The following is a review of Godzilla II: King of the Monsters — Directed by Michael Dougherty.
I can’t say that I’m a big Godzilla expert. I’m what you would call a casual fan of the kaiju films. And when it’ll come to King Kong versus Godzilla in a few years, I’ll probably be on the side of the iconic ape. But that’s neither here nor there. I remember watching Emmerich’s Godzilla from 1998 when I was a kid (I don’t think I’ve seen it since), and I remember watching Gareth Edwards’ Godzilla from 2014 in the theater with my mother and my sister. I have no problem admitting that I was one of those people who was frustrated greatly by Edwards’ film which did, admittedly, give us these amazing visuals, but which suffered from the eponymous monster’s disappointing screen-time. With King of the Monsters, the kaiju-titan focused ‘monster-verse’ is course-correcting their approach to Godzilla, but, in doing so, they’ve unfortunately saddled a spectacular monster movie with thinly written characters and poor dialogue. Continue reading “REVIEW: Godzilla II: King of the Monsters (2019)”→
The following is a review of Hellboy (2019) — Directed by Neil Marshall.
In 2004 and 2008, Oscar-winning auteur Guillermo del Toro brought us two critically well-received comic book monster movies about Mike Mignola’s Dark Horse Comics creation ‘Hellboy,’ a red Nazi-summoned half-demon that fights for the human race against monsters and other dark forces. Even though del Toro is a beloved figure and his films are still held in high regard, del Toro’s request for a third film was denied. Instead, producers decided that it was time to replace the first two films’ auteur — del Toro, who had a real, recognizable love for his creatures — and its indispensable leading man, Ron Perlman — who was absolutely perfect in the role — in a new reboot of the franchise. Continue reading “REVIEW: Hellboy (2019)”→
The following is a review of Us — Directed by Jordan Peele.
No directorial debut this decade has made as much noise as Jordan Peele’s Get Out did. The social-horror film was made by a comedian from a popular two-man sketch comedy group who, as it turned out, had his finger on the pulse of America. Get Out is not just one of the most discussed films of the decade, it’s also one of the most interesting, one of the most rewatchable, and, arguably, one of the best. Though Us may not be as sharp, potent, or intelligent as Get Out, Peele here proves that he is no one-hit wonder. Get Out wasn’t a fluke, Jordan Peele knows exactly what he’s doing. Continue reading “REVIEW: Us (2019)”→
The following is a retro review of ‘Cloverfield’, a Matt Reeves film.
Cloverfield is one to remember. It is the most mysterious monster film ever made, one of the best found-footage films of all-time, and, arguably, the best monster film of the 2000s. I had no idea what it was when it came out. I remember how some thought that, perhaps, it was a new Godzilla-film, and while Godzilla is a great monster, I can honestly say that I’ve never enjoyed a kaiju-movie more than I enjoyed Cloverfield when it first came out. Continue reading “RETRO REVIEW: Cloverfield (2008)”→