Top Ten Films of 2018

The BAFTAs are over. The Oscars are over. The book on 2018 films is about to be closed, but, wait, there’s more! Before we switch our focus completely onto the films of 2019 and the future awards season, I’d like to, as always, submit and present my own top ten films of the year-list. What was my favorite film of the year? What film got the honor of being my one and only honorable mention? It’s time to reveal the top ten films of 2018. Continue reading “Top Ten Films of 2018”

Golden Globes Predictions: Winners – Special Features #41

It’s time to get ready for the first major awards show of 2019 — The Golden Globe Awards. Though not at all as prestigious as the Academy Awards, the Golden Globes ceremony is known all around the globe as the major American precursor to the Oscars. Today, I’ll give out my own predictions for the ceremony which is being held this weekend. Continue reading “Golden Globes Predictions: Winners – Special Features #41”

RETRO REVIEW: Morvern Callar (2002)

Release Poster – Alliance Atlantis / BBC Films

The following is a retro review of Morvern Callar — Directed by Lynne Ramsay.

A funny thing happened a couple of months ago. In March 2018, I saw Lynne Ramsay’s You Were Never Really Here in a small theater that, honestly, looked more like a little kiosk. It was the first Lynne Ramsay film that I had ever seen, and, when the film was over and I got out of the empty movie theater room, I realized that I had just watched a film by someone who had a great understanding of the medium.  Continue reading “RETRO REVIEW: Morvern Callar (2002)”

REVIEW: You Were Never Really Here (2018)

Theatrical Release Poster – StudioCanal / Amazon Studios

The following is a review of You Were Never Really Here — Directed by Lynne Ramsay.

After I saw Lynne Ramsay’s You Were Never Really Here the day before yesterday, I decided to reread one of Roger Ebert’s excellent reviews of Taxi Driver — the Scorsese classic which this Lynne Ramsay film, rightly, has been compared to a lot. In the review, Ebert smartly noted that Travis Bickle’s response to his own iconic line “Are you talking to me?” — “Well, I’m the only one here,” — was the truest line in a film about loneliness and alienation. Continue reading “REVIEW: You Were Never Really Here (2018)”