Industry – Season Four (2026) | TV REVIEW

Myha’la and Marisa Abela in INDUSTRY (Season 4 – Episode 8) — Photograph by Simon Ridgway/HBO.

I don’t like to be out of the loop when it comes to great, big HBO shows, so one of the goals I set for myself in the first few months of 2026 was catching up on HBO’s Industry, Mickey Down and Konrad Kay’s acclaimed financial thriller-drama. which started way back in 2020 and has changed shape over the years. Back in the day, I tried to get into the show, but despite liking the first episode, I didn’t manage to make time for it then. The fourth season of the show, which I recently learned was going to be the penultimate season, premiered in January of this year, and I managed to catch up to it two weeks before the final episode hit in early March. I was really happy I made it a goal to find time for it, because this is a show that is much more than the ‘new Succession‘ that some have branded it. Although I see the comparison and acknowledge there are certain comparable elements (e.g., a race to the top of the ladder of one’s field, complex characters, and a focus on corporations, wealthy customers, and wealth management), it is very much its own thing entirely.

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Black Bag (2025) | REVIEW

Michael Fassbender in BLACK BAG — PHOTO: Focus Features / Universal Pictures (Still image from trailers).

Directed by Steven Soderbergh — Screenplay by David Koepp.

When it comes to filmmaking, you would be hard-pressed to find someone who is a more prolific filmmaker than Steven Soderbergh. Since the 2020s began, he has had six feature films released — some in theaters, some on streaming services. Incredibly, it’s not like his films suffer from the speed with which he gets them out for the public to see. In the case of No Sudden Move (2021) and Kimi (2022), those were some of the best surprises of their respective years. Soderbergh is also quite experimental, as he has tried his hand at using iPhones to shoot major motion pictures, like Unsane and High Flying Bird. His latest film, Black Bag, never feels like an experiment, rather it feels like Steven Soderbergh at his very best. It’s a sleek relationship spy drama with a terrific ensemble cast led by Michael Fassbender in top form.

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