Ryo Nishikawa in EVIL DOES NOT EXIST — PHOTO: Incline / Janus Films.
Directed by Ryusuke Hamaguchi — Screenplay by Ryusuke Hamaguchi.
Ryusuke Hamaguchi’s Evil Does Not Exist follows Takumi (played by Hitoshi Omika), a single father, who lives with his daughter (played by Ryo Nishikawa) in the snowy Japanese mountainside village of Mizubiki. When, one day, the local community is confronted by representatives of a corporation seeking to establish a glamping site there, he and his neighbors and friends voice their concerns about the plan and the possible pollution it would lead to. Later, when the representatives try to influence Takumi, things transpire that causes our lead to panic.
Red Hulk (Harrison Ford) hulking out in CAPTAIN AMERICA: BRAVE NEW WORLD — PHOTO: Walt Disney Studios Motion Pictures.
Directed by Julius Onah — Screenplay by Rob Edwards, Malcolm Spellman, Dalan Musson, Julius Onah, and Peter Glanz.
Despite the huge success of Deadpool & Wolverine last year, the Marvel Cinematic Universe is in an unsteady moment currently due to an inundation of Disney+ series, and several rushed and poorly received films. In the post-Avengers: Endgame era, Marvel Studios still needs to get back on track, and, unfortunately, Captain America: Brave New World isn’t the film to do that. Though it’s not the worst film in the connected universe of films, I believe that it is, however, a lower-tier MCU film that feels messy, tinkered with, and sometimes even soulless. This is despite the fact that certain elements and scenes are quite satisfying. Although Marvel die-hards will probably still have a decent-enough time with it, but outside of the massive Red Hulk sequence teased in the marketing, the film arguably fails to justify its existence on the big screen.
Miles Teller and Anya Taylor-Joy in “The Gorge,” now streaming on Apple TV+.
Directed by Scott Derrickson — Screenplay by Zach Dean.
Scott Derrickson’s The Gorge follows two elite snipers, an American man named Levi Kane (played by Miles Teller) and a Lithuanian woman named Drasa (played by Anya Taylor-Joy), as they are both independently recruited for a top-secret mission in the middle of nowhere. At some unknown place in the world, there are two watchtowers standing across from each other, one representing the Western Bloc and another representing the Eastern Bloc. Each watchtower is guarded by mechanized turrets and bombs, and between the two watchtowers is a giant long hole in the ground — hence the title. Levi and Drasa have been hired to do maintenance on the weaponry and, at the same time, defend the world from what is hidden inside the mysterious valley. As they are the only two people in the vicinity, Drasa and Levi establish a connection, but when one of them accidentally falls down into the valley, everything changes and top secrets are revealed.
Renée Zellweger as Bridget Jones (in the middle) in BRIDGET JONES: MAD ABOUT THE BOY — PHOTO: Universal Pictures (Still image from trailers).
Directed by Michael Morris — Screenplay by Helen Fielding, Dan Mazer, and Abi Morgan.
Based on the Helen Fielding novel of the same name and, obviously named after the iconic song, Bridget Jones: Mad About the Boy finds Bridget Jones (still played by Renée Zellweger) at a particularly challenging moment in her life. Her husband, Mark Darcy (played by Colin Firth), has passed away, and she and their two children now struggle with grief in their own ways. At the same time, though, so many people around her are suggesting that Bridget should get back out there and date again. Back on the market, she develops a surprising romantic connection with a much younger man (played by Leo Woodall), while she also gradually grows closer to a schoolteacher (played by Chiwetel Ejiofor).
Liam Ó Hannaidh, Naoise Ó Cairealláin, and JJ Ó Dochartaigh in KNEECAP — PHOTO: Sony Pictures Classics (Still image from trailers).
Directed by Rich Peppiatt — Screenplay by Rich Peppiatt.
Writer-director Rich Peppiatt’s Kneecap tells the story of the rise of the real-life Belfast-based Irish hip-hop group known as ‘Kneecap.’ In Belfast, we meet Liam Ó Hannaidh (played by himself) and Naoise Ó Cairealláin (played by himself), two young men who have been raised on the beliefs of an Irish republican, Arlo (played by Michael Fassbender), who has faked his own death to avoid being caught by authorities. When, one day, Liam is arrested after attending a party where drugs were being widely spread, he refuses to speak English to the authorities opting instead to speak Irish Gaelic, which frustrates the protestant authorities. Therefore they reach out to JJ Ó Dochartaigh (played by himself), a music teacher at a school that teaches Gaelic, so that he can translate the conversation at the station as an interpreter. Following this encounter, JJ, Liam, and Naoise get together to record Irish Gaelic hip-hop, perform it, and bring attention to the language that they feel is not properly recognized. This all happens at a moment in time when JJ’s girlfriend, Caitlin (played by Fionnuala Flaherty), is getting into politics to campaign for an Irish Language Act.
Ariana Grande-Butera and Cynthia Erivo in WICKED — PHOTO: UNIVERSAL PICTURES (Still image from trailers).
Directed by Jon M. Chu — Screenplay by Winnie Holzman and Dana Fox.
Sometimes I like to think of myself as an ‘unrealized musical theater kid,’ since I do, and always have, enjoyed performances, musicals, and whatnot but didn’t really have school programs or friends to help steer me in a fulfilling direction when I was younger. As such, it sometimes feels like I’m behind on a couple of musical theater touchstones that I undoubtedly would’ve loved when I was younger. Although I knew of “Defying Gravity,” through, I think, Glee, Wicked has been a little bit of a blind-spot for me, despite my love and appreciation for The Wizard of Oz. In early 2024, I did express some doubt about this entire big-screen adaptation project of the musical theater phenomenon, as the adaptations of Cats and Dear Evan Hansen appeared to have only lessened the reputations of those shows. So, I openly asked, on the social media platform formerly known as Twitter, if this was something people actually wanted to see? Wicked die-hard fans were quick to respond with a clear and obvious ‘yes.’ Now that I’ve seen the big-screen adaptation, I can happily say that I totally get the excitement. Although I, admittedly, don’t think it’s perfect or the best movie musical of the last ten years, I found Wicked to be utterly delightful. I understand why it is, ahem, popular.
A burning Iris (played by Sophie Thatcher) sitting across from Josh (played by Jack Quaid) in COMPANION — PHOTO: Warner Bros. Pictures (still image from trailers).
Directed by Drew Hancock — Screenplay by Drew Hancock.
In the marketing for this film (more on this later), trailers have highlighted the fact that this new genre-bendy flick is the product of the studio behind The Notebook, arguably the most well-known American romance film, and the creators of Barbarian, the hugely surprising horror film with multiple tricks up its sleeves from 2022. It’s a good marketing narrative that does communicate the film’s genre fluidity from one thing to another from certain scenes to certain scenes. But, in actuality, this is the brainchild of writer-director Drew Hancock, a Blue Mountain State writer, who, to be honest, has crafted something quite entertaining for his feature directorial debut.
Margot (Reese Witherspoon) and Jim (Will Ferrell) in YOU’RE CORDIALLY INVITED — PHOTO: Glen Wilson/Prime Video
Directed by Nicholas Stoller — Screenplay by Nicholas Stoller.
You’re Cordially Invited is the second Amazon Prime Video January release since 2023 to be explicitly a comedy about weddings. Back in 2023, it was the Josh Duhamel and Jennifer Lopez action rom-com Shotgun Wedding, which was relatively forgettable despite having a decent cast. This latest Prime Video wedding-centric January release is a star vehicle for Will Ferrell and Reese Witherspoon from Forgetting Sarah Marshall and Neighbors director Nicholas Stoller. Although, admittedly, it isn’t as good as Stoller’s best films, I had a relatively good time with this comedy of wedding hijinx one-upmanship.
Vic Carmen Sonne in THE GIRL WITH THE NEEDLE — PHOTO: Nordisk Film (Still image from trailers).
Directed by Magnus von Horn — Screenplay by Magnus von Horn and Line Langebek.
A Danish, Swedish, and Polish international co-production, Magnus von Horn’s The Girl with the Needle is the 15th Danish submission to the Best International Film Oscar category to earn a nomination. Based on a true story and set in Denmark some time after World War One, von Horn’s film follows Karoline (played by Vic Carmen Sonne), a woman struggling financially. When Karoline, who believes her husband to be dead, enters into a relationship with her well-off boss, Jørgen (played by Joachim Fjelstrup), she soon gets pregnant with his child. However, when Jørgen is forbidden from marrying her, Karoline starts to think that she would be better off without the child that she is expecting. It is at this moment that she comes into contact with Dagmar (played by Trine Dyrholm). Dagmar works at a candy shop, and she tells Karoline that she can help her get her child to a foster family for the right price. However, when Karoline gets to know this strange shop owner, it soon becomes clear that she isn’t being upfront about what she is actually doing to the children being left in her care.
In this edition of Bite-Sized Reviews, I give you my thoughts on last year’s M. Night Shyamalan release, a Greek Yorgos Lanthimos flick, an animated film that blew me away, and an Alice Rohrwacher film that I can’t stop thinking about.
I'm Jeffrey Rex 