Jurassic World: Rebirth (2025) | REVIEW

Scarlett Johansson and Jonathan Bailey in JURASSIC WORLD: REBIRTH — PHOTO: Universal Pictures (Still image from trailers).

Directed by Gareth Edwards (Godzilla; The Creator) — Screenplay by David Koepp (Jurassic Park; Black Bag).

Despite Jurassic World: Dominion being met with horrendous critical reception, the film still made $1 billion at the box office, as the franchise appears to be critic-proof. Therefore, even though Dominion was marketed as the ‘conclusion to the Jurassic era,’ Universal Pictures and Amblin Entertainment fast-tracked a sequel that is here only three years after the release of the previous film. To kick off a new chapter of the Jurassic era, so to speak, the producers turned to Scarlett Johansson to be the new face of the franchise and hired Godzilla and Rogue One‘s Gareth Edwards to take on the directing duties. Even if you felt burned out on the film series following Fallen Kingdom and Dominion, you have to admit that the hiring of Johansson and Edwards — the former a world-renowned thespian and the latter a director known for his understanding of scale and visual effects-heavy filmmaking — was to be seen as good news. Indeed, their film together, Jurassic World: Rebirth, is a definite step in the right direction, as there’s a lot to like about it. That said, given some of its issues, I’m still not sure if it is a big enough step for it to be particularly noteworthy or praiseworthy.

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REVIEW: Greyhound (2020)

Release Poster – Apple TV+

The following is a review of Greyhound — Directed by Aaron Schneider.

Though not the first Apple TV+ film (it was preceded by two documentaries, Minhal Baig’s Hala, and George Nolfi’s The Banker), Aaron Schneider’s Greyhound is almost definitely the biggest, most expensive, and most widely seen Apple TV+ film released thus far. Originally scheduled to be released by Sony Pictures in theaters around the world, Greyhound was, due to the COVID-19 Pandemic, delayed and later sold to Apple TV+ for a reported sum of $70 million. With the acquisition, Apple TV+ was granted not just a marketable war flick with a household name in the lead role, Apple also received a genuinely good and entertaining film. Continue reading “REVIEW: Greyhound (2020)”

REVIEW: 6 Underground (2019)

Release Poster – Netflix

The following is a review of 6 Underground — Directed by Michael Bay.

If you think the Netflix film-catalog merely consists of Oscar bait and shoddy romantic-comedies, then Michael Bay’s 6 Underground is here to disprove that notion. While Netflix is releasing this year’s batch of awards-worthy dramas — like Marriage Story and The Irishman — they also have their complete antithesis, 6 Underground, ready for quick consumption. Its star, Ryan Reynolds, has been seen in marketing describing the film as the ‘most Michael Bay movie in the history of Michael Bay,’ thus promising an explosion-heavy, no-holds-barred modern action movie from one of the most commercially successful filmmakers in history. Reynolds’ description is apt, however, 6 Underground just isn’t a very good movie. Continue reading “REVIEW: 6 Underground (2019)”