The following is a review of Judy — Directed by Rupert Goold.
Rupert Goold’s Judy is a biographical picture about the final year of Judy Garland’s life. The biopic is based on the Peter Quilter stage musical End of the Rainbow, and the film mostly takes place in 1969 when Judy Garland (played by Renée Zellweger) relocated to the United Kingdom for work and to be able to afford a potential custody battle in court. The multi-talented star is, at this point in her life, a wreck. The American industries that made her a star now see her as unreliable, she is unable to pay her bills, she doesn’t eat, she is severely depressed, and she suffers from issues related to substance abuse. Her job in London represents one last moment in the spotlight to dazzle, use her stardom, and make the money she needs to keep her family together. Though she often hesitates to go on stage, it is only on the stage that she can find energy and satisfaction in her last year. Continue reading “REVIEW: Judy (2019)”→
The following is a review of Yesterday — Directed by Danny Boyle.
What would you do if you woke up one day and found yourself in a world where no one knew of The Beatles? Just picture it. This world wouldn’t think of John, Paul, Ringo, and George when they thought of Abbey Road. People wouldn’t know the words to “Eleanor Rigby,” “Yesterday,” or “Back in the U.S.S.R.,” and you would be the only one in the world who could be the vessel and voice of their genius. Would you tell the world of their music, or would you make a career off of their work? In Danny Boyle’s Yesterday, the failing musician Jack Malik (played by Himesh Patel) finds himself in that situation after he is involved in, and knocked out by, a car crash during a worldwide power outage. Malik eventually decides to take credit for the song-writing to advance his career, but, in doing so, he soon realizes that he’s letting go of the person that means the most to him. Continue reading “REVIEW: Yesterday (2019)”→
The following is a review of Rocketman — Directed by Dexter Fletcher.
From the director of Eddie the Eagle, Dexter Fletcher, who honed his musical skills and ironed out his music biopic missteps early as he completed Bryan Singer’s Bohemian Rhapsody last year after Singer was fired, comes the Elton John fantasy musical biopic Rocketman that tells the story of how Reginald Dwight (played by Taron Egerton) met lyricist and friend Bernie Taupin (played by Jamie Bell), rebelled against his posh but harsh upbringing, and became the flamboyant superstar now known as Elton John who partied like the best until it almost pushed him over the edge. Continue reading “REVIEW: Rocketman (2019)”→
The following is a review of Baby Driver – Directed by Edgar Wright.
In Edgar Wright’s newest film – Baby Driver – one character remarks that “you don’t need a score to do a score,” a proposed fact that the talented writer-director refutes with one of the most entertaining films that I’ve seen in years. Continue reading “REVIEW: Baby Driver (2017)”→
It’s time for me to finally let go of 2016 by officially announcing my top ten films of 2016. I’ve said this multiple times at the beginning of 2017, but I just don’t think 2016 deserves to be known as a bad year for movies. I think it was a bad year for blockbuster films, but at the end of the year there were so many great films to watch. Continue reading “Top Ten Films of 2016”→
The following is a review of La La Land – Directed by Damien Chazelle
They don’t make movies like they used to. Cinema is dead. – Odds are that you’ve encountered similar sentiments online or by the water cooler this past year. 2016 was, somewhat unfairly, called a bad year for movies, when it was just a bad year for summer blockbuster films. As is always the case with discovering new films, you have to know where to look.
It is all about finding the right talents, the right studios, or the premises that will pique your interest. Sometimes the right movie for you is one that reminds you of great classics but still isn’t blind to the nostalgia it’s feeding on. With a charismatic and charming cast, a brilliant director, and a genre that people are sometimes turned off by, La La Land is here at the right time to breathe new life into our love of movies. Continue reading “REVIEW: La La Land (2016)”→
In this edition of Testing Television, I try to figure out what the best Netflix show is and what other Netflix shows you have to watch. Later, I look back at one of the most famous J. J. Abrams creations on television: LOST. But first, here are the television news that you have to know about! Continue reading “Best Netflix Original Series – Testing Television #5”→