director Ole Bornedal), is not an improvement whatsoever. And, frankly, of the previous A and B options, Nightwatch is decidedly more in the A category. Nightwatch does have a more recognizable cast, but the American product is inferior, less interesting, and, yes, quite bland. This also means that it isn’t the Americanized abomination that I feared, but that, however, doesn’t mean that it is good.

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Nattevagten – Dæmoner Går I Arv (2023) | REVIEW

(L-R) Emma (Fanny Leander Bornedal), Jens (Kim Bodnia), and Martin (Nikolaj Coster-Waldau) stop by the forensic institute in Ole Bornedal’s NATTEVAGTEN – DÆMONER GÅR I ARV — PHOTO: Nordisk Film.

Directed by Ole Bornedal — Screenplay by Ole Bornedal.

The long-awaited sequel to the once locally groundbreaking Danish horror hit Nattevagten (international title: Nightwatch — though not to be confused with the American remake of the same name also directed by Ole Bornedal) starring Nikolaj Coster-Waldau — long before he became a part of a global sensation with Game of Thrones — is finally here. Back then Ole Bornedal shook audiences with a fresh horror film that showed the local film industry that, of course, strong Danish filmmakers have it within themselves to make competent horror films, even though the Danish film industry only rarely shows that it is capable of such things. Even today effective Danish horror films are few and far between. So, has Ole Bornedal caught lightning in a bottle yet again with his horror sequel? Well, to a certain extent. While Nattevagten: Dæmoner Går i Arv (international title: Nightwatch – Demons Are Forever) admittedly does suffer from familiarity, it is still a fairly entertaining sequel about the next generation trying to clear up their parents’ mistakes.

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Nattevagten (1994) | RETRO REVIEW

Ulf Pilgaard and Nikolaj Coster-Waldau in NATTEVAGTWN — PHOTO: Thura Film.

Directed by Ole Bornedal — Screenplay by Ole Bornedal.

In a couple of days, the long-awaited sequel to the Danish cult horror film Ole Bornedal’s Nattevagten will be released. The original film, which later resulted in the English-languaged remake (also directed by Ole Bornedal) Nightwatch starring Ewan McGregor, is one that I hadn’t seen in several years, so I was curious whether or not it would still hold up. Is the Danish cult genre film still as good as I remember it being? Well, yes and no.

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Study finds that ‘Flickering Lights (2000)’ is the Most Popular Danish Film in Denmark

Top Left: Mads Mikkelsen in Flickering Lights (Scanbox; Rolf Konow). – Top Right: Poul Bundgaard, Ove Sprogøe, and Morten Grunwald in the Olsen Gang-films (Nordisk Film). – Bottom Left: Mads Mikkelsen in Another Round (Nordisk Film). – Bottom Right: Nikolaj Lie Kaas and Fares Fares in the Department Q-films (Nordisk Film; Henrik Ohsten).

The Danish news agency Ritzau reports that Anders Thomas Jensen’s 2000s dark-comedy Flickering Lights (Danish title: Blinkende Lygter) was found to be Danes’ favorite Danish film ever made. The study was conducted by the data analytics firm YouGov for the Danish streaming service Nordisk Film+. A total of 1,529 Danes in the 18 to 79 age range participated in CAWI-interviews for the study, which has ultimately resulted in a top ten list that includes two film series (each counted as a single film). Interestingly, a total of nine films (including one of the film series) that were released have all come out in the last forty years, and, incredibly, a film released during the COVID-era placed second!

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2020 Watchlist: Eight Danish Films To Look Forward To – Special Features #60

Still image from the trailer for ‘Krudttønden (2020),’ SF Studios

I think 2019 was a very good year for Danish films. Sure, the great Danish selection, Dronningen (int. title: Queen of Hearts), was not nominated in the Best International Feature Film-category at the Oscars, but it was one of several noteworthy Danish films from 2019. There were exciting debut films, as well as strong follow-ups from proven filmmakers. But here’s the thing. I think 2020 is going to be even better. There are many Danish films in 2020 that I am looking forward to, and today I want to talk about eight of these films. So, if you have any interest in Scandinavian films, then read more below. Continue reading “2020 Watchlist: Eight Danish Films To Look Forward To – Special Features #60”

REVIEW: Så Længe Jeg Lever (2018)

Danish Theatrical Release Poster – Nordisk Film

The following is a review of Så Længe Jeg Lever — Directed by Ole Bornedal.

Ole Bornedal’s Så Længe Jeg Lever is a Danish biographical film about John Mogensen (played by Rasmus Bjerg), a Danish musician whose immensely popular songs turned him into somewhat of a cult figure in his native country. The film is a dramatization of Mogensen’s entire life that takes us from his childhood, through his days as a member of the vocal quartet group ‘Four Jacks,’ onto his breakthrough as a solo artist, and up until the last days of his life where he drank himself to death.
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