Series Created by Ronald D. Moore, Matt Wolpert, and Ben Nedivi — Available Now on Apple TV+.
In Additional Bite-Sized Reviews, Feb. ’21, Pt. II, I wrote about my experience of finally binge-watching the entire first season of Apple TV+’s For All Mankind, which was originally released back in 2019. The alternate-reality angle of the show was what had originally made me interested in the show, and, ultimately, the execution was what kept me hooked throughout the solid but somewhat bumpy first season. To reiterate, the show is, essentially, ‘what if the Soviet Union had reached the Moon first and, as a result, the United States continued and accelerated the space race.’
The following is a review of Apollo 11 — A documentary directed and edited by Todd Douglas Miller.
Todd Douglas Miller’s Apollo 11 is, as you have probably already gathered from the title, a documentary about the 1969 Apollo 11 mission, which ultimately culminated in the spaceflight landing two men on the moon for the very first time in our history. It is arguably mankind’s greatest achievement, and the iconic words from Neil Armstrong are imprinted on the minds of every adult alive. In 2018, one of the year’s very best films, Damien Chazelle’s First Man, studied Armstrong’s private life and the sacrifice that he, his family, and many Americans made to reach the lunar surface. This year, Todd Douglas Miller has made a documentary that isn’t just an outstanding companion piece, but also one of the decade’s finest documentaries. Continue reading “REVIEW: Apollo 11 (2019 – Documentary)”→
The following is a review of First Man — Directed by Damien Chazelle.
Do kids still dream of becoming astronauts? — That is one of the many things I thought of after I saw First Man — the latest film from Damien Chazelle (Guy and Madeline on a Park Bench; Whiplash; La La Land). When I was a kid I remember I sometimes would play and try to jump in slow motion, because I imagined that would be what it would be like to jump on the moon. Continue reading “REVIEW: First Man (2018)”→