Tag: Movies

Who Will Win? – Final Predictions | 97th Oscars

The wait is almost over. In mere hours, stars will be walking the red carpet, Conan O’Brien will take on hosting duties, and, not long thereafter, awards will start to be handed out. But, hey, before we get to that, I still have to tell you which films I think will be victorious on Hollywood’s greatest night. In the race for Best Picture, for instance, it’s been a rollercoaster ride where I, initially, thought Anora would go all the way, only for the Golden Globes (and the Oscar nominations) to indicate that the real fight was between Emilia Pérez and The Brutalist. However, when controversies surrounding toxic social media posts, ill-advised statements, and AI started happening, the Globes’ darlings started to fall into the background. Now, after the guilds and BAFTA, it certainly looks like the big winner of the night will be either Conclave or, the early favorite, Anora. What do I think? Well, let’s get to it.

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IFSCA Awards 2024-2025 | Winners

Adrien Brody in Brady Corbet’s THE BRUTALIST — PHOTO: Universal Pictures / A24.

Yesterday, on March 1st, 2025, the International Film Society Critics Association (IFSCA / @IFSCritics on Twitter), of which I am a voting member, announced their full list of winners for the ongoing 2024-2025 awards season. Like any other film critics association, their awards celebrate the best films of the past year. Below you can read the full list of winners and runners up.

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IFSCA Awards 2024-2025 | Nominations

Demi Moore as Elisabeth Sparkles in Coralie Fargeat’s THE SUBSTANCE — PHOTO: Mubi / Camera Film (Still image from trailers).

On February 21st, 2025, the International Film Society Critics Association (IFSCA / @IFSCritics on Twitter), of which I am a voting member, announced their full list of nominations for the ongoing 2024-2025 awards season. Like any other film critics association, their awards celebrate the best films of the past year. The ultimate winners will be announced on March 1st, 2025, which is in just a few days. Below you can read the full list of nominated films, performers, artists, and filmmakers.

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Evil Does Not Exist (2024) | REVIEW

Ryo Nishikawa in EVIL DOES NOT EXIST — PHOTO: Incline / Janus Films.

Directed by Ryusuke Hamaguchi — Screenplay by Ryusuke Hamaguchi.

Ryusuke Hamaguchi’s Evil Does Not Exist follows Takumi (played by Hitoshi Omika), a single father, who lives with his daughter (played by Ryo Nishikawa) in the snowy Japanese mountainside village of Mizubiki. When, one day, the local community is confronted by representatives of a corporation seeking to establish a glamping site there, he and his neighbors and friends voice their concerns about the plan and the possible pollution it would lead to. Later, when the representatives try to influence Takumi, things transpire that causes our lead to panic.

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Wicked (2024) | REVIEW

Ariana Grande-Butera and Cynthia Erivo in WICKED — PHOTO: UNIVERSAL PICTURES (Still image from trailers).

Directed by Jon M. Chu — Screenplay by Winnie Holzman and Dana Fox.

Sometimes I like to think of myself as an ‘unrealized musical theater kid,’ since I do, and always have, enjoyed performances, musicals, and whatnot but didn’t really have school programs or friends to help steer me in a fulfilling direction when I was younger. As such, it sometimes feels like I’m behind on a couple of musical theater touchstones that I undoubtedly would’ve loved when I was younger. Although I knew of “Defying Gravity,” through, I think, Glee, Wicked has been a little bit of a blind-spot for me, despite my love and appreciation for The Wizard of Oz. In early 2024, I did express some doubt about this entire big-screen adaptation project of the musical theater phenomenon, as the adaptations of Cats and Dear Evan Hansen appeared to have only lessened the reputations of those shows. So, I openly asked, on the social media platform formerly known as Twitter, if this was something people actually wanted to see? Wicked die-hard fans were quick to respond with a clear and obvious ‘yes.’ Now that I’ve seen the big-screen adaptation, I can happily say that I totally get the excitement. Although I, admittedly, don’t think it’s perfect or the best movie musical of the last ten years, I found Wicked to be utterly delightful. I understand why it is, ahem, popular.

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You’re Cordially Invited (2025) | REVIEW

Margot (Reese Witherspoon) and Jim (Will Ferrell) in YOU’RE CORDIALLY INVITED — PHOTO: Glen Wilson/Prime Video

Directed by Nicholas Stoller — Screenplay by Nicholas Stoller.

You’re Cordially Invited is the second Amazon Prime Video January release since 2023 to be explicitly a comedy about weddings. Back in 2023, it was the Josh Duhamel and Jennifer Lopez action rom-com Shotgun Wedding, which was relatively forgettable despite having a decent cast. This latest Prime Video wedding-centric January release is a star vehicle for Will Ferrell and Reese Witherspoon from Forgetting Sarah Marshall and Neighbors director Nicholas Stoller. Although, admittedly, it isn’t as good as Stoller’s best films, I had a relatively good time with this comedy of wedding hijinx one-upmanship. 

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The Girl with the Needle (2025) | REVIEW

Vic Carmen Sonne in THE GIRL WITH THE NEEDLE — PHOTO: Nordisk Film (Still image from trailers).

Directed by Magnus von Horn — Screenplay by Magnus von Horn and Line Langebek.

A Danish, Swedish, and Polish international co-production, Magnus von Horn’s The Girl with the Needle is the 15th Danish submission to the Best International Film Oscar category to earn a nomination. Based on a true story and set in Denmark some time after World War One, von Horn’s film follows Karoline (played by Vic Carmen Sonne), a woman struggling financially. When Karoline, who believes her husband to be dead, enters into a relationship with her well-off boss, Jørgen (played by Joachim Fjelstrup), she soon gets pregnant with his child. However, when Jørgen is forbidden from marrying her, Karoline starts to think that she would be better off without the child that she is expecting. It is at this moment that she comes into contact with Dagmar (played by Trine Dyrholm). Dagmar works at a candy shop, and she tells Karoline that she can help her get her child to a foster family for the right price. However, when Karoline gets to know this strange shop owner, it soon becomes clear that she isn’t being upfront about what she is actually doing to the children being left in her care.

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‘La Chimera,’ ‘Dogtooth,’ ‘Trap,’ and ‘Look Back’ | Bite-Sized Reviews

Top Row (L-R): ‘La Chimera (01 Distribution);’ ‘Dogtooth (Feelgood Entertainment).’
Bottom Row (L-R): ‘Trap (Warner Bros. Pictures),’ ‘Look Back (Avex Pictures).’

In this edition of Bite-Sized Reviews, I give you my thoughts on last year’s M. Night Shyamalan release, a Greek Yorgos Lanthimos flick, an animated film that blew me away, and an Alice Rohrwacher film that I can’t stop thinking about.

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A Real Pain (2024) | REVIEW

Kieran Culkin and Jesse Eisenberg in A REAL PAIN — PHOTO: Searchlight Pictures (Still image from trailers).

Directed by Jesse Eisenberg — Screenplay by Jesse Eisenberg.

Jesse Eisenberg’s A Real Pain follows Jewish American cousins David (played by Jesse Eisenberg) and Benji (played by Kieran Culkin) as they travel from New York City to Poland for the purpose of taking part in a Holocaust tour group, as well as to visit the childhood home of their late grandmother in an attempt to establish a deeper connection to their heritage. On the trip, their rapport is put to the test, as David, a family father, is much more introverted and reserved, while Benji, a drifter with very little going on in his life, is extremely outgoing and extroverted to the degree that David isn’t comfortable with.

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Red Rooms (2023) | REVIEW

Laurie Babin and Juliette Gariépy in Pascal Plante’s RED ROOMS — PHOTO: Entract Films (Still image from trailers).

Directed by Pascal Plante — Screenplay by Pascal Plante.

Pascal Plante’s Red Rooms (original title: Les Chambres Rouges) is a dark psychological thriller that follows a Montreal-based model named Kelly-Anne (played by Juliette Gariépy), who has an unhealthy interest in the trial of Ludovic Chevalier (played by Maxwell McCabe-Lokos), a man accused of having murdered three young women. The trial, which has become somewhat of a media circus, has attracted different kinds of people, including Clémentine (played by Laurie Babin), a woman who is portrayed as a fan of Chevalier and who believes he is innocent. As the trial moves forward, Kelly-Anne, who has an interest in computer technology, and Clémentine form a friendship, but their intentions don’t seem to align.

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