The following is a review of Long Shot — Directed by Jonathan Levine.
It would appear that I have a soft spot for Jonathan Levine films. His is a name that immediately gets me excited to watch a film if his name is attached to it. I am one of the few who thinks Levine’s 50/50 is a genuine masterpiece of the genre within which it belongs. Furthermore, I think his 2015 holiday film The Night Before has the makings of a modern Christmas classic — in fact, it has already become a tradition for me to watch that film every Christmas. Likewise, I really enjoyed my time with Long Shot, which is Levine’s attempt at Rogenesque romantic comedy with a political twist. While I doubt that Long Shot will become as memorable to me as the aforementioned efforts, I think it is another example of a hip Levine film that goes down well. Continue reading “REVIEW: Long Shot (2019)”→
The following is a review of Hellboy (2019) — Directed by Neil Marshall.
In 2004 and 2008, Oscar-winning auteur Guillermo del Toro brought us two critically well-received comic book monster movies about Mike Mignola’s Dark Horse Comics creation ‘Hellboy,’ a red Nazi-summoned half-demon that fights for the human race against monsters and other dark forces. Even though del Toro is a beloved figure and his films are still held in high regard, del Toro’s request for a third film was denied. Instead, producers decided that it was time to replace the first two films’ auteur — del Toro, who had a real, recognizable love for his creatures — and its indispensable leading man, Ron Perlman — who was absolutely perfect in the role — in a new reboot of the franchise. Continue reading “REVIEW: Hellboy (2019)”→
I’m, honestly, still shocked by how well It has done in theaters around the world. It’s amazing. But even though I’ve got a lot of opening weekend’s to predict this month, there is really only one movie that I want to talk about right now: Blade Runner 2049. Continue reading “Box Office Predictions – October 2017”→
The following is a review of The Big Sick – Directed by Michael Showalter.
In Michael Showalter’s The Big Sick, Kumail Nanjiani (played by himself), a Pakistani-American stand-up comedian, has fallen in love with a heckler, a white woman named Emily (played by Zoe Kazan). Kumail quickly starts a relationship with this woman, but he is not ready to tell his parents as they are very conservative and constantly shove Pakistani women in front of him whenever he visits his parents’ home. Continue reading “REVIEW: The Big Sick (2017)”→
The following is a review of Hell or High Water – directed by David Mackenzie.
Former actor Taylor Sheridan – a WGA Award-nominated screenwriter – is beginning to make quite a name for himself. 2015’s Sicario, which Sheridan also wrote, was easily one of the best films of that year, and now, with Hell or High Water, he may have outdone himself. At the very least, I believe director David Mackenzie has made one of the best neowestern films that I’ve ever seen out of Sheridan’s original script. Continue reading “REVIEW: Hell or High Water (2016)”→
The following is a spoiler-free review of Adam Wingard’s Blair Witch.
This new Blair Witch was a pretty big surprise this year. For quite a while Adam Wingard’s 2016 horror film was titled The Woods. And – I have to admit that – I wasn’t really excited for The Woods. Not only was the Blair Witch reveal a great surprise, it also got me interested in the film immediately.
I’m not a huge fan of the original film, but I enjoy it for what it is, and I really liked the idea of making a new sequel to the horror cult ‘classic.’ I was especially excited when I heard about the plot of the film. And while I don’t think Blair Witch is an amazing found footage horror film, I had a really good time with it. Continue reading “REVIEW: Blair Witch (2016)”→